World Culture

2021 ◽  
pp. 137-168
Author(s):  
Lewis Mumford
Keyword(s):  
World Culture

Folklore and Mythological Symbolism of Lunar Images in the Poetry of Vasyl Holoborodko

2019 ◽  
Keyword(s):  
Fairy Tales ◽  
Personal Experience ◽  
Emotional State ◽  
The Moon ◽  
World Culture ◽  
World Picture ◽  
Individual Perception

The article considers the interpretation of the lunar symbols of V. Goloborodko's poetry in the folklore and mythological context. The poetry of this representative of the Kyiv School is analyzed in line with mythological representations of both world culture and ethno-national mental principles. The mythological thinking of the artist is represented through the verbal poetical system of images, axiology and ontology concepts, etc. The article establishes that, in the interpretation of the lunar mythology, V. Holoborodko refers to fairy tales, fantasy elements, folk symbols, magical and ritual actions, transfigurative metamorphoses, etc. The simile metaphors in the author's artistic texts are decoded through explanations of the author's individual cosmology. It is determined that the lunar symbols in the poetry of the "Kyiv man" are capable of transforming into objects, can float in water, magically affect nature and man, health and vigor, interact with spirits, dryads, mermaids, transform into a sensual image. In the poems by V. Golobolrodko, the symbol of the Moon is used in the texts that are stylized as folklore (fairy tales, legends, rituals, spells, etc.). Irrational perception of the image of the Night Orb becomes the basis for modeling the myth-poetic world picture of the representative of the Kiev School of Poetry. The paper proves that the myth-making of any writer is implemented through the ethno-mental foundations of the worldview, the archaic genomes of humanity, folk-poetic components, the collective subconscious and the empirical personal experience of the artist. Particular sensual images in poetic works operate in line with ancient ideas and beliefs, analytical and visual cogitative process, individual perception of concepts and the surrounding reality, specific emotional state. Lunar symbols in the poetry of V. Holoborodko are interpreted in conjunction with other verbal poetic images traditionally inherent in Ukrainian folklore.

‘And for the enemies — tar…’

2020 ◽  
pp. 187-212
Author(s):  
L. F. Katsis ◽  
A. V. Gordon
Keyword(s):  
Research Centre ◽  
State University ◽  
World Culture ◽  
Tel Aviv ◽  
Russian State ◽  
Judaic Studies ◽  
Jewish Museum

The interview with the head of the Educational and Research Centre for Bible and Judaic Studies at the Russian State University for the Humanities begins with an account of the cultural and pedagogical exchange with the Israeli Bar-Ilan University (Ramat Gan) and Jabotinsky Institute (Tel Aviv). The interview goes into detail about the exhibition entitled ‘Nostalgia for world culture: O. E. Mandelstam’s library’, which took place in the Moscowbased Jewish Museum and Tolerance Centre from December 2018 until March 2019 and enjoyed a total turnout of 45,000 visitors. Thanks to N. Mandelstam’s personal archive display, the visitors could learn about the poet’s reading preferences and his outstanding contemporaries, as well as how N. Mandelstam shaped the poet’s image among the Russianspeaking intelligentsia in the second half of the 20th c. Also discussed in the interview are Leonid Katsis’ recently published books on V. Mayakovsky and V. Jabotinsky.

Vestimental Fashion-Trends in the Context of Culture of the late XIX – early XX century: Experience of Inclusion in the Process of Teaching the History of World Culture

2020 ◽  
Author(s):  
Ж.В. Васильева
Keyword(s):  
Educational Material ◽  
Fundamental Importance ◽  
World Culture ◽  
Modern Period ◽  
Long Time ◽  
History Of ◽  
Experience Of Inclusion

вопросы взаимодействия моды и сферы искусства, аспекты сближения их позиций в области репрезентации базовых эстетических установок конца XIX – начала XX вв. долгое время оставались вне поля исследовательского внимания культурологов и искусствоведов. Между тем, для преподавания курса мировой художественной культуры (МХК) анализ динамики взаимопроникновения моды и искусства в период модерна, выявление параллелей в развитии фэшн-трендов и художественных направлений конца XIX – начала ХХ в. имеет принципиальное значение. Обосновать необходимость включения учебного материала по вестиментарным фэшн-трендам в курс МХК – наша задача. questions of interaction between fashion and art, aspects of convergence of their positions in the field of representation of basic aesthetic attitudes of the late XIX – early XX centuries for a long time remained out of the field of attention of researchers. Meanwhile, for teaching the history of world culture, the analysis of the dynamics of the interpenetration of fashion and art in the modern period, the identification of parallels in the development of fashion trends and artistic trends of the late XIX – early XX century is of fundamental importance. Our task is to justify the need to include educational material on vestigial fashion trends in the course of world art culture.

Entheogenesis: Toward an Expanded Worldview for Our Time

2017 ◽  
Vol 57 (5) ◽  
pp. 443-449
Author(s):  
Ralph Metzner
Keyword(s):  
World Culture ◽  
Contemporary World ◽  
States Of Consciousness ◽  
Psychedelic Drugs

Whereas the terminology of psychedelics has acquired spurious cultural associations of “tripping,” the historically primal concept of consciousness expansion has two advantages. One, it connects psychedelic drugs with other modes of consciousness expansion, such as meditation and creative visioning; and two, it suggests contrasting comparison with the consciousness contraction involved in concentration and focus. Both expansions and contractions can be observed at the level of an individual’s states of consciousness and also at the level of the shared worldview of society. Contemporary world culture is moving toward an expanded worldview that recognizes both the material and the spiritual dimensions of our existence.

Stravinsky as a Russian

Tempo ◽  
1967 ◽  
pp. 5-9
Author(s):  
Pierre Souvtchinsky ◽  
John Warrack
Keyword(s):  
World Wide ◽  
Personal Life ◽  
World Culture ◽  
Russian Culture ◽  
The World ◽  
Basic Characteristics

What can one say, with what words should one address Igor Feodorovich Stravinsky on his eighty-fifth birthday, a day for the greatest rejoicing both in his personal life and in his life as an artist? We must express infinite gratitude to him (but can it be expressed in words?), for it is essential that he should know that notwithstanding his world-wide recognition, he is, and always will be, both as a man and as a composer, one of the great mysteries of world culture, and in particular of Russian culture, a mystery that will live forever, that will always be subject to fresh interpretations and that will always be needed. His secret—which cannot really be explained—is first and foremost the secret of his genius, the mysterious unexpectedness and the marvel of his appearance in the music of Russia and the world. As Tolstoy said: “Genius is that which cannot be called anything else but genius!” Its basic characteristics, moreover, are unpredictability and self-evidence.

Sign in / Sign up

Export Citation Format

Share Document