scholarly journals An interdisciplinary approach to mapping through scientific cartography, design and artistic expression

2018 ◽  
Vol 1 ◽  
pp. 1-6
Author(s):  
Joanna Gardener ◽  
William Cartwright ◽  
Lesley Duxbury

This paper reports on the initial findings of an interdisciplinary study exploring perceptions of space and place through alternate ways of mapping. The research project aims to bring depth and meaning to places by utilising a combination of diverse influences and responses, including emotional, sensory, memory and imaginary. It investigates mapping from a designer’s perspective, with further narration from both the cartographic science and fine art perspectives. It examines the role of design and artistic expression in the cartographic process, and its capacity to effect and transform the appearance, reading and meaning of the final cartographic outcome (Robinson 2010). The crossover between the cartographic sciences and the work of artists who explore space and place enables an interrogation of where these fields collide or alternatively merge, in order to challenge the definition of a map. By exploring cartography through the overlapping of the distinct fields of science and art, this study challenges and questions the tipping point of when a map ceases to be a map and becomes art.

Author(s):  
D.V. Zhmurov ◽  

The article presents an analysis of the cybervictimization phenomenon. The author justifies the use of an integrative (interdisciplinary) approach to the study of this problem, proposes the definition of the term under study as a process or end result of becoming a crime victim in the sphere of unified computer networks. A theoretical and methodological matrix for the analysis of cybervictimization (PCPPE model) was developed. The model includes five system characteristics of cybervictimization, the comprehensive study of which to a maximum extent will simplify the understanding of the essence of the object of study. These characteristics include: profiling, conditionality, prevalence, predictability and epidemicity. Each of these aspects is explained in detail: the author developed a detailed nomenclature of cybervictimization forms. The problems of identifying its extent, as well as the determinant role of gender, age, behavioral and personal factors are discussed in the article, and a list of key cybervictimization acts is formulated. This meta-analysis includes thirteen global categories and about seventy of its accent forms. Among the global categories the following ones are identified: threats, harassment, illegal interest, infringement, insult, spoofing, disclosure, compulsion, seizure, infecting, access and use. The prevalence rates of cybervictimization on the example of the United States (Internet Crime Report) are also studied, certain aspects of the methodology of cyber victim number counting are considered.


2011 ◽  
Vol 17 (9) ◽  
pp. 769-779 ◽  
Author(s):  
Mary Bosworth ◽  
Carolyn Hoyle ◽  
Michelle Madden Dempsey

This article exposes methodological barriers we encountered in a small research project on women trafficked for the purpose of sexual exploitation and our attempts, drawing on feminist and emergent methods, to resolve them. It critically assesses the role of institutional gatekeepers and the practical challenges faced in obtaining data directly from trafficking victims. Such difficulties, it suggests, spring at least in part from lingering disagreements within the feminist academic, legal, and advocacy communities regarding the nature, extent, and definition of trafficking. They also reveal concerns from policy makers and practitioners over the relevance and utility of academic research. Although feminist researchers have focused on building trust with vulnerable research participants, there has been far less discussion about how to persuade institutional elites to cooperate. Our experiences in this project, we suggest, reveal limitations in the emphasis on reflexivity in feminist methods, and point to the need for more strategic engagement with policy makers about the utility of academic research in general.


2021 ◽  
Author(s):  
David Collins

In this thesis I show how Aristotle’s approach to ethics can be applied to aesthetics in order to address normative concerns relating to practices of artistic creation and spectatorship, and how R. G. Collingwood’s philosophy of art provides an understanding of these practices that works as a basis for such an approach. I begin by discussing the connection between aesthetic and ethical normativity as found in the thought of various prominent philosophers, and review the contemporary work done in the name of ‘virtue aesthetics’. I then explicate Aristotle’s ethics, with a particular focus on his definition of virtue and his discussion of practical wisdom, and give an overview of Collingwood’s understanding of art and the role of imagination in artistic expression and understanding, before synthesizing the structure of Aristotle’s ethics with the content of Collingwood’s philosophy of art in order to arrive at an outline of a Collingwoodian virtue aesthetics.


2020 ◽  
pp. 123-147 ◽  
Author(s):  
Magdalena Szulc-Brzozowska

The purpose of the paper is to present theoretical and methodological aspects of the research project EUROJOS, which is anchored and developed in Lublin ethnolinguistics. It aims to create the cognitive definition of the selected concepts, regarded as values in the European culture. The cognitive definition is based on 3 types of data: lexicographical sources, surveys and text corpora, with the latest playing a crucial role at profiling the concepts. The methodological criteria are indicated as validated by the description of chosen results from other research papers regarding the concept WORK in some languages and the concept DEMOCRACY in Polish and German. Whereas the study of the concept WORK objects to demonstrate the all-embracing definition of the concept, its universal meaning aspects, the example of DEMOCRACY shows the relevancy of profiling, thus also of the role of public discourse and the media.


2021 ◽  
Author(s):  
David Collins

In this thesis I show how Aristotle’s approach to ethics can be applied to aesthetics in order to address normative concerns relating to practices of artistic creation and spectatorship, and how R. G. Collingwood’s philosophy of art provides an understanding of these practices that works as a basis for such an approach. I begin by discussing the connection between aesthetic and ethical normativity as found in the thought of various prominent philosophers, and review the contemporary work done in the name of ‘virtue aesthetics’. I then explicate Aristotle’s ethics, with a particular focus on his definition of virtue and his discussion of practical wisdom, and give an overview of Collingwood’s understanding of art and the role of imagination in artistic expression and understanding, before synthesizing the structure of Aristotle’s ethics with the content of Collingwood’s philosophy of art in order to arrive at an outline of a Collingwoodian virtue aesthetics.


2011 ◽  
Vol 38 (2) ◽  
pp. 234-246 ◽  
Author(s):  
LUCA TACCONI

SUMMARYEnvironmental problems are often complex and it is widely recognized that they cannot be satisfactorily addressed by single disciplines. The review of forest cover change studies points to the need to carry out research integrating economic, political, social and environmental aspects. Existing interdisciplinary study areas, namely ecological economics, political ecology, sustainability science and Earth system governance do not yet fully integrate all the required aspects. This paper points out that the establishment of greater synergies between those study areas would be beneficial in developing the broader study area of environmental governance. A definition of environmental governance as a subject of study is developed. Lack of an all encompassing theory of environmental governance is highlighted, while the improbability of such a theory is acknowledged. In relation to normative work, the refinement of principles of good environmental governance could support the design and prioritization of policies. Empirical research needs to include the testing of hypotheses arising from theoretical developments, assessment of policy uptake and new exploratory research. Methodologically, environmental governance might start from an interdisciplinary approach followed by further integration leading to a transdisciplinary study area that uses a mixed methods research approach.


2020 ◽  
Vol 6 (Extra-B) ◽  
pp. 169-174
Author(s):  
Alfia Foatovna Galimullina ◽  
Artem Eduardovich Skvortsov ◽  
Kadisha Rustembekovna Nurgali ◽  
Marsel Ildarovich Ibragimov

    The article defines the functional role of key images, mythologemes and the means of artistic expression in the work of Russian and Tatar poets, which makes it possible to create an artistic image of. Kazan is also a legendary city with its own heroic past, it is also a cultural center, a university city, Kazan is also a city of meetings, and a city of spiritual communication. Renat Kharis metaphorically called "Kazan is a book" in the poem "Amirkhan Yeniki". This definition of the Tatar poet contains all aspects of the theme of Kazan image artistic embodiment because it fancifully combines images of poets of different times, melodies of composers, historical figures, legendary and mythological images (Shurale, nixie, etc.). The study results reflected in the article open up the prospects for the study of other universals in the poetry of the authors and other modern poets and can also be used for further study of local urban texts of Russian, Tatar and foreign literature.


2021 ◽  
Vol 12 (2) ◽  
pp. 57-71
Author(s):  
Paolo Furia

The aim of this article is to show how a Ricœurian approach to space and place is likely to raise issues about geography and even cartography, rather than just ontological topology in a Heideggerian fashion. Two steps will lead towards that conclusion: the first concerns the role of Ricœur’s long détour in the transition from a transcendental—therefore empty—notion of place to the concrete plurality of places, which turns them into matters for interpretation; the second shows how the task of interpreting of places implies distanciation and even objectification, through which they are constituted as objects of scientific and critical investigation. Maps will be introduced at that point as specific interpretations of places, halfway between text and images, between the subject and the object, and between science and art.


2018 ◽  
Author(s):  
L Belyakova ◽  
Y Filatova

The methodology of the modern logopaedic science becomes the expansion of knowledge through the study of the ‘internal speech patterns’ mechanisms and coming up to theoretical views on the role of some core transformations of speech system within the ontogenesis. The increase of understanding of formation processof speech act becomes possible through the use of interdisciplinary approach and system analysis. The article outlines issues related to the possibility of studying the hypothesis proposed by the authors: speech functional system (SFS) results into the action in the form of psychosensorimotor (PSM) speech stereotype. The parameters of PSM speech stereotype in native language are being formed by the age of 6–7.The functional system of speech act is considered in details: speech motivation, situational, auditory, kinesthetic, visual, and emotional afferentations, genetic and ontogenetic speech memory, afferent synthesis, etc. Special attention is paid to the speech fluency as an indicator of the rhythmic mechanisms formation of thebrain. The definition of speech fluency and its development in ontogenesis is shown. Stepwise and nonlinear character of speech fluency development in ontogenesis is experimentally proved. Keywords: speech functional system (SFS), speech act, psychosensorimotor (PSM) speech stereotype, rhythm, speech fluency, ontogenesis, system analysis


2020 ◽  
Vol 6 (Extra-B) ◽  
pp. 169-174
Author(s):  
Alfia Foatovna Galimullina ◽  
Artem Eduardovich Skvortsov ◽  
Kadisha Rustembekovna Nurgali ◽  
Marsel Ildarovich Ibragimov

    The article defines the functional role of key images, mythologemes and the means of artistic expression in the work of Russian and Tatar poets, which makes it possible to create an artistic image of. Kazan is also a legendary city with its own heroic past, it is also a cultural center, a university city, Kazan is also a city of meetings, and a city of spiritual communication. Renat Kharis metaphorically called "Kazan is a book" in the poem "Amirkhan Yeniki". This definition of the Tatar poet contains all aspects of the theme of Kazan image artistic embodiment because it fancifully combines images of poets of different times, melodies of composers, historical figures, legendary and mythological images (Shurale, nixie, etc.). The study results reflected in the article open up the prospects for the study of other universals in the poetry of the authors and other modern poets and can also be used for further study of local urban texts of Russian, Tatar and foreign literature.


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