Indian English Commercial Fiction and the Question of Caste

2021 ◽  
pp. 253-269
Author(s):  
Aditya Premdeep
Keyword(s):  
Indian English

History of Contemporary Indian English Poetry: An Appraisal

POETCRIT ◽  
2020 ◽  
Vol 33 (1) ◽  
pp. 76-82
Author(s):  
Pravat Kumar Padhy ◽  
Keyword(s):  
English Poetry ◽  
Indian English ◽  
History Of

A Complete Replica of Contemporary Indian Society in the Fictional Works of Chetan Bhagat: A Detailed Literary Analysis of his Five Point Someone, One Night @ the Call Center and The Three Mistake of My

1970 ◽  
Vol 4 (6) ◽  
pp. 17
Author(s):  
Vikram Patel
Keyword(s):  
Middle Class ◽  
Call Center ◽  
English Literature ◽  
The Other ◽  
Literary Analysis ◽  
Indian Society ◽  
Indian English ◽  
Clear Cut ◽  
Middle Class Family ◽  
Fiction Writers

hetan Bhagat is one of the most influential fiction writers of contemporary Indian English literature. Postmodern subjects like youth aspirations, love, sex, marriage, urban middle class sensibilities, and issues related to corruption, politics, education and their impact on the contemporary Indian society are recurrently reflected thematic concerns in his fictions. In all his fictions, he has mostly depicted the contemporary urban social milieu of Indian society. Though the fictions of Chetan Bhagat are romantic in nature, contemporary Indian society and its major issues are the chief of the concerns of all his fictions. He has focused on the contemporary issues of middle class family in his fictional works. All of the chief protagonists of his works are sensitive youth and they do not compromise with the prevalent situations of society. Most of the characters are like caricatures that represent one or the other vice or virtue of the contemporary Indian society. The author has a mastery to convince the reader about the prevalent condition of society so that one can easily reproduce in mind, a clear cut image of contemporary Indian society. The present article is a sincere endeavor to present the detailed literary analysis of the select fictions of Chetan Bhagat keeping in mind how the contemporary Indian society has been replicated in the fictions.

The portrayal of Social Evils in Kamala Markandaya’s Nectar in a Sieve and A Handful of Rice

2016 ◽  
Vol 4 (12) ◽  
pp. 11
Author(s):  
Pooja Shankar ◽  
Dr. Poonam Rani
Keyword(s):  
Good Life ◽  
Human Life ◽  
Research Paper ◽  
Abstract Concept ◽  
Indian English ◽  
Rural And Urban ◽  
Kamala Markandaya ◽  
The Everyday ◽  
Everyday Reality ◽  
Urban People

Life is very precious for everyone. Life needs proper care and nurture. Human life depends on society. Only in a good society we can find a good life.  Life is simple, very little is needed to make it happy. But social evils insist on making it complicated. Social evils in society have become a serious concern in the present day world. It is gradually affecting roots of our culture and its blocking its rapid growth on the global chart. The aim of writing this research paper is to highlight Social Evils in rural and urban societies. This research paper will explore the meaning, reason, effect of social evils in the light of the analysis of two novels of Kamala Markandaya, an Indian English writer. The research paper entitled ‘The portrayal of Social Evils in Kamala Markandaya’s Nectar in a Sieve and A Handful of Rice.’ In this paper, the effort is made to study Kamala Markandaya’s Social Evils in Nectar in a Sieve and A Handful of Rice. We will find poverty, hunger, starvation, beggary, prostitution, crime, unemployment and many more social evils in both novels. Kamala Markandaya’s A Handful of Rice and Nectar in a Sieve nothing but an account of the suffering of the rural and urban people, and how the cruelty of social evil resulting in suffering, death and misfortune is more explicit in both novels. Poverty is the everyday reality of the characters in the both novels.  Poverty is not an abstract concept that one can really think about, it’s like wolf at the door that must constantly be staved off. Both novels are a jolt to awaken the society against social evils.  

Narrative conventions: What contribute to competitive prime time television News Discussions?

Think India ◽  
2019 ◽  
Vol 22 (3) ◽  
pp. 1758-1769
Author(s):  
Vidisha Madonna D’Souza
Keyword(s):  
Public Opinion ◽  
Analytical Approach ◽  
Research Study ◽  
Television News ◽  
Prime Time ◽  
Competitive Strategies ◽  
Indian English ◽  
The Past ◽  
One Stop ◽  
Narrative Conventions

Television News has been a resorted platform for Indian viewers over the past decades. A majority of Indian viewers are known to trust this platform for its highly expected one-stop, credible, professionally opinionated sense of reporting.  News channels have become platforms for celebrity journalists and anchors to exercise their authority. News organisations have become backbones of information and public opinion and journalists and their organisational agenda have taken this forward.  With bold and competitive strategies used to enable news presentations, it is essential to examine and recognize existing Television news narrative conventions and practices that have gained momentum in recent years. Through a qualitative analytical approach taken for this research study, it is clear that narrative conventions exist and modify, thus producing fashionable and modernized forms of presentation techniques during prime time. With a clear organisational norm and genre of discourse shared by Indian English television channels today, the paper highlights persisting organisational norms, unconventional discourses, rhetoric (audio and visual) and music – a contributing element as existing contributors of narrative conventions. 

Women and Agency in Bankim’s Rajmohan’s Wife and Tagore’s The Home and The World

2020 ◽  
Vol 12 (5) ◽  
Author(s):  
Manju Dhariwal ◽  
Keyword(s):  
Nineteenth Century ◽  
The Self ◽  
Indian English ◽  
Colonial India ◽  
English Novel ◽  
The World ◽  
The Status ◽  
Insight Into ◽  
Status Of Women

Written almost half a century apart, Rajmohan’s Wife (1864) and The Home and the World (1916) can be read as women centric texts written in colonial India. The plot of both the texts is set in Bengal, the cultural and political centre of colonial India. Rajmohan’s Wife, arguably the first Indian English novel, is one of the first novels to realistically represent ‘Woman’ in the nineteenth century. Set in a newly emerging society of India, it provides an insight into the status of women, their susceptibility and dependence on men. The Home and the World, written at the height of Swadeshi movement in Bengal, presents its woman protagonist in a much progressive space. The paper closely examines these two texts and argues that women enact their agency in relational spaces which leads to the process of their ‘becoming’. The paper analyses this journey of the progress of the self, which starts with Matangini and culminates in Bimala. The paper concludes that women’s journey to emancipation is symbolic of the journey of the nation to independence.

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