Writing Research for Dissemination and Scholarly Publication

2017 ◽  
pp. 313-342
Author(s):  
Lynn Kapitan
2015 ◽  
Vol 6 (2) ◽  
Author(s):  
Daniel Powell ◽  
Raymond G. Siemens ◽  
William R Bowen ◽  
Matthew Hiebert ◽  
Lindsey Seatter

This article reflects on the first six months of funded research by the Renaissance Knowledge Network (ReKN), focusing especially on the possibilities for interoperability and metadata aggregation of diverse digital projects, including but not limited to Early English Books Online—Text Creation Partnership; the Iter Bibliography; the Canadian Writing Research Collaboratory; the Advanced Research Consortium network; Editing Modernism in Canada; the INKE working groups; and several other, smaller projects. This article also considers how internetworked resources and a holistic scholarly environment should incorporate and build on existing publication and markup tools. Key to this process of facilitating new forms of scholarly production are including possibilities for middle-state publication; exporting both primary and critical content; and forming new types of technologically facilitated scholarly communities.


2010 ◽  
Vol 3 (1) ◽  
pp. 103-124
Author(s):  
Mona Livholts

This article, written in the form of an untimely academic novella is a text, which explores academic authoring as thinking and writing practice in a place called Sweden. The aim is on inquiries of geographical space, place, and academia, and the interrelation between the social and symbolic formation of class, gender and whiteness. The novella uses different writing strategies and visual representations such as documentary writing and photographing from the research process, letters to a friend, and memories from childhood, based on three generations of women's lives. The methodology can be described as a critical reflexive writing strategy inspired by poststructuralist and postcolonial feminist theory and literary fiction, and additionally by methodological approaches in the humanities and social sciences, such as theorizing of letters, memory work, and narrative, and autobiographical approaches. In particular, it draws on work by the theorist critic and writer of fiction, Hélène Cixous, and the feminist author and theorist Charlotte Perkins Gilman, drawing on interpretation of Cixous' essay “Enter the Theatre” and Gilman's story “The Yellow Wallpaper.” Characteristics of the untimely academic novella elaborate with possible forms of the symbolic, visual, and performative photographic and sensory in writing research; furthermore, time, social change, and unfinal endings play a pervasive role. It may be read as a story that situates and theorizes embodyment, landscape, and power through the interweaving of forest rural farming spaces and academic office spaces by tracing autobiographical imprints of an untimely feminist author. “The Snow Angel and Other Imprints” is the second article in a trilogy of untimely academic novellas. The first, with the title “The Professor's Chair,” was published in Swedish in 2007 (in the anthology “Genus och det akademiska skrivandets former,” (Eds.) Bränström Öhman & Livholts), and forthcoming in English in the journal Life Writing 2010.


1983 ◽  
Vol 37 ◽  
pp. 2-2
Author(s):  
Charles W. Dunn

Why is authorship of a textbook generally considered less of a scholarly contribution than authorship of a “scholarly” publication, such as a journal article or a university press book?Certainly both are needed, but is it right for a political science department to reward faculty who author “scholarly” publications more than those who author textbooks?Whether stipulated in the criteria for departmental evaluation of faculty performance or in other less overt ways, the bias is prevalent throughout our discipline.This essay states five reasons why the bias should not exist: 1) ignorance of impact, 2) ignorance of values, 3) ignorance of the review process, 4) ignorance of purpose, and 5) ignorance of time and Scope.


1966 ◽  
Vol 18 (3) ◽  
pp. 503-524 ◽  
Author(s):  
John W. Lewis

These seven recent works typify a cross section of scholarly publication on the Chinese People's Republic, its history, present operation, and prospects. Taken together, they provide the basis for some remarks on the study of Chinese “political culture.” Rather than attempt a full review of the individual works, this brief article will examine some of their assumptions and indirectly comment on the literature they represent. Each book reflects a prodigious scholarly effort and has received in various other journals a complete appraisal of its intellectual value. In general it may be fairly said that these volumes do not constitute significant breakthroughs of knowledge. They do, however, bring together and analyze important bodies of data on Communist China.


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