scholarly journals Decorating the Performative Body in Tender Is the Night

2020 ◽  
Vol 1 ◽  
Author(s):  
Alyssa Johnson
Keyword(s):  
Social Class ◽  
Gender Roles ◽  
The Novel ◽  
Traditional Gender Roles ◽  
Time Period ◽  
Tender Is The Night ◽  
The World ◽  
Sense Of Time ◽  
Societal Changes ◽  
The Way

In Tender Is the Night (1934), Fitzgerald uses clothing and fashion to heighten the sense of time period as well as to enhance the ways in which the world, on both sides of the Atlantic, was changing. However, changes on the surface frequently do not reveal a change in underlying motivations for dress. In Tender Is the Night, Fitzgerald uses clothing in symbolic ways that allow characters to perform roles to achieve their goals. Through the ways bodies are shaped in the novel, Fitzgerald reveals that clothing, shopping, and perfectly bronzed skin have the power to make great economic statements about oneself. Additionally, clothing in Tender Is the Night demonstrates ways in which traditional gender roles and stereotypes were changing during the modernist era. Though many things had changed during the 1920s, characters continued to use their bodies as blank tablets upon which to write, enacting powerful and purposeful performances that always have rhetorical ends. Fitzgerald’s use of clothing in Tender Is the Night reflects the way that clothing, particularly for those abroad, had the power to demonstrate societal changes in gender roles as well as social class.

scholarly journals HEROISM IN RUDYARD KIPLING’S NOVEL THE JUNGLE BOOK

2017 ◽  
Vol 1 (1) ◽  
Author(s):  
Hartini Selian ◽  
Jumino Suhadi ◽  
M. Manugeren
Keyword(s):  
Qualitative Research ◽  
Human Rights ◽  
Qualitative Method ◽  
Rudyard Kipling ◽  
The Novel ◽  
Social Inquiry ◽  
The World ◽  
The Way ◽  
Descriptive Qualitative

Abstract This study is about heroism in the novel The Jungle Book by Rudyard Kipling. There are three points of discussion under this title: giving protection, defending rights and gratitude. Defending rights is associated with heroic deeds. A hero is a random citizen that rises to an occasion and performs an action of superhero proportions. Gratitude implies thankfulness or an appreciation of benefits conferred together with a desire, when practicable, to return those benefits. Defending rights is tied to human rights which are universally applicable to one and all. These are the significant components of heroism. One of the relevant and outstanding modern theories of heroism applied here is proposed by Gibbon (2009) stating that hero is just an average man who fights to solve a common problem in today’s society. The study is conducted with Descriptive Qualitative Method proposed by Haughman (2009) in which he states that Qualitative research is a form of social inquiry that focuses on the way people interpret and make sense of their experiences and the world in which they live. Kipling leads children down the jungle path into adventures beyond their day to day imagining and along the way he shows the value of ‘doing for yourself', of 'learning who to trust'. The result shows that heroism is highlighted through the major characters and the conclusive points are some of the significant characters such as Mowgli, Father Wolf, Mother Wolf, Hathi, and Bagheera have done heroic deeds. Their heroism is presented in the forms of giving protection, defending rights and gratitude. Keywords: heroism, human rights, gratitude

Making Advice Modern

2021 ◽  
pp. 9-21
Author(s):  
Julie Golia
Keyword(s):  
Nineteenth Century ◽  
Gender Roles ◽  
Cultural Change ◽  
American Culture ◽  
Conduct Books ◽  
Traditional Gender Roles ◽  
Eighteenth And Nineteenth Centuries ◽  
The Way

From early periodicals to conduct books, advice in the seventeenth, eighteenth, and nineteenth centuries was largely a one-way transmission from advice giver to receiver. It also served conservative ends, reinforcing traditional gender roles to wide audiences, and soothing male anxieties about cultural change. But transformations in media and in American culture at the end of the nineteenth century paved the way for a new and strikingly modern paradigm of advice—one that was interactive, public, flexible in topic and form, and woman-centered. This chapter offers an overview of the rise of the advice column and frames its genesis in the context of the changing newspaper and advertising industries.

scholarly journals Working in the world of the pandemic

2020 ◽  
Vol 37 (3) ◽  
pp. 97-102
Author(s):  
Luke Tredinnick ◽  
Claire Laybats
Keyword(s):  
The Novel ◽  
The World ◽  
The Future ◽  
Information Professionals ◽  
Novel Coronavirus ◽  
The Way

This paper compiles a series of responses from key information professionals to the novel coronavirus pandemic of 2020. Respondents were invited to answer the questions how the pandemic has impacted on their work, and how it might change the way of working in the future. Contributors to the article include Scott Brown, Steve Dale, Denise Carter, Alison Day, Hal Kirkwood and Emily Hopkins.

scholarly journals London Eyes: William Dean Howells and the Shift to Instant Photography

2010 ◽  
Vol 65 (3) ◽  
pp. 374-394 ◽  
Author(s):  
Owen Clayton
Keyword(s):  
Nineteenth Century ◽  
William Dean Howells ◽  
The Novel ◽  
Radical Empiricism ◽  
Philosophical Foundations ◽  
The World ◽  
Literary Movements ◽  
The Way

Owen Clayton, "London Eyes: William Dean Howells and the Shift to Instant Photography"(pp. 374––394) Toward the end of the nineteenth century, one of William Dean Howells's many avid readers, finally meeting him in the flesh, expressed surprise that the famed writer was not dead. Although he had not actually departed from the world, it was true that by this time the venerable "Dean"was at a low ebb. While younger authors were taking the novel in directions about which he was, at the least, ambivalent, Howells was aware that his own best work was behind him. Yet, throughout his career, he maintained a desire to test different literary approaches. In England in 1904, Howells tested a conceit that would allow him to keep pace with the literary movements of the day. This consisted of an extended photographic metaphor: an association of himself with the Kodak camera. He used this figuration to move beyond the philosophical foundations of his previous work. Criticism has largely overlooked this endeavor, which Howells buried away in the somewhat obscure travelogue London Films (1905). This essay shows how London Films used its photographic metaphor to question positivistic observational assumptions, the way in which this was a response to William James's Essays in Radical Empiricism (1912), and, finally, why Howells ultimately went back on his attempt to create a Kodak school in fiction.

scholarly journals IDEA OF THE AMERICAN DREAM IN F. SCOTT FITZGERALD’S NOVEL “TENDER IS THE NIGHT”

2017 ◽  
Vol 15 (3) ◽  
pp. 147-153
Author(s):  
ANAHIT SHAHMURADYAN ◽  
ANNA HARUTYUNYAN
Keyword(s):  
American Dream ◽  
The Novel ◽  
Tender Is The Night ◽  
The Way

The novel “Tender Is the Night” is one of the most prominent works of F. Scott Fitzgerald. He described his hero Dick as a smart, talented and a person full of spiritual richness, but who was unable to prevent himself from moral degradation. Doctor’s tragedy is not only personal, but also social. The American son of a clergyman who is on the way to becoming a renowned psychologist when he falls in love with Nicole and marries her. Dick is extraordinarily charismatic and graceful at the start of the novel, but eventually falls to his ruin.

scholarly journals Female Authority And The Representation of Womanhood In H. Rider Haggard’s Ayesha

2020 ◽  
Vol 7 (4) ◽  
pp. 322-332
Author(s):  
Shokhan Rasool Ahmed
Keyword(s):  
Gender Roles ◽  
English Department ◽  
The Novel ◽  
Femme Fatale ◽  
African Culture ◽  
Postgraduate Students ◽  
Traditional Gender Roles ◽  
Sequential Structure ◽  
History Of ◽  
The New Woman

Haggard’s Ayesha is the continuation of the Victorian dream novel She. H. Rider Haggard's She, subtitled A History of Adventure, is figured to be among top rated books at any point distributed: it had sold exactly 83 million duplicates by 1965. Ayesha (really articulated 'Assha'), subtitled The Return of She, who takes after She in the book, is an amazing and puzzling white sovereign who administers the African Amahagger individuals. Ayesha has enchantment controls and is undying, which makes She a dream experience book. Despite the fact that She and Ayesha were distributed almost twenty years separated, H. Rider Haggard stated that Ayesha was a decision to a two-section book, not a continuation. There is likewise a "prequel," She and Allan (1921). In the two books, an imaginary manager shows an original copy portrayal by Ludwig Horace Holly. In Haggard’s She, considering that some parts of the novel are so comfortable, readers might feel compelled into thinking that they are going through Haggard’s tour in Africa. Fortunately, in any event, when the plot eases back to a nearly gastropod pace, the way Haggard's depicts the African culture and scene conveys the reader along. Ayesha, known as She-Who-Must-Be-Obeyed, first showed up in sequential structure from 1896 to 1897 in the novel She. Ayesha is one of the marvelous, kick-ass lady characters in Victorian writing who represents the misogynist construction of femininity and embodies the femme fatale. This paper is principally concerned about the representation of feminine power and the representation of womanhood in Haggard’s Ayesha. Some questions will be investigated here. Can one consider Ayesha as a “conclusion” or a “sequel” to She since the whole novel replicates the same thematic and structural maneuvers of She? Does Haggard revive Ayesha, the “new woman”, in The Return of She respond to the threat to traditional gender roles? The findings of this study will be beneficial for the researchers, and all the undergraduate and postgraduate students of English department. 

scholarly journals Depiction of Women as the Primary Architects of their own Oppression: A Masculinist Critique of El Saadawi’s Woman at Point Zero

2018 ◽  
Vol 7 (4) ◽  
pp. 206
Author(s):  
Abdulrahman Abdulwaheed Idris ◽  
Rosli Talif ◽  
Arbaayah Ali Termizi ◽  
Hardev Kaur Jujar
Keyword(s):  
Sexual Harassment ◽  
The Novel ◽  
Social Milieu ◽  
Unfair Treatment ◽  
The World ◽  
Egyptian Women ◽  
Male Dominated ◽  
Persistent Violence ◽  
Unpleasant Experience ◽  
The Way

This paper focuses on the presentation of women oppression and emancipation in Nawal El Saadawi’s novel, Woman at Point Zero. The novel is specifically a call and an appeal to the women in her Egyptian society and the world at large on the need to revisit their activities and contribution toward the oppression, suppression, molestation, and brutality of their fellow women. Nawal El Saadawi presents with unique clarity, the unpleasant experience women are subjected to in her male-dominated society (Egypt). The novel aesthetically captures the oppression, sexual harassment, domestic aggression, and intimidation that the Egyptian women are subjected to in her patriarchal social milieu. Through a Masculinist study of the text, this paper not only submits that women create sa conducive atmosphere for the unhappiness of their own kinds but also subverts the author’s proposition of the way forward for the Egyptian women who are disenchanted under the atmosphere that is besieged with unfair treatment of the women. This essay unambiguously argues that El Saadawi’s understanding of women emancipation from the persistent violence on the women is outrageously momentary and unsatisfactory. Indeed, the novel has succeeded in subverting the stereotypical representation of the women as weak, passive, and physically helpless yet, the cherished long-lasting emancipation expected from her oppressed women could not be fully achieved. The novelist portrays a resilient and revolutionary heroine whose understanding of women liberation leaves every reader disconcerted. The paper examines the oppression that the heroine, Firdaus suffers from men and her fellow women and how she eventually achieved a momentary emancipation.

scholarly journals Exploration of Gender Role in Bisheswar Prasad Koirala's Tinghumti

2019 ◽  
Vol 10 (1) ◽  
pp. 12-24
Author(s):  
Asmita Bista
Keyword(s):  
Gender Roles ◽  
Gender Role ◽  
The Novel ◽  
Gender Theory ◽  
Traditional Gender Role ◽  
Traditional Gender Roles

Bisheshwar Prasad Koirala’s novel Tinghumti is always tempting for the reader as it still reflects the relevant picture of Nepali society. In this novel the characters defy as well as define the gender roles. Influenced with revolutionary thought they defy the prescribed gender roles; but chained in age old thought they, time and again, define the traditional gender role. This article aims to identify the reasons that drive these characters to defy and define the traditional gender roles. For that Judith Butler’s and Connell’s idea of gender theory has been used. The significance of this study is to contribute a different perspective for the reader to see the novel Tinghumti showing that traditional gender roles are meddled and confirmed in it. The study concludes that in the novel, the characters defy as well as define the socially prescribed gender role because gender is socio-political construction that achieves legitimacy and naturality via perpetual observation and repetition.

A Novel Approach to First in the World Retrieval of Open Water Vertical Xmas Tree

2021 ◽  
Author(s):  
William Sin Yoong Liew ◽  
El Khalil Heboul ◽  
Mohamad Shahril Majid Bin Allapitchai ◽  
Sattiyaraju Sellapan ◽  
Ahmad Luqman Bin Johan ◽  
...  
Keyword(s):  
West Africa ◽  
Exposure Time ◽  
Open Water ◽  
The Novel ◽  
Well Completion ◽  
Novel Approach ◽  
The World ◽  
Prolonged Duration ◽  
Reduce Risk ◽  
The Way

Abstract Wells plug & abandonment was carried out in a deepwater field (Field C) offshore West Africa. There were 15 deepwater subsea wells in this field. Thirteen of the wells were completed with Open Water Vertical Xmas Tree (OXT) while remaining two were completed with Enhanced Vertical Xmas Tree (EVXT). In the wells with Open Water Vertical Xmas Tree (OXT), the upper completion tubing and hanger were ran together with the Xmas Tree in a single run. This posed challenges to Operator in retrieving the Xmas Tree. This paper will discuss the novel approach used by Operator in the OXT retrieval. Due to the design of OXT which was different from most of the vertical Xmas Trees (XT) in the world, there were a few challenges in the process of XTs retrieval. If the XTs and upper completion tubing were retrieved in reversal of the way it was completed, it will exposed the well to prolonged duration of single barrier until a BOP can be latched on for subsequent activities. On top of that, the Original Equipment Manufacturer's Completion Workover Riser (CWOR) system and Support Landing Structure (SLS) was not available in full package to be utilized in this project. Furthermore, there were constraints on the rig moonpool space, handling of OXT on surface and clashes between the rig's BOP and existing subsea structures. In managing the risk of well exposure to single proven and monitored barrier during the process of OXT retrieval, Operator has evaluated a few options and came out with a novel approach in the OXT retrieval which managed to minimize exposure time and reduce risk in operations. In contrary to the original principle of well completion here, after a barrier was established in the well, the OXTs was retrieved separately from the upper completion tubing to allow rig BOP to be latched onto wellhead in shortest possible time. To achieve this objective, operations was planned to be carried out on a dual activity derrick rig. Meanwhile, a non-OEM rental CWOR system was used together with Tree Running Tool from the OEM CWOR system to access the wells for intervention work and subsequently retrieve the OXTs. By doing this, the combined CWOR stack exceeded the height limitation at the rig's moonpool. Some modifications were carried out to allow the operations to happen. A novel approach was also used to handle the OXT on surface without the OEM Support Landing Structure - which simplified the operations and reduced HSE risks. Solution was also put into place to enable latching of the rig BOP onto wellheads on Drill Centre although there were risk of clashing initially.

Women and Nature in BP Koirala's Sumnima: An Ecofeminist Study

2020 ◽  
Vol 10 (1) ◽  
pp. 128-142
Author(s):  
Indira Acharya Mishra
Keyword(s):  
Gender Roles ◽  
Social Order ◽  
World View ◽  
The Novel ◽  
Human Beings ◽  
Traditional Gender Roles

The article aims to analyze the connections between women and nature in Bisheshwar Parsad Koirala's novel Sumnima. To examine the relation between women and nature in the novel, the theory of eco feminism has been used. Eco feminism deals with the relationships between women and nature that particularly deals with the domination of women and exploitation of nature in a patriarchal social order. Eco feminist critics believe that issues of women and ecology are interrelated. They critique that the domination of nature by human beings is guided by the patriarchal world view, the same world view that justifies the domination of women. Thus, they resist the exploitation of women and nature. Koirala's Sumnima underscores the patriarchal structure based on dualisms like men/woman, masculine/ feminine, culture/nature, and spiritual/material, which destabilizes the system based on the hierarchy of the traditional gender roles. Thus, the article argues that the novel is written from the perspective of eco feminism. The analysis of the study centers on the depiction of women and nature in the novel. The finding of the article shows that, in patriarchy, women and nature are treated as feminine and they are dominated and exploited. The analysis is significant as it helps to understand the importance of feminine to maintain harmonious relation between men, women and nature.

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