“Tore up and A-Movin”: Perspectives on the Work of Black and Poor White Women in the Rural South, 1865-1940

2021 ◽  
pp. 15-34
Author(s):  
Jacqueline Jones
Keyword(s):  
Author(s):  
Erik Bledsoe

This chapter discusses the emergence of a new generation of southern writers who are giving voice to a different group of southerners, forcing their readers to reexamine long-held stereotypes and beliefs while challenging the literary roles traditionally assigned poor whites. According to Linda Tate, “traditionally, southern literature has been understood to be that written by white men and, on rare occasions, by white women—and, in almost all cases, by and about white southerners of the upper middle class.” This chapter looks at three new voices who write about the Rough South and the southern poor whites from within the class: Dorothy Allison, Larry Brown, and Timothy Reese McLaurin. The term “Rough South” refers to as the world of the redneck or white trash. The terms “redneck,” “white trash,” “cracker,” and “poor white” have all been used to describe certain white southerners.


2020 ◽  
pp. 176-192
Author(s):  
Allison Dorothy Fredette

This chapter explores the lives of working-class and poor white women of the border South. Their story reveals the potential of border culture—how it gave a voice and agency to women whose stories could be more easily suppressed in a less fluid community. The border created fertile ground for ideas of mutuality and individualism. While this led many to pursue friendship, love, and partnership in their relationships, elite and middle-class husbands and wives of the border South still often adhered to a social ethic which dictated certain gendered behaviors to men and women. In working-class society, however, these philosophies gave women a greater sense of independence and authority, allowing them to push the boundaries of the household and assert themselves in new ways.


1999 ◽  
Vol 33 (1) ◽  
pp. 45-64
Author(s):  
SHARON MONTEITH

In the work of contemporary writers who explore the racial and social geography of growing up in the American South, fleeting encounters between white and black girls abound but enduring friendships prove to be more problematic to represent. In Ellen Foster (1987), Ellen and Starletta's association stretches across the novel whereas, most frequently in fictions, the points at which black and white women converge and relate tend to be brief and transient, as in Toni Morrison's Beloved (1987) where a heavily pregnant and fugitive Sethe is aided by poor white Amy; or in Thulani Davis's 1959 (1992) where the brief kindness of a white woman is remembered as a significant, if fleeting gesture. I wish to raise questions about the ways in which cross-racial childhood relationships are represented formally and aesthetically. There is often an understandable but troubling literary–critical impasse whereby black girls are contained within the first-person narrations of white protagonists which, whilst explicating the connection between the girls, risk engulfing or subsuming the black “best friend.” I shall examine the ways in which this may be the inevitable result of the Bildungsroman form and consider how the representation of the cross-racial friendship at the heart of Ellen Foster is modified in direct correspondence to the novel's structuring.


2005 ◽  
Vol 17 (1-2) ◽  
pp. 37-53 ◽  
Author(s):  
Sara Wilcox ◽  
Larissa Oberrecht ◽  
Melissa Bopp ◽  
Sandra K. Kammermann ◽  
Charles T. McElmurray

2014 ◽  
Vol 20 (5) ◽  
pp. 517-538 ◽  
Author(s):  
Naomi Farber ◽  
Julie E. Miller-Cribbs
Keyword(s):  

Author(s):  
William Green

Judith Weisz's story of the politics of drug risk management now turns from the national controversy over Depo-Provera to join Anne MacMurdo's story of the drug’s unapproved contraceptive use and the personal risks faced by women. The FDA’s limited authority over Upjohn's marketing practices and over physicians, mental health facilities, and family planning clinics nationwide, permitted the drug to be prescribed for contraception without the informed consent of women. Unlike Judith Weisz's story of Depo-Provera's long-term risk of cancer, Anne MacMurdo's concerns the drug's short-term side effects, such as excessive menstrual bleeding, depression, and weight gain. Her story began when an injection of the drug in 1974 was followed by a hysterectomy to stop her continuous bleeding. Shebrought a products liability suit against Upjohn, but her case was not tried until 1986, when a Florida jury awarded her $186,000, a verdict reversed on appeal by the state supreme court. Her story exposes the failure of Upjohn and physicians to manage the drug's risk, the limited access of women, often poor white women and women of color, to a legal remedy, the risk management role of courts, and the limited ability of state civil law to address the drug's short-term side effects.


Author(s):  
Lisa Yarger

This chapter presents a selective account of Lovie’s childhood. Lovie’s interest in pregnancy and birth takes root on the Beard family farm where lay midwives, known as grannies, granny women or granny midwives, attended the deliveries of African American tenant farm women. These traditional midwives, who were community based and served women of color as well as poor white women, learned their vocation through an informal apprenticeship with an older woman, often a relative. When Lovie graduates from high school, her mother insists that she continue her education and pursue a career, advising her that she “can’t rely on menfolks.” Following the contours of Lovie’s life, the reader begins a journey through the last century of midwifery history in the South.


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