Sonnets Attempted in the Manner of Contemporary Writers, Samuel Taylor Coleridge (1797)

2020 ◽  
pp. 51-52
Author(s):  
Samuel Taylor Coleridge
Keyword(s):  
Samuel Taylor Coleridge ◽  
Contemporary Writers

Samuel Taylor Coleridge, Poetical Works

2004 ◽  
Vol 1 (3) ◽  
pp. 363-366
Author(s):  
Edoardo Zuccato
Keyword(s):  
Samuel Taylor Coleridge

‘A Radical causation’: Coleridge's Lyrics and Collective Guilt

Romanticism ◽  
2017 ◽  
Vol 23 (1) ◽  
pp. 62-74 ◽  
Author(s):  
Brittany Pladek
Keyword(s):  
Social Psychology ◽  
Social Change ◽  
Recent Work ◽  
Samuel Taylor Coleridge ◽  
Social Value ◽  
Collective Guilt ◽  
Ideal Form ◽  
Ethical Work ◽  
Positive Social Change ◽  
Meaningful Relationships

This paper argues that the early lyrics of Samuel Taylor Coleridge explore the ethical work of collective guilt, a feeling with enormous Romantic and contemporary significance. Coleridge's lyrics formally model collective guilt while making a cautious case for its social value. By reading ‘Fears in Solitude’ and The Rime of the Ancient Mariner through recent work in social psychology and the philosophy of ethics, I show how Coleridge creates causalities of feeling, affirming meaningful relationships of responsibility that go beyond personal guilt. I conclude that Romantic lyric offers an ideal form not only for illustrating how collective guilt works as a ‘structure of feeling’, but also for examining the emotion's potential to create positive social change.

Umberto Eco's Reflections on Morality in the Context of Cultural Identity

2017 ◽  
Vol 2 (44) ◽  
pp. 84-88
Author(s):  
Jana Pecníková ◽  
Anna Anna Slatinská ◽  
Genovaitė Kačiuškienė
Keyword(s):  
Cultural Studies ◽  
Cultural Identity ◽  
21St Century ◽  
Moral Identity ◽  
Research Paper ◽  
Italian Society ◽  
Human Being ◽  
Umberto Eco ◽  
Contemporary Writers ◽  
Identity Issue

The research paper focuses on the cultural and moral identity in Umberto Eco’s reflections. Attention is paid to the selected pieces. Umberto Eco is one of the most famous contemporary writers dealing with the issues of morality in Italian society. His works are devoted to the current perception of identity in the 21st century. The authors are interested in his view on values and identity in the selected chapters of his work. The aim of the paper is to analyse the identity issue in Umberto Eco’s works.The research objectives are based on recent doubts in cultural studies whether identity is fixed and firmly defined or acquired by a human being freely. Another question is the link between these two aspects. Although the origin of the word identity comes from Latin (idem – the same), nowadays it is more understood in its diversity as linguistic, cultural, national, moral identity, etc.

Madness Writing Poetry/ Poetry Writing Madness

2017 ◽  
Author(s):  
James Whitehead
Keyword(s):  
William Wordsworth ◽  
Samuel Taylor Coleridge ◽  
English Literature ◽  
Percy Bysshe Shelley ◽  
John Keats ◽  
William Blake ◽  
Lord Byron ◽  
The Public ◽  
John Clare ◽  
Romantic Poetry

The final chapter returns to the scene of Romantic poetry, looking at poetry by William Blake, William Wordsworth, Samuel Taylor Coleridge, John Keats, Lord Byron, Percy Bysshe Shelley, and John Clare. It reads these Romantic texts as poised articulations of the idea of poetic madness, and discusses generally how these writers contributed to, or interwove with their own lives and works, new and rediscovered mythologies of madness, sometimes anticipating or resisting the public images created by journalism, criticism, or biography, previously described. Finally, the Romantic mad poet is considered in relation to criticism and the canonical role of Romanticism in English literature.

Conclusion

2018 ◽  
Author(s):  
W. B. Patterson
Keyword(s):  
Nineteenth Century ◽  
Samuel Taylor Coleridge ◽  
English Reformation ◽  
Historical Writing ◽  
Robert Southey ◽  
History Of ◽  
Charles Lamb

Fuller’s books about England’s religious past helped to stimulate an outpouring of historical writing. Peter Heylyn wrote about some of the same subjects as Fuller, and so did Gilbert Burnet, Edward Stillingfleet, John Strype, and Jeremy Collier. Burnet, who looked for models for his history of the English Reformation, was sarcastic about Fuller, partly because of the latter’s “odd way of writing.” Fuller’s work was not highly regarded in the late seventeenth and eighteenth centuries. In the nineteenth century Charles Lamb, Robert Southey, and Samuel Taylor Coleridge deeply admired him for his insights and praised him for his writing. Several nineteenth-century historians defended his work. His reputation has remained uncertain, despite fresh assessments in recent years. Coleridge was remarkably apt in his viewpoint. Fuller saw the broader significance of the events he described and was one of the most sensible scholars and writers of his time.

Coleridge's “ideal Realism”: an alternative to the “doctors of the Absolute”?

1995 ◽  
Vol 16 (01) ◽  
pp. 1-16
Author(s):  
Mary Anne Perkins
Keyword(s):  
Political Philosophy ◽  
Common Ground ◽  
Samuel Taylor Coleridge ◽  
The Political ◽  
Close Reading ◽  
Magnum Opus ◽  
The Absolute ◽  
First Time

A few months ago I read Peter Nicholson's The Political Philosophy of the British Idealists for the first time. In the index I found more than a hundred references to Hegel and only one to Samuel Taylor Coleridge. However, as many of the latter's writings, published for the first time in recent years, become generally accessible there is an increasing sense that he has been unfairly deprived of his due status as a philosopher. This is partly, no doubt, the syndrome of the prophet in his own country and partly the inevitable consequence of much of his later work remaining unpublished until recent years. Coleridge himself, with what some would take to be confirmation of an over-sensitivity to criticism, felt the neglect of his work went deeper and betrayed an anti-philosophical trait in British character. Despite his close reading of the work of many of his German contemporaries it seems that he did not read more than sixtyone pages of Hegel's Wissenschaft der Logik. His margin notes to this work are, on the whole, negative in their criticism. However, despite significant disagreements, there is much common ground in theme, argument and conclusion between his many drafts of the ‘Logosophia’, his intended magnum opus, and Hegel's system.

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