scholarly journals Adjoint functors and tree duality

2009 ◽  
Vol Vol. 11 no. 2 (Graph and Algorithms) ◽  
Author(s):  
Jan Foniok ◽  
Claude Tardif

Graphs and Algorithms International audience A family T of digraphs is a complete set of obstructions for a digraph H if for an arbitrary digraph G the existence of a homomorphism from G to H is equivalent to the non-existence of a homomorphism from any member of T to G. A digraph H is said to have tree duality if there exists a complete set of obstructions T consisting of orientations of trees. We show that if H has tree duality, then its arc graph delta H also has tree duality, and we derive a family of tree obstructions for delta H from the obstructions for H. Furthermore we generalise our result to right adjoint functors on categories of relational structures. We show that these functors always preserve tree duality, as well as polynomial CSPs and the existence of near-unanimity functions.

2013 ◽  
Vol 65 (1) ◽  
pp. 3-21 ◽  
Author(s):  
Libor Barto

Abstractwe show that every finite, finitely related algebra in a congruence distributive variety has a near unanimity term operation. as a consequence we solve the near unanimity problem for relational structures: it is decidable whether a given finite set of relations on a finite set admits a compatible near unanimity operation. this consequence also implies that it is decidable whether a given finite constraint language defines a constraint satisfaction problem of bounded strict width.


2019 ◽  
Vol 69 (2) ◽  
pp. 297-310
Author(s):  
Libor Barto ◽  
Ondřej Draganov

Abstract Dmitriy Zhuk has proved that there exist relational structures which admit near unanimity polymorphisms, but the minimum arity of such a polymorphism is large and almost matches the known upper bounds. We present a simplified and explicit construction of such structures and a detailed, self–contained proof.


2020 ◽  
Vol DMTCS Proceedings, 28th... ◽  
Author(s):  
David C Lax

International audience The Plücker relations which define the Grassmann manifolds as projective varieties are well known. Grass-mann manifolds are examples of minuscule flag manifolds. We study the generalized Plücker relations for minuscule flag manifolds independent of Lie type. To do this we combinatorially model the Plücker coordinates based on Wild-berger’s construction of minuscule Lie algebra representations; it uses the colored partially ordered sets known asminuscule posets. We obtain, uniformly across Lie type, descriptions of the Plücker relations of “extreme weight”. We show that these are “supported” by “double-tailed diamond” sublattices of minuscule lattices. From this, we obtain a complete set of Plücker relations for the exceptional minuscule flag manifolds. These Plücker relations are straightening laws for their coordinate rings.


Author(s):  
C. Claire Thomson

Building on the picture of post-war Anglo-Danish documentary collaboration established in the previous chapter, this chapter examines three cases of international collaboration in which Dansk Kulturfilm and Ministeriernes Filmudvalg were involved in the late 1940s and 1950s. They Guide You Across (Ingolf Boisen, 1949) was commissioned to showcase Scandinavian cooperation in the realm of aviation (SAS) and was adopted by the newly-established United Nations Film Board. The complexities of this film’s production, funding and distribution are illustrative of the activities of the UN Film Board in its first years of operation. The second case study considers Alle mine Skibe (All My Ships, Theodor Christensen, 1951) as an example of a film commissioned and funded under the auspices of the Marshall Plan. This US initiative sponsored informational films across Europe, emphasising national solutions to post-war reconstruction. The third case study, Bent Barfod’s animated film Noget om Norden (Somethin’ about Scandinavia, 1956) explains Nordic cooperation for an international audience, but ironically exposed some gaps in inter-Nordic collaboration in the realm of film.


Author(s):  
Alistair Fox

The conclusion reaffirms the essential role played by cinema generally, and the coming-of-age genre in particular, in the process of national identity formation, because of its effectiveness in facilitating self-recognition and self-experience through a process of triangulation made possible, for the most part, by a dialogue with some of the nation’s most iconic works of literature. This section concludes by point out the danger posed, however, by an observable trend toward generic standardization in New Zealand films motivated by a desire to appeal to an international audience out of consideration for the financial returns expected by funding bodies under current regimes.


This collection of essays, drawn from a three-year AHRC research project, provides a detailed context for the history of early cinema in Scotland from its inception in 1896 till the arrival of sound in the early 1930s. It details the movement from travelling fairground shows to the establishment of permanent cinemas, and from variety and live entertainment to the dominance of the feature film. It addresses the promotion of cinema as a socially ‘useful’ entertainment, and, distinctively, it considers the early development of cinema in small towns as well as in larger cities. Using local newspapers and other archive sources, it details the evolution and the diversity of the social experience of cinema, both for picture goers and for cinema staff. In production, it examines the early attempts to establish a feature film production sector, with a detailed production history of Rob Roy (United Films, 1911), and it records the importance, both for exhibition and for social history, of ‘local topicals’. It considers the popularity of Scotland as an imaginary location for European and American films, drawing their popularity from the international audience for writers such as Walter Scott and J.M. Barrie and the ubiquity of Scottish popular song. The book concludes with a consideration of the arrival of sound in Scittish cinemas. As an afterpiece, it offers an annotated filmography of Scottish-themed feature films from 1896 to 1927, drawing evidence from synopses and reviews in contemporary trade journals.


2018 ◽  
Author(s):  
Anthony Nash ◽  
Nora H de Leeuw ◽  
Helen L Birch

<div> <div> <div> <p>The computational study of advanced glycation end-product cross- links remains largely unexplored given the limited availability of bonded force constants and equilibrium values for molecular dynamics force fields. In this article, we present the bonded force constants, atomic partial charges and equilibrium values of the arginine-lysine cross-links DOGDIC, GODIC and MODIC. The Hessian was derived from a series of <i>ab initio</i> quantum mechanical electronic structure calculations and from which a complete set of force constant and equilibrium values were generated using our publicly available software, ForceGen. Short <i>in vacuo</i> molecular dynamics simulations were performed to validate their implementation against quantum mechanical frequency calculations. </p> </div> </div> </div>


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