scholarly journals "Only White People can be Racist: What does Power have to do with Prejudice?"

2009 ◽  
Vol 2 (1) ◽  
pp. 80-99
Author(s):  
Pooja Sawrikar ◽  
Ilan Barry Katz
Keyword(s):  
Cultural Competency ◽  
Cultural Difference ◽  
White Supremacy ◽  
Social Power ◽  
Racial Equality ◽  
Racial Groups ◽  
White People ◽  
Human Right ◽  
Definition Of

Social researchers and activists who use the sociological definition of racism – that 'Racism = Prejudice + Power' – generally aim to attain racial equality by equalising differences in social power among racial groups. However, this definition can be taken to extreme when the role of social power is given disproportionately more weight than the role prejudice in explaining the occurrence and entrenchment of racism in society, such as assertions that racism is synonymous with White supremacy. Such a definition is logically flawed, demonstrates reverse racism, is disempowering for individuals from all racial groups who strive for racial equality, and absolves those who do not. We examine how the recent literature on cultural competency may provide a more effective strategic framework for reducing racism. Cultural competency is a move away from ethnocentrism and towards respect and value for cultural difference, with no racial group treated as a reference point around which the discourse on race relations revolves. In short, by properly acknowledging the role of prejudice, and not exclusively focusing on power, all racial groups can be better empowered to take responsibility for protecting the human right to racial equality.

Texas, monuments, toward a politics of self-reckoning

2021 ◽  
Vol 14 (6) ◽  
pp. 1301-1313
Author(s):  
Katherine Hite
Keyword(s):  
White Supremacy ◽  
Racial Equality ◽  
White People ◽  
White Resistance ◽  
History Of ◽  
Williamson County

In this article, I examine the efforts of a group of anti-Confederate monument activists in Williamson County, Texas. The article begins with the history of the monument itself, 100 years before the activists initiated their efforts. The intransigence to removing the Confederate monument is symbolic of white resistance to struggles for racial equality more broadly. Second, I discuss how the local legal impasse has contributed to distinct anti-monument activist strategies that deploy counternarratives and memories, from performances, to challenging narrative claims regarding who is more patriotic. Finally, I explore the politics of self-reckoning—the process by which white people find that they have to answer for racism deep within themselves as well as in relation to violent white supremacy and the legal and institutional fortress that protects whiteness generally. Battling both racists and racist institutions is hard and lengthy, and monument activism persistently exposes what is at stake.

Introduction

2020 ◽  
pp. 1-42
Author(s):  
Anya P. Foxen
Keyword(s):  
White Supremacy ◽  
Cross Cultural ◽  
Cultural Translation ◽  
Or Practice ◽  
Historical Role ◽  
Definition Of

This introduction presents the argument and general parameters of the subsequent chapters. It argues that modern postural yoga as practiced in popularized contexts (such as gyms and corporate studios) is only tangentially related to premodern Indian yogic traditions. Broadly, it makes the case that the dynamics of cross-cultural translation necessitate that we examine both the original and host context of the concept or practice in question. It then outlines the main areas that must be considered in framing such an argument, specifically the difficulty of defining yoga, the historical role of Orientalism, the definition of “harmonialism,” and the issues surrounding gender, race, class, and white supremacy.

Challenges of Fear Conditioning Research in the Age of RDoC

2017 ◽  
Vol 225 (3) ◽  
pp. 189-199 ◽  
Author(s):  
Tina B. Lonsdorf ◽  
Jan Richter
Keyword(s):  
Fear Conditioning ◽  
Clinical Diagnosis ◽  
Research Domain Criteria ◽  
Major Focus ◽  
The Future ◽  
Definition Of ◽  
Methodological Considerations ◽  
Research Domain

Abstract. As the criticism of the definition of the phenotype (i.e., clinical diagnosis) represents the major focus of the Research Domain Criteria (RDoC) initiative, it is somewhat surprising that discussions have not yet focused more on specific conceptual and procedural considerations of the suggested RDoC constructs, sub-constructs, and associated paradigms. We argue that we need more precise thinking as well as a conceptual and methodological discussion of RDoC domains and constructs, their interrelationships as well as their experimental operationalization and nomenclature. The present work is intended to start such a debate using fear conditioning as an example. Thereby, we aim to provide thought-provoking impulses on the role of fear conditioning in the age of RDoC as well as conceptual and methodological considerations and suggestions to guide RDoC-based fear conditioning research in the future.

Business Model Literature Overview

2014 ◽  
pp. 79-130 ◽  
Author(s):  
Ales Novak
Keyword(s):  
Business Model ◽  
Financial Reporting ◽  
Business Models ◽  
Potential Role ◽  
Financial Instruments ◽  
Business Logic ◽  
Literature Overview ◽  
Ifrs 9 ◽  
Definition Of

The term ?business model' has recently attracted increased attention in the context of financial reporting and was formally introduced into the IFRS literature when IFRS 9 Financial Instruments was published in November 2009. However, IFRS 9 did not fully define the term ‘business model'. Furthermore, the literature on business models is quite diverse. It has been conducted in largely isolated fashion; therefore, no generally accepted definition of ?business model' has emerged. Therefore, a better understanding of the notion itself should be developed before further investigating its potential role within financial reporting. The aim of this paper is to highlight some of the perceived key themes and to identify other bases for grouping/organizing the literature based on business models. The contributions this paper makes to the literature are twofold: first, it complements previous review papers on business models; second, it contains a clear position on the distinction between the notions of the business model and strategy, which many authors identify as a key element in better explaining and communicating the notion of the business model. In this author's opinion, the term ‘strategy' is a dynamic and forward-looking notion, a sort of directional roadmap for future courses of action, whereas, ‘business model' is a more static notion, reflecting the conceptualisation of the company's underlying core business logic. The conclusion contains the author's thoughts on the role of the business model in financial reporting.

The Role of Moral Education on the Dress Code in the Higher Learning Institution

Sains Insani ◽  
2016 ◽  
Vol 1 (1) ◽  
pp. 10-14
Author(s):  
Ira Meilita Ibrahim ◽  
Taufik A. Latif ◽  
Afi Roshezry Abu Bakar ◽  
Muthualagan Thangavelu
Keyword(s):  
Moral Education ◽  
Private University ◽  
Public University ◽  
Higher Learning ◽  
Private Institutions ◽  
Dress Code ◽  
Institutions Of Higher Learning ◽  
The World ◽  
Definition Of

The advancement of European dress to the rest of the world was linked to the definition of civilization as “a stage of social development considered to be more advanced” and “polite and good-mannered”. The widespread of their fashion style in the 19th and 20th centuries influenced the way the rest of the world attire. The fashion trend and dressing style thus change the purpose of dressing through time. The dressing style in campuses especially in private institutions of higher learning is under particular scrutiny, as it is often said to be inappropriate for a learning environment. This study looked at the importance of moral education, and its role in implementing the dress code for students among university students especially between two types of university i.e. public university and private university. It looked on the dressing style of students, both male and female, and the factors that lead to their dressing pattern which is common among students. This study also advocated the students’ understanding of the content of dress codes in their learning institution and the role played by moral education in regard to dress code. The overall study highlighted students’ perception towards the implementation of the dress code and punishment in their learning institution. The methodologies used to carry out this study are questionnaires and interviews. This study will therefore ascertain the important of dress code among students at higher learning institution and the role of moral education in cultivating values in order to dress properly or decently. Key Words: moral education, dress code, higher learning institution, civilization.

Paradigma Pendidikan Kritis: Menuju Humanisasi Pendidikan

1970 ◽  
Vol 13 (1) ◽  
pp. 110-115
Author(s):  
Sunhaji Sunhaji
Keyword(s):  
Process Approach ◽  
Critical Education ◽  
Human Right ◽  
National History ◽  
Student Centered ◽  
Self Identity ◽  
Education Model ◽  
Learning Concept ◽  
Education Process

The process of education must apply with “Learning Process Skill”, not “Learning Concept”. Process approach marked with student centered curricula, not teacher centered. Role of teacher is as facilitator, mediator, dynamizing, organizing, and catalyst to apply “dialog” as spirit of education process. Critical education model is an education that independent from internal-institutional fetter, social hegemony, or structured to maintain political and economical stability. These happen in the length of our national history, then produce tame-weak human accorded to system condition. Whereas, education is human right, even people right to enhance its maturity, self-identity, and independence to serve his function to his God. .

Two Representations of the Moscow Art Theater Audience

2020 ◽  
Vol 17 (5) ◽  
pp. 462-476
Author(s):  
Alexander A. Ushkarev ◽  
Galina G. Gedovius ◽  
Tatyana V. Petrushina
Keyword(s):  
Online Community ◽  
Modern Art ◽  
Virtual Space ◽  
Demographic Parameters ◽  
Cultural Consumption ◽  
Cultural Activity ◽  
Behavioral Differences ◽  
Technological Revolution ◽  
Definition Of

The technological revolution of recent decades has already brought art to the broadest masses, and the unexpected intervention of the pandemic has significantly accelerated the process of migration of theatrical art to the virtual space, causing the corresponding dynamics of the audience. What is the theater audience in the era of digitalization and the spread of alternative forms of cultural consumption? How does the theater build its relationship with the audience today? In search of answers, we conducted a series of sociological surveys of the Chekhov Moscow Art Theater’s audience — both at the theater’s performances and in the online community of its fans. The purpose of this phase of the study was to answer the fundamental questions: do spectators surveyed in the theater and those surveyed online represent the same audience; what are their main differences; and what are the drivers of their spectator behavior? The article presents the main results of a comparative analysis of two images of the Moscow Art Theatre’s audience based on a number of content parameters by two types of surveys, as well as the results of a regression analysis of the theater attendance. The study resulted in definition of the qualitative and behavioral differences between the theater visitors and the viewers surveyed online, and identification of the factors of theater attendance for both of the represented audience groups. The study made it possible to clarify the role of age and other socio-demographic parameters in cultural activity, as well as the influence of preferred forms of cultural consumption (live contacts or online views) on one’s attitude to art, motivation and spectator behavior. The conclusions of the study, despite the uniqueness of the object, reflect the general patterns of the modern art audience’s dynamics.

Sign in / Sign up

Export Citation Format

Share Document