A Burning Mind, a Dream Space, a “Fantastic Exhibition”

2021 ◽  
Author(s):  
Inessa Kouteinikova
Keyword(s):  
Nineteenth Century ◽  
Central Asia ◽  
Late Nineteenth Century ◽  
Left Behind ◽  
Exhibition Space ◽  
Late Nineteenth ◽  
The Creation

This chapter focuses on the case of the Russian architect Aleksei Benois (1838–1902), who designed “many beautiful establishments,” as his critics tell us, both in Russia and in Central Asia. As one of the first noticeable Russian architects in Turkestan, Benois left behind fascinating sketches for the First Turkestan Exhibition (1890) that is considered here. His oeuvre revolved around one single theme: the creation of an ideal exhibition space in Tashkent, the new capital of Russia’s Central Asia. This study addresses Benois’s immersive vision and spatial aesthetics, up against the clichés of the late nineteenth-century colonial and Orientalist exhibition landscape.

Hurry Up and Wait: The Nigger of the ‘Narcissus’ and the Maritime in Modernism

2017 ◽  
Vol 12 (2) ◽  
pp. 173-197 ◽  
Author(s):  
Maxwell Uphaus
Keyword(s):  
Nineteenth Century ◽  
Late Nineteenth Century ◽  
The Novel ◽  
Modernist Literature ◽  
Left Behind ◽  
Late Nineteenth ◽  
Cultural Role

The burgeoning subfield of literary oceanic studies has largely neglected modernist literature, maintaining that the end of the age of sail in the late nineteenth century also marks an end to maritime literature's substantive cultural role. This essay outlines a way of reading the maritime in modernism through an analysis of the engagement with history and temporality in Joseph Conrad's sea novel The Nigger of the ‘Narcissus’ (1897). The novel depicts the sea as variously an anachronistic sphere left behind by history, an integral foundation to history, an element that eclipses history, and an archive of history's repressed violence. This article traces the interactions of these various views of the sea's relationship to history, highlighting how they are shaped and inflected by the novel's treatment of race. Based on this analysis, it proposes an approach to the sea in modernist literature that focuses on its historiographical rather than social import.

Ordering Empire and Democracy, 1902–1921

2020 ◽  
pp. 24-67
Author(s):  
Tobias Harper
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Middle Class ◽  
British Empire ◽  
British Society ◽  
Late Nineteenth Century ◽  
New Order ◽  
Late Nineteenth ◽  
The Creation ◽  
Opening Up

This chapter examines the creation of new orders at the beginning of the twentieth century, which was the culmination of a prolonged period of “unprecedented honorific inventiveness” starting in the late nineteenth century. In Britain the new Order of the British Empire was branded the “Order of Britain’s Democracy” in recognition of the fact that it extended far deeper into non-elite classes in British society than any previous honour. Between 1917 and 1921 more than 20,000 people in Britain and throughout the British Empire were added to this new Order. This was an unprecedented number, orders of magnitude larger than honours lists in previous years. While the new Order was successful in reaching a wider, more middle-class audience than the honours system before the war, which was socially narrow, there was a substantial backlash to what was widely perceived by elites to be an excessive (and diluting) opening-up of the “fount of honour.” This backlash was connected to political controversies about the sale of honours that eventually helped bring about Lloyd George’s downfall. This chapter also contains a brief description of all the components of the British honours system at the beginning of the twentieth century.

The Negro Buildings

2018 ◽  
Author(s):  
Nathan Cardon
Keyword(s):  
Nineteenth Century ◽  
African American ◽  
Late Nineteenth Century ◽  
New Negro ◽  
Black Professionals ◽  
Racial Science ◽  
Late Nineteenth ◽  
The Creation ◽  
Southern Society ◽  
African American Leaders

Chapter 2 examines the creation of and role played by the Negro Buildings at the Atlanta and Nashville fairs. These African American–run buildings gave southern black professionals and clerics an opportunity to voice their own story of the South’s past, present, and future. The buildings presented an image of a “New Negro” who was well versed in the modern techniques of industry and agriculture. The Negro Building exhibits presented black southerners as a progressive and future-oriented people who challenged much of the evolutionary thinking and racial science of the late nineteenth century. At the same time, the Negro Buildings make clear the ways some African American leaders embraced the language of progress and civilization to accommodate white southern society.

The Rediscovery of Babylonia: European Travellers and the Development of Knowledge on Lower Mesopotamia, Sixteenth to Early Nineteenth Century

2007 ◽  
Vol 17 (3) ◽  
pp. 231-252 ◽  
Author(s):  
Bart Ooghe
Keyword(s):  
Nineteenth Century ◽  
Human Science ◽  
Late Nineteenth Century ◽  
Early Nineteenth Century ◽  
Near Eastern ◽  
The Common ◽  
Late Nineteenth ◽  
The Creation

Since the creation of its first disciplinary histories in the late nineteenth century, Near Eastern archaeology has perceived its origins largely in terms of individual breakthroughs, following the common precepts of a pre-Annales historiography. The founding figures mentioned in the works of Rogers, Hilprecht, Budge or Parrot were either great explorers, great scholars or, most importantly, great excavators. From Della Valle's first tentative explorations at Babylon in 1616 to the major excavations at Nineveh and Babylon three centuries later, Near Eastern archaeology saw itself as the fruit of individual discovery. ‘Real’ archaeology was furthermore perceived as a natural rather than a human science and subsequently taken to have originated in nineteenth-century positivism; earlier accounts were hinted at in only the briefest fashion.

Main Trends of Islamic Theological Thought from the Late Nineteenth Century to Present Times

2015 ◽  
Author(s):  
Rotraud Wielandt
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Central Asia ◽  
Arab Countries ◽  
Late Nineteenth Century ◽  
Islamic Theology ◽  
Early Twentieth Century ◽  
Late Nineteenth ◽  
Theological Thought ◽  
Islamic Modernism

This chapter examines the main trends of Islamic theological thought from the late nineteenth century to the present times, tracing developments in various Arab countries, in Turkey, Iran and India, Central Asia and Indonesia. It begins by tackling the question of the relation between indigenous roots and modern Western stimuli, tradition and innovation in Islamic theology during this period. Subsequently the author discussed the innovative trends. An overview of the theological ideas of the pioneers of Islamic modernism, the Indian Sayyid Ahmad Khan and the Egyptian Muḥammad ʿAbduh, is given, followed by an analysis of the views of modernist theological thinkers of the early twentieth century. Next the theology of the Indian philosopher and poet Muhammad Iqbal, an eminent example of theological modernism between the two world wars, is addressed. Another section deals with new hermeneutical and epistemological approaches to the Qurʾānic revelation. Finally the development of the interest in a new kind of philosophy-basedkalāmis delineated from their beginnings with Sayyid Ahmad Khan up to their present-day Iranian, Turkish and Arab protagonists.

The Treatment of the News in mid-Victorian Newspapers

1977 ◽  
Vol 27 ◽  
pp. 23-39 ◽  
Author(s):  
Lucy Brown
Keyword(s):  
Nineteenth Century ◽  
Historical Record ◽  
Late Nineteenth Century ◽  
Technical Equipment ◽  
Daily News ◽  
Left Behind ◽  
Daily Telegraph ◽  
Late Nineteenth ◽  
The Times

This paper is concerned with the way in which news was handled by the four main London dailies, The Times, the Daily News, the Daily Telegraph and the Standard which, by the late 1870s, enjoyed the largest circulations. They differed from each other considerably in character and history, and in the kind of historical record which they have left behind. Much more is known about The Times than about any of the others. In the 1860s it was a 16-page paper, costing 3d, with a circulation declining slowly from 65,000 to 60,000. The fact that it could maintain this circulation, when it was three times as expensive as its main rivals, is by itself evidence of the value that contemporaries placed upon it. It had far greater assets than any of its rivals, and the Walter family were willing to invest heavily in the paper as and when funds were needed. Its greater resources were shown, partly in its technical equipment, and partly in the range and quality of writing in the paper itself. The Times had more correspondents reporting more frequently and fully from more European capitals than its rivals, and much of its prestige had been derived from that fact. It also employed in London a staff of educated writers such as George Brodrick and Robert Lowe. Unlike its rivals it could afford to pay salaries which enabled it to impose on its writers the condition that they wrote for it exclusively. (The lives of a number of notable late nineteenth-century journalists show that they tried to make up income by writing too much simultaneously, for too many different publications.)

Mock-Epic as a Byproduct of the Norm of Elevated Language

Target ◽  
1999 ◽  
Vol 11 (2) ◽  
pp. 245-262 ◽  
Author(s):  
Rachel Weissbrod
Keyword(s):  
Nineteenth Century ◽  
Children's Literature ◽  
Children’S Literature ◽  
Late Nineteenth Century ◽  
Late Nineteenth ◽  
The Creation ◽  
Mock Epic ◽  
The 1960S ◽  
Hebrew Tradition ◽  
Guys And Dolls

Abstract Beginning in the late nineteenth century, Hebrew underwent a process of revival. Despite the growing stratification of the language, literary translations into Hebrew were governed by a norm which dictated the use of an elevated style rooted in ancient Hebrew texts. This norm persisted at least until the 1960s. Motivated by the Hebrew tradition of employing the elevated style to produce the mock-epic, translators created mock-epic works independently of the source texts. This article describes the creation of the mock-epic in canonized and non canonized adult and children's literature, focusing on the Hebrew versions of Henry Fielding's Joseph Andrews, Damon Runyon's Guys and Dolls, Peter O'Donnell's Modesty Blaise and A.A. Milne's Winnie-the-Pooh and The House at Pooh Corner.

Native Foreigners and the Ambiguity of Order and Identity: The Case of African Diasporas and Islamic Law in British Cameroon

2012 ◽  
Vol 39 ◽  
pp. 97-122 ◽  
Author(s):  
Harmony S. O'Rourke
Keyword(s):  
Nineteenth Century ◽  
Islamic Law ◽  
Civil Law ◽  
Late Nineteenth Century ◽  
Northern Nigeria ◽  
Muslim Population ◽  
Legal Regimes ◽  
Late Nineteenth ◽  
The Creation ◽  
Colonial Government

Abstract:In 1947, the colonial government in British Cameroon established an Islamic court in the Grassfields to try cases involving the region's Muslim population, primarily comprised of Fulani and Hausa diaspora communities that had settled the area since the late nineteenth century. Colonial debates over the creation and purview of the court reveal uncertainties that permeated Indirect Rule's legal categories of native and non-native, or tribe and race, which were to be governed by customary and civil law, respectively. Comparing legal regimes in British Cameroon with Northern Nigeria, the homeland of “native” Hausa and Fulani, shows that Islamic law sat uneasily across the divide between customary and civil law. With the importation of the court to the Grassfields, where Fulani and Hausa transformed into “native foreigners,” the delineation between customary and civil law was rendered even more obscure, illustrating that it could never neatly correspond to constructions of race and tribe.

An Institutional Shelter: The Court of Wards in Late Nineteenth-Century Bihar

1979 ◽  
Vol 13 (2) ◽  
pp. 247-264 ◽  
Author(s):  
Anand A. Yang
Keyword(s):  
Nineteenth Century ◽  
Effective Control ◽  
Late Nineteenth Century ◽  
Institution Building ◽  
Local Society ◽  
Selective Institution ◽  
George Campbell ◽  
Local Officials ◽  
Late Nineteenth ◽  
The Creation

The late nineteenth century was a period of selective institution-building by the British in India. Government's efforts were directed primarily towards the development of a more effective control and communications infrastructure. The initial impetus for such changes in Bengal came during the energetic administration of Sir George Campbell, the Lieutenant Governor from 1871 to 1874. Under his auspices, attempts were made to extend the administrative machinery down to the sub-district levels by the creation of sub-deputy collectorships and the revitalization of such local officials as kanungos (registrars), patwaris (village accountants) and chaukidars (village watchmen). Better connections to local society were also sought through institutions which linked government to its allies, such as municipal, local, and district boards, and the Court of Wards.

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