Communication and health knowledge production in contemporary Russia from institutional structures to intuitive ecosystems

2020 ◽  
pp. 206-218
Author(s):  
Alexandra Endaltseva
2016 ◽  
Vol 21 (4) ◽  
pp. 373-387 ◽  
Author(s):  
Tim Coles ◽  
C. Michael Hall ◽  
David Timothy Duval

This article revisits postdisciplinary approaches to the study of tourism that were first proposed around a decade ago. Specifically, it sets out to examine the extent to which such approaches have continued relevance to tourism scholarship moving forward. Basic literature searches suggest that the world has changed, yet the tourism academy has not. Traditional disciplines, especially in the social sciences, continue to be the basic building blocks of knowledge production in tourism. However, if a more sophisticated approach is taken to analysis, there is ample evidence of more reasonable, flexible approaches to inquiry about tourism—in particular in the areas of tourism mobilities and climate change. Free from disciplinary dogma and orchestration, these take as their initial cues issues, questions, or problems and how best to tackle them. Indeed, the evidence points to a future trajectory even further in this direction. Many of the major issues facing the research community are so wide in scope and complex in nature that they require academic coalitions to tackle them. Discipline-specific or discipline-exclusive approaches will not suffice on their own. More than 10 years ago, the move toward postdisciplinary modes of inquiry was argued to be inevitable, mainly from intellectual grounds. Although this rationale remains valid, the article argues that unfolding institutional structures and the organization of higher education are also far more encouraging of postdisciplinary approaches. Research investment, especially in advanced economies, is increasingly being targeted toward grand challenges and transformative research.


2011 ◽  
Author(s):  
Jessie Chin ◽  
Daniel G. Morrow ◽  
Elizabeth A. L. Stine-Morrow ◽  
Xuefei Gao ◽  
Thembi Conner-Garcia ◽  
...  

2011 ◽  
Author(s):  
Jessie Chin ◽  
Elizabeth A. L. Stine-Morrow ◽  
Dan Morrow ◽  
Xuefei Gao ◽  
Thembi Conner-Garcia ◽  
...  

2006 ◽  
Author(s):  
Kelly Orourke ◽  
Christy Zenner ◽  
Mary Pritchard

2018 ◽  
Author(s):  
Christina Warner ◽  
Samantha Carlson ◽  
Renee Crichlow ◽  
Michael W. Ross

Author(s):  
Honghai LI ◽  
Jun CAI

The transformation of China's design innovation industry has highlighted the importance of design research. The design research process in practice can be regarded as the process of knowledge production. The design 3.0 mode based on knowledge production MODE2 has been shown in the Chinese design innovation industry. On this cognition, this paper establishes a map with two dimensions of how knowledge integration occurs in practice based design research, which are the design knowledge transfer and contextual transformation of design knowledge. We use this map to carry out the analysis of design research cases. Through the analysis, we define four typical practice based design research models from the viewpoint of knowledge integration. This method and the proposed model can provide a theoretical basis and a path for better management design research projects.


2020 ◽  
Vol 50 (1) ◽  
pp. 39-50
Author(s):  
Matt Kennedy

This essay seeks to interrogate what it means to become a legible man as someone who held space as a multiplicity of identities before realising and negotiating my trans manhood. It raises the question of how we as trans people account for the shifting nature of our subjectivity, our embodiment and, indeed, our bodies. This essay locates this dialogue on the site of my body where I have placed many tattoos, which both speak to and inform my understanding of myself as a trans man in Ireland. Queer theory functions as a focal tool within this essay as I question family, home, transition, sexuality, and temporality through a queer autoethnographic reading of the tattoos on my body. This essay pays homage to the intersecting traditions within queer theory and autoethnography. It honours the necessity for the indefinable, for alternative knowledge production and representations, for the space we need in order to become, to allow for the uncertainty of our becoming.


Somatechnics ◽  
2019 ◽  
Vol 9 (2-3) ◽  
pp. 188-205
Author(s):  
Sofia Varino

This article follows the trajectories of gluten in the context of Coeliac disease as a gastrointestinal condition managed by lifelong adherence to a gluten-free diet. Oriented by the concept of gluten as an actant (Latour), I engage in an analysis of gluten as a participant in volatile relations of consumption, contact, and contamination across coeliac eating. I ask questions about biomedical knowledge production in the context of everyday dietary practices alongside two current scientific research projects developing gluten-degrading enzymes and gluten-free wheat crops. Following the new materialisms of theorists like Elizabeth A. Wilson, Jane Bennett, Donna Haraway and Bruno Latour, I approach gluten as an alloy, an impure object, a hybrid assemblage with self-organizing and disorganizing capacity, not entirely peptide chain nor food additive, not only allergen but also the chewy, sticky substance that gives pizza dough its elastic, malleable consistency. Tracing the trajectories of gluten, this article is a case study of the tricky, slippery capacity of matter to participate in processes of scientific knowledge production.


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