scholarly journals Real Men Wear Uniforms: Photomontage, Postcards, and Military Visual Culture in Early Twentieth-Century Germany

2012 ◽  
Vol 2 ◽  
pp. 18-44
Author(s):  
Elizabeth Otto
Keyword(s):  
Twentieth Century ◽  
Public Space ◽  
Mass Culture ◽  
Military Service ◽  
Subsequent Work ◽  
Avant Garde ◽  
The Public ◽  
Early Twentieth Century ◽  
National Socialists ◽  
Representations Of Women

This essay examines early twentieth-century German representations of men and women in uniform to consider how mass culture allowed individuals to participate in aspects of gender construction. It also reveals how masculinity was increasingly linked to military ideals. The pictures under scrutiny here were made in two significant but as yet under-researched types of pictures: pre-avant-garde photomontaged soldier portraits and popular postcards. Both of these visual forms originated in the 1870s, the decade that Germany was itself founded, and they both were in wide circulation by the early twentieth century. Individualized soldier portraits and postcards offered a glorious vision of a man’s military service, and they performed what Theodor Lessing has called Vergemütlichung, the rendering harmless of history. These idealized images of soldierly life were available to a broad swath of the public, but their democratization only extended so far. Representations of women in uniform served to reinforce—through stereotyping and humor—the unquestionably male nature of military institutions and, by extension, of public space. At the same time, by making apparent their own constructed nature, these portraits and postcards offered viewers a glimpse behind the masquerade of masculinity. This essay thus also identifies these images’ links to the subsequent work of avant-garde artists and to the National Socialists’ return to the ideal of uniformed masculinity.

The Unruly Emotions of the Execution Crowd and its Critics in Late Nineteenth- and Early Twentieth-Century France

2019 ◽  
Vol 8 (1) ◽  
pp. 70-93 ◽  
Author(s):  
Gregory Shaya
Keyword(s):  
Twentieth Century ◽  
Capital Punishment ◽  
Mass Culture ◽  
New Age ◽  
Scientific Study ◽  
The Public ◽  
Early Twentieth Century ◽  
Public Execution ◽  
Late Nineteenth

From the 1860s to the 1910s, a host of commentators sounded off on the degraded spectacle of the public execution in France. They had little to say about the violence of capital punishment as such. The problem that haunted them was the crowd that gathered around the guillotine. In these years the execution crowd was a mystery and an obsession, the object of literary surveillance, parliamentary inquiry, scientific study, and journalistic examination. These commentators saw a crowd without dignity, a crowd full of unhealthy emotions, a crowd of morbid curiosity and misplaced revelry. Who was this crowd? What emotions did its participants feel at the spectacle of punishment? And what can this story tell us about the public execution – or, more generally, the public – in late nineteenth- and early twentieth-century France? The outcry over the execution crowd reveals more about the commentators than about the crowd. The guiding emotions of these commentators had little to do with empathy, civilization or distaste for violent punishment; they had everything to do with disgust for the crowd on the streets and fears of the public in a new age of mass culture.

SCIENTIFIC RESEARCH OF THE RUSSIAN MARITIME UNION

2021 ◽  
Vol 66 (1) ◽  
pp. 38-42
Author(s):  
MEDET TECHMURATOVICH JORAEV ◽  
Keyword(s):  
Twentieth Century ◽  
Far East ◽  
Scientific Activity ◽  
Public Organization ◽  
The Public ◽  
Domestic Literature ◽  
Early Twentieth Century ◽  
Scientific Papers ◽  
History Of ◽  
Technical Innovations

The article is devoted to the aspects of scientific activity of the Russian Maritime Union. This public organization in the early twentieth century set itself the task of reviving the Russian imperial navy after the defeat in the russo - japanese war of 1904-1905. Meetings of a public organization where scientific problems were discussed are considered. Special attention is paid to the existing rules for publishing a collection of scientific papers by the leaders of the Russian Maritime Union. Information is given on issues related to the colonization of remote areas of Siberia and the Far East. The reasons for the lag of Russian commercial shipping from Western European countries are investigated. The prerequisites for the successful development of German commercial shipbuilding and shipping in the early twentieth century are analyzed. The relationship between the problems of development of Siberian rivers and the unsatisfactory economic condition of remote Russian territories is traced. The history of domestic public organizations and naval affairs in the early twentieth century is studied. In addition, the organization of the Russian maritime union for the promotion of naval knowledge is being considered. The public organization subscribed specialized foreign and domestic literature and created libraries on these issues, open to the public. Then the Russian maritime union attracted such technical innovations as cinematog- raphy and filmstrips to promote naval knowledge among the Russian population.

Nation in Ephemeral Literature: Dynamics of Demonstrative Resistance and Swadeshi Nationhood (1905–11)

2017 ◽  
Vol 34 (1) ◽  
pp. 77-97
Author(s):  
Mimasha Pandit
Keyword(s):  
Twentieth Century ◽  
Public Opinion ◽  
The Public ◽  
Early Twentieth Century ◽  
The People

A new image was engendered in twentieth-century Bengal. The image clarified the direction of public opinion, whether it sanctified the actions of the colonizers or that of the colonized. In the process, those who chose to side with the colonized developed a close bond with the others who became a part of the camaraderie. The resultant image, envisioned by the people, did not come to them naturally; it was produced in their mind. The word of the age, printed and performed, helped produce this vision using the context as an index of reference. Words were transmitted and circulated among large number of people, who came to know, discuss and debate it. Despite the strict vigilance of the Raj that censured objectionable words, it nevertheless reached the public. Words found expression in ephemeral media that made the words disseminated untraceable. One such medium was the placard. This article analyses the placards circulated and posted, during the early twentieth century, and delves deep into the process of demonstration and persuasion adopted by the placards to invoke an image of nation among the Bengalis.

The Informational Economy of Vaudeville and the Business of American Entertainment

2021 ◽  
Vol 95 (3) ◽  
pp. 423-446
Author(s):  
Samuel E. Backer
Keyword(s):  
United States ◽  
Twentieth Century ◽  
Mass Culture ◽  
The United States ◽  
Internal Market ◽  
Business Practices ◽  
Early Twentieth Century ◽  
Informational Economy ◽  
Analyze Data

In the early twentieth century, vaudeville was the most popular theatrical form in the United States. Operating before the rise of mechanically reproduced entertainment, its centralized booking offices moved tens of thousands of performers across hundreds of stages to an audience of millions. Designed to gather and analyze data about both audiences and performers, these offices created a complex informational economy that defined the genre—an internal market that sought to transform culture into a commodity. By reconstructing the concrete details of these business practices, it is possible to develop a new understanding of both the success of the vaudeville industry and its influence on the evolution of American mass culture.

Debating the Legal Status of the Ornaments Rubric: Ritualism and Royal Commissions in Late Nineteenth- and Early Twentieth-Century England

2020 ◽  
Vol 56 ◽  
pp. 434-454
Author(s):  
Dan D. Cruickshank
Keyword(s):  
Twentieth Century ◽  
Legal Status ◽  
Church Of England ◽  
Royal Commission ◽  
The Public ◽  
Early Twentieth Century ◽  
History Of ◽  
Late Nineteenth ◽  
Parliamentary Oversight ◽  
The Church

This article uses the history of the Ornaments Rubric in the late nineteenth and early twentieth century to explore the emergence of claims to self-governance within the Church of England in this period and the attempts by parliament to examine how independent the legal system of the church was from the secular state. First, it gives an overview of the history of the Ornaments Rubric in the various editions of the Book of Common Prayer and the Acts of Uniformity, presenting the legal uncertainty left by centuries of Prayer Book revision. It then explores how the Royal Commission into Ritualism (1867–70) and the Public Worship Regulation Act (1874) attempted to control Ritualist interpretations of the Ornaments Rubric through secular courts. Examining the failure of these attempts, it looks towards the Royal Commission on Ecclesiastical Discipline (1904–6). Through the evidence given to the commission, it shows how the previous royal commission and the work of parliament and the courts had failed to stop the continuation of Ritualist belief in the church's independence from secular courts. Using the report of the royal commission, it shows how the commissioners attempted to build a via media between strict spiritual independence and complete parliamentary oversight.

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