The Asokan Persona as a Cultural Disposition*

2021 ◽  
pp. 57-72
Author(s):  
Michael Roberts
Keyword(s):  
2015 ◽  
Vol 22 (4) ◽  
pp. 344-351
Author(s):  
Pekka Hakkarainen ◽  
Karoliina Karjalainen ◽  
Kirsimarja Raitasalo ◽  
Veli-Matti Sorvala

2012 ◽  
Vol 56 (4) ◽  
pp. 878-895 ◽  
Author(s):  
Tong King Lee

This article interrogates the interpretive difficulties arising from the encounter with the Other in translation, specifically in the case where the subjectivity of the target text reader is implicated in the discursive constitution of identity in the source text. In contemplating how Anglophone Chinese Singaporean readers could interpret identities in Chinese literary works that invoke a strong sense of Chinese consciousness, I adopt Berman’s binary ethical framework in analysing the negotiation of Self and Other in translation. I posit that a positive ethics will be achieved if Anglophone Chinese readers position themselves as Other in their own language. On the contrary, a negative ethics ensues if the same group of readers embrace their identity as English-speaking Chinese as Self in the process of reading the Sinophone Other in the texts. The two conflicting positions create an epistemological dilemma on the part of the target text reader, thus raising the question of how identities can or should be negotiated in translation in the Singapore context, given that the cultural disposition of Anglophone Chinese readers is brought to bear on their reception of the cultural Other in translation.


2018 ◽  
Vol 65 (1) ◽  
pp. 99-115
Author(s):  
Simone Varriale

This article explores how foreign, recently imported cultural forms can redefine the dynamics of legitimation in national cultural fields. Drawing on archival research, the article discusses the early consecration of Anglo-American pop-rock in 1970s Italy and analyzes the articles published by three specialist music magazines. Findings reveal the emergence of a shared pop-rock canon among Italian critics, but also that this “cosmopolitan capital” was mobilized to implement competing editorial projects. Italian critics promoted both different strategies of legitimation vis-à-vis contemporary popular music and opposite views of cultural globalization as a social process. Theoretically, the article conceptualizes “aesthetic cosmopolitanism” as a symbolic resource that can be realized through competing institutional projects, rather than as a homogeneous cultural disposition.


1958 ◽  
Vol 104 (435) ◽  
pp. 377-388 ◽  
Author(s):  
H. J. Simons

There has grown up in the past 30 years in East Africa a school of medical psychologists which sets out to interpret African thought processes, personality traits and mental disorders in terms of a racially genetic and cultural disposition. A correlation is assumed or suggested between a specific brain structure, social behaviour, psychology and psycho-pathology. Explanations are couched in terms of a racial determinism, and involve an assertion of inferiority as compared with the White race.


2014 ◽  
Vol 28 (2) ◽  
pp. 1-24 ◽  
Author(s):  
sujie chang ◽  
Kim,Soo-Young ◽  
Erika Kobayashi

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