scholarly journals Depiction of Women as the Primary Architects of their own Oppression: A Masculinist Critique of El Saadawi’s Woman at Point Zero

Author(s):  
Abdulrahman Abdulwaheed Idris ◽  
Rosli Talif ◽  
Arbaayah Ali Termizi ◽  
Hardev Kaur Jujar

This paper focuses on the presentation of women oppression and emancipation in Nawal El Saadawi’s novel, Woman at Point Zero. The novel is specifically a call and an appeal to the women in her Egyptian society and the world at large on the need to revisit their activities and contribution toward the oppression, suppression, molestation, and brutality of their fellow women. Nawal El Saadawi presents with unique clarity, the unpleasant experience women are subjected to in her male-dominated society (Egypt). The novel aesthetically captures the oppression, sexual harassment, domestic aggression, and intimidation that the Egyptian women are subjected to in her patriarchal social milieu. Through a Masculinist study of the text, this paper not only submits that women create sa conducive atmosphere for the unhappiness of their own kinds but also subverts the author’s proposition of the way forward for the Egyptian women who are disenchanted under the atmosphere that is besieged with unfair treatment of the women. This essay unambiguously argues that El Saadawi’s understanding of women emancipation from the persistent violence on the women is outrageously momentary and unsatisfactory. Indeed, the novel has succeeded in subverting the stereotypical representation of the women as weak, passive, and physically helpless yet, the cherished long-lasting emancipation expected from her oppressed women could not be fully achieved. The novelist portrays a resilient and revolutionary heroine whose understanding of women liberation leaves every reader disconcerted. The paper examines the oppression that the heroine, Firdaus suffers from men and her fellow women and how she eventually achieved a momentary emancipation.

Author(s):  
Hartini Selian ◽  
Jumino Suhadi ◽  
M. Manugeren

Abstract This study is about heroism in the novel The Jungle Book by Rudyard Kipling. There are three points of discussion under this title: giving protection, defending rights and gratitude. Defending rights is associated with heroic deeds. A hero is a random citizen that rises to an occasion and performs an action of superhero proportions. Gratitude implies thankfulness or an appreciation of benefits conferred together with a desire, when practicable, to return those benefits. Defending rights is tied to human rights which are universally applicable to one and all. These are the significant components of heroism. One of the relevant and outstanding modern theories of heroism applied here is proposed by Gibbon (2009) stating that hero is just an average man who fights to solve a common problem in today’s society. The study is conducted with Descriptive Qualitative Method proposed by Haughman (2009) in which he states that Qualitative research is a form of social inquiry that focuses on the way people interpret and make sense of their experiences and the world in which they live. Kipling leads children down the jungle path into adventures beyond their day to day imagining and along the way he shows the value of ‘doing for yourself', of 'learning who to trust'. The result shows that heroism is highlighted through the major characters and the conclusive points are some of the significant characters such as Mowgli, Father Wolf, Mother Wolf, Hathi, and Bagheera have done heroic deeds. Their heroism is presented in the forms of giving protection, defending rights and gratitude. Keywords: heroism, human rights, gratitude


2020 ◽  
Vol 37 (3) ◽  
pp. 97-102
Author(s):  
Luke Tredinnick ◽  
Claire Laybats

This paper compiles a series of responses from key information professionals to the novel coronavirus pandemic of 2020. Respondents were invited to answer the questions how the pandemic has impacted on their work, and how it might change the way of working in the future. Contributors to the article include Scott Brown, Steve Dale, Denise Carter, Alison Day, Hal Kirkwood and Emily Hopkins.


2010 ◽  
Vol 65 (3) ◽  
pp. 374-394 ◽  
Author(s):  
Owen Clayton

Owen Clayton, "London Eyes: William Dean Howells and the Shift to Instant Photography"(pp. 374––394) Toward the end of the nineteenth century, one of William Dean Howells's many avid readers, finally meeting him in the flesh, expressed surprise that the famed writer was not dead. Although he had not actually departed from the world, it was true that by this time the venerable "Dean"was at a low ebb. While younger authors were taking the novel in directions about which he was, at the least, ambivalent, Howells was aware that his own best work was behind him. Yet, throughout his career, he maintained a desire to test different literary approaches. In England in 1904, Howells tested a conceit that would allow him to keep pace with the literary movements of the day. This consisted of an extended photographic metaphor: an association of himself with the Kodak camera. He used this figuration to move beyond the philosophical foundations of his previous work. Criticism has largely overlooked this endeavor, which Howells buried away in the somewhat obscure travelogue London Films (1905). This essay shows how London Films used its photographic metaphor to question positivistic observational assumptions, the way in which this was a response to William James's Essays in Radical Empiricism (1912), and, finally, why Howells ultimately went back on his attempt to create a Kodak school in fiction.


Think India ◽  
2019 ◽  
Vol 22 (3) ◽  
pp. 63-71
Author(s):  
A. Ezhugnayiru

                      This article throws light on the distress a liminal experience could give for an individual or to a community who belong to a specific ethnicity, regarding the novel Snow written by the Turkish writer, Orhan Pamuk. Turkey located geographically in the edges of landscapes where the east and the west meet encounters this liminality over a couple of decades and stays as the setting of the novel Snow. In the liminal state, people fall in the breaks and crevices of the social structure which they think.The liminal stage individual encounters, a period of instability and vulnerability. Orhan Pamuk's Snow reflects the unpleasant experience of progress from the Islam arranged Ottoman Empire to the Republic of Turkey. The setting of the novel, the town of Kars, a periphery city fringe to Turkey stands as a representative of Turkey's minimization from the world. Pamuk supplements the fruitless condition of the city all through this novel.


2021 ◽  
Author(s):  
William Sin Yoong Liew ◽  
El Khalil Heboul ◽  
Mohamad Shahril Majid Bin Allapitchai ◽  
Sattiyaraju Sellapan ◽  
Ahmad Luqman Bin Johan ◽  
...  

Abstract Wells plug & abandonment was carried out in a deepwater field (Field C) offshore West Africa. There were 15 deepwater subsea wells in this field. Thirteen of the wells were completed with Open Water Vertical Xmas Tree (OXT) while remaining two were completed with Enhanced Vertical Xmas Tree (EVXT). In the wells with Open Water Vertical Xmas Tree (OXT), the upper completion tubing and hanger were ran together with the Xmas Tree in a single run. This posed challenges to Operator in retrieving the Xmas Tree. This paper will discuss the novel approach used by Operator in the OXT retrieval. Due to the design of OXT which was different from most of the vertical Xmas Trees (XT) in the world, there were a few challenges in the process of XTs retrieval. If the XTs and upper completion tubing were retrieved in reversal of the way it was completed, it will exposed the well to prolonged duration of single barrier until a BOP can be latched on for subsequent activities. On top of that, the Original Equipment Manufacturer's Completion Workover Riser (CWOR) system and Support Landing Structure (SLS) was not available in full package to be utilized in this project. Furthermore, there were constraints on the rig moonpool space, handling of OXT on surface and clashes between the rig's BOP and existing subsea structures. In managing the risk of well exposure to single proven and monitored barrier during the process of OXT retrieval, Operator has evaluated a few options and came out with a novel approach in the OXT retrieval which managed to minimize exposure time and reduce risk in operations. In contrary to the original principle of well completion here, after a barrier was established in the well, the OXTs was retrieved separately from the upper completion tubing to allow rig BOP to be latched onto wellhead in shortest possible time. To achieve this objective, operations was planned to be carried out on a dual activity derrick rig. Meanwhile, a non-OEM rental CWOR system was used together with Tree Running Tool from the OEM CWOR system to access the wells for intervention work and subsequently retrieve the OXTs. By doing this, the combined CWOR stack exceeded the height limitation at the rig's moonpool. Some modifications were carried out to allow the operations to happen. A novel approach was also used to handle the OXT on surface without the OEM Support Landing Structure - which simplified the operations and reduced HSE risks. Solution was also put into place to enable latching of the rig BOP onto wellheads on Drill Centre although there were risk of clashing initially.


2020 ◽  
Vol 111 (3) ◽  
pp. 357-369
Author(s):  
Peter Brooks

Abstract This essay revisits the question of the fictional person, largely by way of Proust’s claim that the novel offers us nonexistent persons the better to espouse vision through other eyes: knowledge of the world as experienced by another consciousness. If the New Critical stricture against taking fictional characters as real beings—something other than writing on a page—is correct, it does not account for the way in which we imagine, make use of, and interact with the minds of literary characters. Yet Proust’s understanding of the fictional being cohabits with the inevitable death of real persons. As in Henry James, for instance, character may border on nothingness, on illusion—yet it appears an inevitable illusion, one that we need in order to make sense of our lives.


Author(s):  
Sathyabhama Daly

Ovid’s myth of the Cretan labyrinth, constructed by Daedalus to hide the Minotaur, the monster that is a result of Pasiphae’s lust, and Dante’s labyrinth of Hell, in The Inferno, are literary allusions that conjure images of imprisonment and moral dilemma. In this paper, I explore the metaphor of the labyrinth in The Year of Living Dangerously (YLD) and the way in which Koch integrates this metaphor with Christian, Hindu and Buddhist myths so as to engage with the cultural divide that continues to influence Christian and non-Christian worldviews. The labyrinth metaphor emerges through the imagery of the novel which focuses on caves, shadows, circuitous paths, entrapment, and moral choices. In the novel, the metaphor of the labyrinth is conveyed through the underworld imagery of Indonesian society and through the Wayang Bar, the citadel of the journalists trapped in a world of political intrigue and of good and evil. Metaphorically evoking the medieval concept of the world as a perilous maze, Koch uses the labyrinth as a way of imaging the search for the sacred in contemporary society.


2006 ◽  
Vol 2 (1-2 (2)) ◽  
pp. 118-122
Author(s):  
Svetlana Toumanian
Keyword(s):  

The article aims at presenting the attempt of the translator of the novel Ararat by the American writer Elgin Groseclose to reproduce the interpretation of the key message of the novel. The author of the article tries to elucidate the answer to the question: what and who is saved when the world turns into Sodom and Gomorrah?


Following work is dedicated to the novel “Mrs.Dalloway”. The main characters are emotionally endowed Dreamer Clarissa Dalloway and humble servant Septimus Warren-Smith, who was a contusion in the first World War described only one day in June, 1923 year. In fact, the novel “Mrs.Dalloway” is the "flow of consciousness" of the protagonists Clarissa Dalloway and Septimus Warren – Smith, their Big Ben clock is divided into certain peace with a bang. Virginia Woolf believes that "life" is manifested in the form of consciousness, death and time, she focuses her essays on such issues as the role of a woman in family and society, the role of a woman in the upbringing of children, the way a woman feels about the world, the relationship between a modern man and a woman.


1970 ◽  
Vol 48 ◽  
Author(s):  
Joseph C. Hermanowicz Joseph C. Hermanowicz

The present work represents an extrapolation of Wiliam I. Thomas and Florian Znaniecki’s study, The Polish Peasant in Europe and America, on behalf of the development of sociological theory. The subject consists of careers and institutions in higher education. The curriculum vitae serves as the novel human document by which to investigate both social and personal change. Academic careers are studied by virtue of their objective and subjective dimensions. Objectively, the institution of education is revealed for the shifting expectations that govern work in academia in specific historical times (indicated by the cohort in which academics earned their Ph.D.s) and in specific socially bound places (indicated by the type of university in which academics work). Major social change in education likely spells personal change for the way in which people subjectively experience the contemporary academic career. The data come from U.S.-based academics; parallel transformational changes are observable globally. The global change discussed in the work centers on diffusion and institutionalization of the research role. The sources and consequences of this change are problematic. Akin to Thomas and Znaniecki’s larger analytic aims, patterns of change are used inductively to formulate theory: the paper culminates by postulating a theory of increasing tendencies in the way knowledge is produced in higher education institutions throughout the world.


Sign in / Sign up

Export Citation Format

Share Document