The Liminal Landscape

2020 ◽  
Author(s):  
Yi Guo
Keyword(s):  
Twentieth Century ◽  
Knowledge Transfer ◽  
Moral Discourse ◽  
Press Freedom ◽  
Late Nineteenth Century ◽  
Chinese Society ◽  
The Press ◽  
Western Concept ◽  
Late Nineteenth ◽  
Chinese Intellectuals

This chapter explores the reception of the Western concept of press freedom by Chinese intellectuals when they first encountered it at the turn of the twentieth century. It argues that, during this process of knowledge transfer, the meaning of press freedom as received by Chinese intellectuals was different from Western conceptions at that time. It shows how the introduction of this concept was closely related to the developing realities of Chinese society and echoed Chinese social and cultural pursuits in the late nineteenth century. Due to their specific socio-cultural milieu, Chinese intellectuals misinterpreted the moral discourse and liberal meanings of the Western concept of freedom of the press.

Chuban Ziyou: The Invention of a Neologism

2020 ◽  
Author(s):  
Yi Guo
Keyword(s):  
Twentieth Century ◽  
Knowledge Transfer ◽  
Press Freedom ◽  
Freedom Of The Press ◽  
The West ◽  
Meiji Japan ◽  
The Press ◽  
Chinese Intellectuals ◽  
Cultural Interactions

This chapter explores the knowledge transfer of the notion of ‘freedom of the press’ that occurred through cultural interactions between China and Meiji Japan at the turn of the twentieth century. Compared with the scattered ideas initially imported from the West, the Japanese origin of Chinese press freedom was more influential, and the concept became popular amongst Chinese intellectuals at that time. This chapter uncovers the influence of Meiji Japanese intellectuals on the formation of the Chinese conception of press freedom and explains linguistic issues resulting from this knowledge transfer between the two countries. It also points out the problematic origins of Chinese press freedom and key contextual particularities that affected its acceptance.

Scottish Missionaries, ‘Protestant Hinduism’ and the Scottish Sense of Empire in Nineteenth- and Early Twentieth-century India

2007 ◽  
Vol 86 (2) ◽  
pp. 278-313 ◽  
Author(s):  
Philip Constable
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Late Nineteenth Century ◽  
Western India ◽  
Early Nineteenth Century ◽  
Church Of Scotland ◽  
Free Church ◽  
Intellectual Engagement ◽  
Late Nineteenth ◽  
The Church

This article examines the Scottish missionary contribution to a Scottish sense of empire in India in the nineteenth and early twentieth centuries. Initially, the article reviews general historiographical interpretations which have in recent years been developed to explain the Scottish relationship with British imperial development in India. Subsequently the article analyses in detail the religious contributions of Scottish Presbyterian missionaries of the Church of Scotland and the Free Church Missions to a Scottish sense of empire with a focus on their interaction with Hindu socioreligious thought in nineteenth-century western India. Previous missionary historiography has tended to focus substantially on the emergence of Scottish evangelical missionary activity in India in the early nineteenth century and most notably on Alexander Duff (1806–78). Relatively little has been written on Scottish Presbyterian missions in India in the later nineteenth century, and even less on the significance of their missionary thought to a Scottish sense of Indian empire. Through an analysis of Scottish Presbyterian missionary critiques in both vernacular Marathi and English, this article outlines the orientalist engagement of Scottish Presbyterian missionary thought with late nineteenth-century popular Hinduism. In conclusion this article demonstrates how this intellectual engagement contributed to and helped define a Scottish missionary sense of empire in India.

Chinese toms in the making of the drum kit: Localization and exoticism

2021 ◽  
Vol 5 (2) ◽  
pp. 227-242 ◽  
Author(s):  
Henry Johnson
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Music Education ◽  
Popular Music ◽  
Musical Instruments ◽  
New Music ◽  
Late Nineteenth Century ◽  
The Future ◽  
Late Nineteenth

The late nineteenth century and early decades of the twentieth century saw the drum kit emerge as an assemblage of musical instruments that was central to much new music of the time and especially to the rise of jazz. This article is a study of Chinese drums in the making of the drum kit. The notions of localization and exoticism are applied as conceptual tools for interpreting the place of Chinese drums in the early drum kit. Why were distinctly Chinese drums used in the early drum kit? How did the Chinese drums shape the future of the drum kit? The drum kit has been at the heart of most popular music throughout the twentieth century to the present day, and, as such, this article will be beneficial to educators, practitioners and scholars of popular music education.

scholarly journals Hearing through the théâtrophone: Sonically constructed spaces and embodied listening in the late nineteenth-century French theatre

2016 ◽  
Vol 5 (1) ◽  
pp. 73-90 ◽  
Author(s):  
Melissa Van Drie
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Social Context ◽  
Late Nineteenth Century ◽  
Teenth Century ◽  
Late Nineteenth ◽  
French Theatre ◽  
Subscription Service ◽  
Theoretical Reflection ◽  
A Performance

This article presents a historical and theoretical reflection of the théâtrophone, a late nine- teenth-century telephone broadcast service that allowed users at a distance to listen in live to local theatre performances (spoken theatre, opera and musical concerts). Often cited as the first binaural experience in 1881, the théâtrophone’s much longer history as a subscription service, which operated in Paris from 1889 through the mid-1930s, is relatively unknown. This article considers what hearing through a théâtrophone meant to nineteenth- and twentieth- century users beyond its initial 1881 prototype. To hear through the théâtrophone means adopting a methodology mirroring the artefact itself: moving between social, professional, artistic, sensory registers. In doing so, the ways in which the théâtrophone was attuned to dis- course and practice emerge, as do more subtle processes involved in new nineteenth-century constructs of hearing and listening. Precisely the théâtrophone’s development is examined in relation to its particular social context: its installation on the spectacular Parisian boulevards and its relation to fin de siècle theatre culture. The article first investigates how theatrophonic listening was accorded to existent practices of theatre-going. Second, the article explores the more radical propositions of the théâtrophone in relation to important aesthetic and prac- tical changes occurring simultaneously in theatre culture. The théâtrophone’s virtual sonic experience multiplied the forms of a performance and its modalities of creation and recep- tion. Through accounts of ‘listening in’ the aspects of the new sonically constructed space are described, as are postures of early mediatised listening. The article posits that new modalities of listening are articulated through the théâtrophone, with certain users, including Proust, defining it as a monitoring and creative tool. In this capacity, ‘theatrophonic’ listening contrib- uted to the development of a refined ear, capable of detecting sonic nuance, which was central to artistic sensibilities at the time. 

scholarly journals The Irish Céilí: A Site for Constructing, Experiencing, and Negotiating a Sense of Community and Identity

2011 ◽  
Vol 29 (1) ◽  
pp. 43-60 ◽  
Author(s):  
Catherine E. Foley
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Sense Of Community ◽  
Late Nineteenth Century ◽  
Social Dance ◽  
Late Nineteenth ◽  
A Site ◽  
Changing Role ◽  
Important Site

For over a hundred years the Irish céilí, as an ‘invented’ social dance event and mode of interaction, has played a significant and changing role. This paper examines the invention of this Irish dance event and how it has developed in Ireland throughout the twentieth century. From the Gaelic League's cultural nationalist, ideological agenda of the late nineteenth century, for a culturally unified Ireland, to the manifestation of a new cultural confidence in Ireland, from the 1970s, this paper explores how the céilí has provided an important site for the construction, experiencing and negotiation of different senses of community and identity.

‘Homoeopathy flourishes in the far East’: A forgotten history of homeopathy in late nineteenth-century China

2018 ◽  
Vol 73 (3) ◽  
pp. 329-351
Author(s):  
Di Lu
Keyword(s):  
Nineteenth Century ◽  
Professional Training ◽  
Far East ◽  
Modern China ◽  
Late Nineteenth Century ◽  
Chinese Society ◽  
Popular Imagination ◽  
History Of ◽  
Late Nineteenth ◽  
Healing Services

Homeopathy and its transnational transmission have received significant attention from historians of medicine. But the emergence of homeopathy in modern Chinese society has remained little explored. This article identifies the homeopathic practitioners arriving in nineteenth-century China, and then explores their origins, efforts and sense of professional identity in a transnational context. The history of homeopathy in China is found to begin in the late nineteenth century, during which the growth of the Christian missionary enterprise promoted the arrival of sporadic Euro-American homeopathic practitioners, also missionaries, in coastal regions of China. Almost all of them received professional training in American homeopathic medical institutions; and most of them were females, providing additional opportunities for local women patients to receive treatment. The practitioners recognized homeopathy and their collective homeopathic identity, but their healing services were not necessarily essentially homeopathic. Homeopathy that they learnt also evolved and transacted with exotic knowledge during its globalization. Under the influence of homeopathy, some Euro-Americans claimed to have discovered homeopathic elements in Chinese medical ideas and practice. The early history of homeopathy explored in this article helps deconstruct the popular imagination of a coherent ‘Western medicine’ in modern China.

The Book as Waste: Henry Mayhew and the Fall of Paper Recycling

2012 ◽  
Author(s):  
Leah Price
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Electronic Media ◽  
Wood Pulp ◽  
The Other ◽  
Late Nineteenth Century ◽  
Pulp Paper ◽  
Late Twentieth ◽  
Late Nineteenth ◽  
Late Twentieth Century

This chapter suggests that two phenomena that usually get explained in terms of the rise of electronic media in the late twentieth century—the dematerialization of the text and the disembodiment of the reader—have more to do with two much earlier developments. One is legal: the 1861 repeal of the taxes previously imposed on all paper except that used for printing bibles. The other is technological: the rise first of wood-pulp paper in the late nineteenth century and then of plastics in the twentieth. The chapter then looks at Henry Mayhew's London Labour and the London Poor (1861–62), the loose, baggy ethnography of the urban underclass that swelled out of a messy series of media. Mayhew's “cyclopaedia of the industry, the want, and the vice of the great Metropolis” so encyclopedically catalogs the uses to which used paper can be turned.

Lily Montagu and Liberal Judaism

2018 ◽  
Author(s):  
Richa Dwor
Keyword(s):  
Nineteenth Century ◽  
Social Work ◽  
Career Path ◽  
Late Nineteenth Century ◽  
The Press ◽  
Late Nineteenth

This chapter looks at the role of Judaism in late nineteenth-century culture, focussing on the life of Lily Montagu, whose importance lies in her activism and the unique way that she brought her faith (liberal Jewish) and her politics (socialist) into productive relationship. Montagu’s unorthodox career-path is traced and her social work and theology mapped in relation to larger debates about the Sabbath and sweated industries, at a time of heightened anxiety that Jewry was riven by a socialism in its midst. The chapter shows how models for female independence were in practice more varied than those represented in the press.

Introduction

2016 ◽  
Author(s):  
Lila Caimari
Keyword(s):  
Twentieth Century ◽  
Buenos Aires ◽  
Urban Expansion ◽  
Late Nineteenth Century ◽  
Neighborhood Associations ◽  
Grassroots Politics ◽  
The World ◽  
Late Nineteenth ◽  
The Many

This introductory chapter begins with the author's account of the origins of the present volume, which can be traced back to her interest in a late nineteenth-century set of concepts, images, and metaphors that grew up around the figure of the modern criminal. It then discusses the population growth in Buenos Aires, which jumped from about 1.5 to 2.5 million in the two decades between the world wars and the corresponding urban expansion. This sets the stage for a description of the book's purpose, namely to explore the many dimensions of porteño life in the early decades of the twentieth century: its vital network of neighborhood associations, its literacy campaigns, its grassroots politics, its many reformist projects, and so forth.

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