Creative Dance for All Ages

2015 ◽  
Author(s):  
Anne Green Gilbert

Creative Dance for All Ages, Second Edition, has had a long history of providing a dance curriculum to teachers and students preparing to teach creative dance. Author Anne Gilbert demystifies expectations when teaching creative dance and provides the theory, methods, and lesson ideas for success in a variety of settings and with students of all ages. This one-stop resource offers dance teachers everything they need, including a sequential curriculum, lesson plans, instructional strategies, assessment, and other forms. It’s like having a seasoned dance teacher at your side offering inspiration and guidance all year long. Internationally recognized master teacher and author Anne Gilbert Green presents creative dance for everyone and tips on meeting the challenges of teaching it. She offers a complete package for teaching creative dance that includes the theory, methodology, and lesson plans for various age groups that can be used in a variety of settings. Gilbert also offers an entire dance curriculum for sequential teaching and learning. The second edition of her classic text has been revised, reorganized, and updated to meet all the needs of dance teachers.

2021 ◽  
Vol 10 ◽  
Author(s):  
Muhlasin Amrullah ◽  
Devi Wulandari

The purpose of this study is to examine several aspects, including: the history of the establishment of SMP Muhammadiyah 3 Pandaan, learning strategies carried out in the midst of the covid 19 pandemic, learning methods, learning challenges, and effectiveness in learning at SMP Muhammadiyah 3 Pandaan. The research process uses descriptive qualitative methods. in the research process using data collection techniques by means of observation, interviews, and photos when the research was conducted. This study aims to determine the learning strategy in SMP Muhammadiyah 3 Pandaan. The strategy used at SMP Muhammadiyah 3 Pandaan in the midst of a pandemic is to use online learning strategies. Learning is carried out using zoom, google meet, wa, and youtube media, this is as an intermediary for learning in the midst of a pandemic, using these strategies can facilitate teaching and learning activities carried out by teachers and students online. SMP Muhammadiyah 3 Pandaan also experienced several challenges in carrying out learning in the midst of the covid-19 pandemic, one of which was that many students did not have the tools to do online learning such as cellphones, laptops, or computers, and some had problems such as having cellphones but many did not. have a quota or it is difficult to reach a signal when online learning is done. Although there are many challenges in carrying out learning activities in the midst of a pandemic like this, it does not eliminate the enthusiasm to keep learning even though you have to be at home online


2021 ◽  
Vol 10 ◽  
Author(s):  
Muhlasin Amrullah ◽  
Devi Wulandari

The purpose of this study is to examine several aspects, including: the history of the establishment of SMP Muhammadiyah 3 Pandaan, learning strategies carried out in the midst of the covid 19 pandemic, learning methods, learning challenges, and effectiveness in learning at SMP Muhammadiyah 3 Pandaan. The research process uses descriptive qualitative methods. in the research process using data collection techniques by means of observation, interviews, and photos when the research was conducted. This study aims to determine the learning strategy in SMP Muhammadiyah 3 Pandaan. The strategy used at SMP Muhammadiyah 3 Pandaan in the midst of a pandemic is to use online learning strategies. Learning is carried out using zoom, google meet, wa, and youtube media, this is as an intermediary for learning in the midst of a pandemic, using these strategies can facilitate teaching and learning activities carried out by teachers and students online. SMP Muhammadiyah 3 Pandaan also experienced several challenges in carrying out learning in the midst of the covid-19 pandemic, one of which was that many students did not have the tools to do online learning such as cellphones, laptops, or computers, and some had problems such as having cellphones but many did not. have a quota or it is difficult to reach a signal when online learning is done. Although there are many challenges in carrying out learning activities in the midst of a pandemic like this, it does not eliminate the enthusiasm to keep learning even though you have to be at home online.


Author(s):  
Alberto Parola ◽  
Alessia Rosa

The workshop approach has a long and rich history of supporting teaching and learning activities in different training contexts. The workshop proposals pursue important training objectives, including: the enhancement of theoretical knowledge and their applications; the development of practical skills; the ability to solve problems; a scientific mindset; interest and motivation. The organization of space and the use of supports, especially if technological, represent two central aspects of any educational planning, but assume within the laboratory proposals a founding role. For this reason, following the preparation of a room 3.0, an exploratory survey was carried out, of which this article explores the results, aimed at gathering information on the opinions, perceptions and attitudes of university teachers and students (future teachers) who participated in training proposals in a technologically equipped and functional space for a continuous redefinition of learning spaces


2019 ◽  
Vol 12 (3) ◽  
pp. 279-296 ◽  
Author(s):  
Cecilia Ferm Almqvist

Streaming media seems to have become a natural part in teachers’ professional life. Streamed music, primarily distributed by the company Spotify, sounds in most music and dance classrooms, not least in Swedish schools. Hence, the concepts of digitalization and listening are accentuated within the area of music education. Within the frames of a larger border-crossing research project financed by Wallenbergstiftelsen ‐ ‘Evolving bildung in the nexus of streaming services, art and users: Spotify as a case’, which aims to explore the meaning and function of streaming media as a facilitator of bildung, using Spotify as a case ‐ this presentation takes two interviews regarding Spotify use as a starting point. One music teacher and one dance teacher, among sixteen participants, were interviewed about their use of Spotify. The aim with the specific analysis was to describe the phenomenon of bildung regionalized to relational school settings, where streamed music, teachers and students come together in intended learning situations. The interviews were stimulated by the teachers’ own Spotify interfaces, and documented by the virtual communication tool Zoom. They were transcribed and analysed in a phenomenological narrative manner. The narrative is shaped as a dialogue between the two teachers, to make similarities and differences regarding relations with Spotify in the classroom setting visible. The result shows aspects of existential and essential bildung through listening taking place as being, thinking and acting with Spotify in the spirit of Heidegger.


2017 ◽  
Vol 7 (2) ◽  
pp. 215-226
Author(s):  
Febri Hartono ◽  
Rulianto Rulianto

This research development aims to produce an effective learning media which is more effective to fulfil the needs of teachers and students in the teaching and learning process in schools. Learning Media which was produced in the form of teaching materials in the subject history. The teaching material is about the biography of Raden Inten II to improve critical thinking skills and strengthening the character of the students in SMAN 2 Sekampung.This type of research is to develop the teaching media using a model ADDIE (Analysis, Design, Development, Implementation , Evaluation) . Population in this research is class XI IPS SMAN 2 Sekampung. The sample of this study is implemented in three classes, they were class XI IPS 1 as an experimental class, a class XI IPS 2 as the control class, and class XI IPS 3 as the trials class.The results showed that: (1) the teaching media of history at SMAN 2 Sekampung used is student worksheets, handbook and textbooks; (2) teaching materials of history in high school about the biography of Raden Inten II made through model of ADDIE and generate materials teaching media to form a module that has undergone numerous revisions and has been validated by the experts of media and the expert of materials and subsequently successfully tested in the classroom of XI IPS 3 SMAN 2 Sekampung, (3) test of the effectiveness in teaching material history of biography Raden Inten II is done by comparing the value of post-test experimental class and control class with a significance level of 5% and result of students’ ability to have critical think. It was proved from thit 3,700> 2,756 ttab and the strengthening of character with thit 4,168> 1,697 ttab. Therefore, H0 is rejected. It can be concluded that the teaching media of history in the form of teaching materials about the history of biography Raden Inten II is effective to improve critical thinking skills and strengthening the character of the students SMAN 2 Sekampung.


2016 ◽  
Vol 1 (3) ◽  
pp. 146
Author(s):  
Arina Restian

Abstract: Dance teacher have a very important role in improving the learning outcomes of students in schools in learning the art of dance with management in the classroom. The field of dance lessons more emphasis on aspects of psychomotor, and this is what distinguishes the field of dance lesson with other lessons. So the solution was also different. One form solution is to select or determine the learning approaches that enable learners to participate actively in the learning and learning goals can be achieved. One approach appropriate learning is active learning, creative, effective, and fun (PAKEM) which requires the activity of teachers and students in the learning process. PAKEM make students can be more creative and learning process can take place in an effective and enjoyable. This study aims to determine learning the art of dance at the junior high schools in Malang by using. Dance lesson with an art management approaches. The scope of the study include: (1) Dance Lessons Planning, (2) Implementation of learning the art of dance (3) The role of teachers and students in learning the art of dance, (4) The results of student learning. The results showed that the dance teacher has made the completeness or learning devices, one of which is learning implementation plan (RPP). When viewed from the implementation of the lesson plan in mind that the learning is in conformity with the characteristics of PAKEM namely making students active and creative in finding new ideas. In addition teachers are also active in managing the classroom so as to create effective learning in a pleasant atmosphere. Additionally supporting infrastructure PAKEM learning approach is sufficient in the implementation of learning the art of dance, especially in the optimal use of instructional media so as to support the teaching and learning process (PBM). The results of the second study found that learning the art of dance in Junior High School in Malang in addition to using PAKEM approach also uses the approach to CTL (Contexstual Teaching and Learning) in with the intent to be able to achieve the learning objectives and lesson plans that have been made previously. So as to create a more conducive learning environment in achieving optimal learning outcomes. Abstrak: Guru seni tari memiliki peranan yang sangat penting dalam meningkatkan hasil belajar peserta didik di sekolah dalam pembelajaran seni tari dengan menajemen di kelas. Pelajaran bidang seni tari lebih banyak menekankan pada aspek psikomotorik dan hal ini yang membedakan pelajaran bidang seni tari dengan pelajaran lainya. Sehingga penanganannya pun juga berbeda. Salah satu bentuk penanganannya adalah dengan cara memilih atau menentukan pendekatan pembelajaran yang memungkinkan peserta didik berpartisipasi secara aktif dalam pembelajaran dan tujuan pembelajaran bisa tercapai. Salah satu pendekatan pembelajaran yang tepat adalah pembelajaran aktif, kreatif, efektif, dan menyenangkan (PAKEM) yang menuntut keaktifan guru beserta siswa dalam proses pembelajaran. Dengan PAKEM siswa bisa lebih kreatif dan proses belajar mengajar dapat berlangsung secara efektif dan menyenangkan. Penelitian ini bertujuan untuk mengetahui pembelajaran seni tari pada SD di Malang dengan menggunakan pembelajaran seni tari dengan pendekatan menajemen seni. Ruang lingkup penelitian ini meliputi: (1) Perencanaan Pembelajaran Seni Tari, (2) Pelaksanaan pembelajaran seni tari (3) Peran serta guru siswa dalam pembelajaran seni tari, (4) Hasil belajar siswa. Hasil penelitian menunjukkan bahwa guru seni tari telah membuat kelengkapan atau perangkat pembelajaran, salah satunya adalah rencana pelaksanaan pembelajaran (RPP). Bila dilihat dari rencana pelaksanaan pembelajaran diketahui bahwa dalam pembelajaran sudah sesuai dengan karakteristik PAKEM yaitu membuat siswa aktif dan kreatif dalam menemukan ide baru. Selain itu guru juga aktif dalam mengelola kelas sehingga tercipta pembelajaran yang efektif dalam suasana yang menyenangkan. Selain itu sarana prasarana pendukung pembelajaran dengan pendekatan PAKEM sudah cukup dalam pelaksanaan pembelajaran seni tari khususnya dalam penggunaan media pembelajaran yang optimal sehingga mampu mendukung proses belajar mengajar (PBM). Hasil penelitian kedua ditemukan bahwa pembelajaran seni tari pada  di SD Negeri Malang selain menggunakan pendekatan PAKEM juga menggunakan pendekatan CTL (Contexstual Teaching and Learning) secara beriringan dengan maksud agar mampu mencapai tujuan pembelajaran serta rencana pembelajaran yang telah dibuat sebelumnya. Sehingga tercipta lingkungan belajar yang lebih kondusif dalam pencapaian hasil belajar secara optimal. Kata Kunci: Desain pembelajaran PAIKEM GEMBROT, seni tari


2021 ◽  
Author(s):  
◽  
Michael Harcourt

<p>In recent years, awareness of New Zealand’s history of colonial injustice has grown in national consciousness. This awareness has led to much questioning of history education, particularly New Zealand’s high autonomy curriculum and its capacity to ensure that all young people encounter these ‘difficult’ aspects of the past. Yet little is known about the experiences of secondary school teachers and students during lessons on New Zealand’s history of colonisation. This study aimed to explore how teachers and students engaged with the history of colonisation, including how a sample of effective teachers and their students confronted the challenges and complexities of these pedagogical encounters. The importance of understanding this became even more significant when in 2019, the government surprised many by announcing that New Zealand history will become a compulsory feature of the curriculum at all levels of school from 2022. This thesis contributes to the new challenge of implementing compulsory curriculum content by developing a deeper understanding of the complexities currently experienced by teachers and students during lessons on colonisation.   History education that focuses on historical forms of violence and its representation in curriculum is commonly referred to as the study of ‘difficult history’ (Epstein & Peck, 2018). In New Zealand, the early European colonists acquired land from the Indigenous Māori people resulting in inter-generational forms of suffering, trauma and oppression. In such a ‘settler society’ the history of one’s own nation and its instances of colonial injustice present challenges because the descendants of the early colonists remain, owning the majority of land and controlling to a large extent political systems and institutions, including schools. This thesis extends the research on difficult history by focusing on the challenges of teaching and learning the history of colonisation in New Zealand, particularly as it relates to the power dynamics of a settler society. It plays close attention to the pedagogical complexities of place and emotion and is situated within a broad framework of critical theory which seeks to explicitly acknowledge the significance of Indigenous systems of knowledge.  Using a mixed method approach, this study presents findings drawn from a survey of teachers (n=298) and students (n=1889) and a multiple-site case study using qualitative approaches at four schools. In addition to classrooom based research, the study also investigated students’ experiences during field trips to places of colonial violence. Data gathering methods included interviews, semi-structured focus groups, classroom and field trip observations and a student-led photography task.   Analysis of the data showed that history and social studies teachers overwhelmingly expressed critical views about the nature of colonisation and recognised that, for example, colonisation reverberates in the present and that its consequences were destructive, primarily for Māori. Teachers also comprehensively endorsed inquiry-led and discussion-based pedagogical approaches that were attentive to the conventions of the discipline of history. Some dominant conceptions, however, revealed barriers that prevented teachers’ collective ability to engage more deeply with this history, especially Māori perspectives. Students also expressed critical views about colonisation, but many still understood this process as a discrete ‘event’ found only in the past, reducing their ability to consider the implications of the past for today. Furthermore, while the majority of students were receptive to learning the history of colonisation, a significant proportion were not. The ethnographic component of the study revealed a number of complexities that hindered deeper engagement with the past. This included dealing with discomfort and resistance to histories of colonisation and the challenges teachers faced in forming relationships with iwi and hapū. The ethnographic component also showed that school field trips to sites of colonial violence held potential to operate as place-based ‘counter narratives’ that could transform students’ prior conceptions and deepen their engagement with difficult histories of place.   The study concludes that two key ‘patterns of engagement’ shaped teachers’ and students’ encounters with New Zealand’s history of colonisation. In the first, many teachers struggled to engage pedagogically with Māori perspectives and approaches to the past, which made the curriculum goal of acknowledging and validating Indigenous systems of knowledge less likely. In the second, students’ emotional discomfort functioned as a complex and ever-present dynamic that potentially deepened but at times reduced their engagement with difficult histories of colonisation. Collectively these findings have implications for classroom practice and policy reform that take on a renewed urgency with New Zealand’s move toward compulsory teaching of New Zealand history.</p>


2021 ◽  
Author(s):  
◽  
Michael Harcourt

<p>In recent years, awareness of New Zealand’s history of colonial injustice has grown in national consciousness. This awareness has led to much questioning of history education, particularly New Zealand’s high autonomy curriculum and its capacity to ensure that all young people encounter these ‘difficult’ aspects of the past. Yet little is known about the experiences of secondary school teachers and students during lessons on New Zealand’s history of colonisation. This study aimed to explore how teachers and students engaged with the history of colonisation, including how a sample of effective teachers and their students confronted the challenges and complexities of these pedagogical encounters. The importance of understanding this became even more significant when in 2019, the government surprised many by announcing that New Zealand history will become a compulsory feature of the curriculum at all levels of school from 2022. This thesis contributes to the new challenge of implementing compulsory curriculum content by developing a deeper understanding of the complexities currently experienced by teachers and students during lessons on colonisation.   History education that focuses on historical forms of violence and its representation in curriculum is commonly referred to as the study of ‘difficult history’ (Epstein & Peck, 2018). In New Zealand, the early European colonists acquired land from the Indigenous Māori people resulting in inter-generational forms of suffering, trauma and oppression. In such a ‘settler society’ the history of one’s own nation and its instances of colonial injustice present challenges because the descendants of the early colonists remain, owning the majority of land and controlling to a large extent political systems and institutions, including schools. This thesis extends the research on difficult history by focusing on the challenges of teaching and learning the history of colonisation in New Zealand, particularly as it relates to the power dynamics of a settler society. It plays close attention to the pedagogical complexities of place and emotion and is situated within a broad framework of critical theory which seeks to explicitly acknowledge the significance of Indigenous systems of knowledge.  Using a mixed method approach, this study presents findings drawn from a survey of teachers (n=298) and students (n=1889) and a multiple-site case study using qualitative approaches at four schools. In addition to classrooom based research, the study also investigated students’ experiences during field trips to places of colonial violence. Data gathering methods included interviews, semi-structured focus groups, classroom and field trip observations and a student-led photography task.   Analysis of the data showed that history and social studies teachers overwhelmingly expressed critical views about the nature of colonisation and recognised that, for example, colonisation reverberates in the present and that its consequences were destructive, primarily for Māori. Teachers also comprehensively endorsed inquiry-led and discussion-based pedagogical approaches that were attentive to the conventions of the discipline of history. Some dominant conceptions, however, revealed barriers that prevented teachers’ collective ability to engage more deeply with this history, especially Māori perspectives. Students also expressed critical views about colonisation, but many still understood this process as a discrete ‘event’ found only in the past, reducing their ability to consider the implications of the past for today. Furthermore, while the majority of students were receptive to learning the history of colonisation, a significant proportion were not. The ethnographic component of the study revealed a number of complexities that hindered deeper engagement with the past. This included dealing with discomfort and resistance to histories of colonisation and the challenges teachers faced in forming relationships with iwi and hapū. The ethnographic component also showed that school field trips to sites of colonial violence held potential to operate as place-based ‘counter narratives’ that could transform students’ prior conceptions and deepen their engagement with difficult histories of place.   The study concludes that two key ‘patterns of engagement’ shaped teachers’ and students’ encounters with New Zealand’s history of colonisation. In the first, many teachers struggled to engage pedagogically with Māori perspectives and approaches to the past, which made the curriculum goal of acknowledging and validating Indigenous systems of knowledge less likely. In the second, students’ emotional discomfort functioned as a complex and ever-present dynamic that potentially deepened but at times reduced their engagement with difficult histories of colonisation. Collectively these findings have implications for classroom practice and policy reform that take on a renewed urgency with New Zealand’s move toward compulsory teaching of New Zealand history.</p>


2021 ◽  
Vol 17 (11) ◽  
pp. 191
Author(s):  
Norzihani Saharuddin ◽  
Suhailah Hussein ◽  
Maizura Yasin

This paper discusses how the Narrative Approach has the potential to be one of the alternative teaching approaches in the teaching and learning process of Moral Education. This paper begins with an introduction to Moral Education in Malaysia. Also described in this paper is the history of how Moral Education in Malaysia began. Next, this paper discusses the Standard Curriculum and Assessment Document (DSKP) policy that drives the direction of the Education system in Malaysia in terms of, what is to be achieved and how it should be implemented in achieving the goals outlined. Then, the discussion continued by detailing the teacher training program for Moral Education teachers in Malaysia. Finally, this paper elaborates the description of the Narrative Approach and how its implementation in a teaching and learning process can provide the best added value to teachers and students; especially in producing &lsquo;student-centered&rsquo; learning.


2021 ◽  
Vol 6 (2) ◽  
pp. 279-289
Author(s):  
Hlamulo Wiseman Mbhiza

It is uncontested that education systems globally are under constant pressure to respond to the changing needs of societies. The outbreak of Covid-19 has reminded us that the complexity of education needs responsive practices to facilitate effective teaching and learning across all levels of schooling globally. All over the world, the normative ways of teaching and learning evolved drastically in the first quarter of the 2020 academic year when teachers and students found online offerings to be the dominant option available as a consequence of the pandemic conditions. In South Africa specifically, students and teachers were thrust into virtual teaching and learning situations with the majority of them having no preparation for this shift. This conceptual paper considers education in the current and post-Covid-19 era as the greatest paradigm shift in the history of education. I examine measures taken by higher education institutions to support the provision of education to ensure learning continuation. In this paper, I provide some suggestions for carrying out educational activities during the continuing Covid-19 situation. Educational leaders need to rethink content creation and content sharing and establish working communities to meet the demands of the new paradigm in education.


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