scholarly journals Tense Alternation in Japanese Literature: Translating Free Indirect Discourse and Focalization in Kashimada Maki’s Meido meguri

2021 ◽  
Vol 55 (2) ◽  
pp. 447-469
Author(s):  
Haydn Trowell
Keyword(s):  
Japanese Literature ◽  
Specific Reference ◽  
Central Character ◽  
Free Indirect Discourse ◽  
Linguistic Difference ◽  
Indirect Discourse ◽  
Narrative Distance ◽  
The Dead ◽  
Literary Narrative

This paper examines the phenomenon of tense alternation in Japanese literary narrative, making specific reference to Kashimada Maki’s (鹿島田 真希) novella Meido meguri (冥途めぐり Touring the Land of the Dead, 2012) as a case study. It argues that tense alternation in sentence‑final predicative verbs should be regarded a stylistic technique that serves as an indicator of free indirect discourse and of focalization through a central character, and that it moreover establishes an opposition between external narration and internal focalization. It then illustrates how this dynamic is employed in Meido Meguri to create a contrast between a mode suggesting narrative distance and another suggesting mental interiority. This paper thus highlights a significant linguistic difference in the construction of free indirect discourse in Japanese and English narratives.

Narrated perception revisited: The case of Jane Austen’sEmma

2012 ◽  
Vol 21 (2) ◽  
pp. 170-188 ◽  
Author(s):  
Elena Pallarés-García
Keyword(s):  
Point Of View ◽  
The Novel ◽  
Narrative Technique ◽  
Free Indirect Discourse ◽  
Textual Evidence ◽  
Form And Function ◽  
Indirect Discourse ◽  
Objective Fact ◽  
And Function

Jane Austen’s Emma (1816) is generally considered an ambiguous and unreliable narrative in terms of point of view (Morini, 2009: 53–57; Wallace, 1995: 77–97). These qualities are often attributed to the extensive use of free indirect discourse (Finch and Bowen, 1990: 5–6; Mezei, 1996: 72–75). This article aims to demonstrate that another narrative technique is also responsible for the ambiguity and unreliability of the novel. ‘Narrated perception’ (NP) portrays the sensory perceptions of a fictional character by describing events as they are experienced by that character (Fludernik, 1993: 305–309). NP has been pointed out by some critics to be a distinct narrative technique, but in general perception is included within the broader category of free indirect discourse (FID), and occasionally as an aspect of free indirect thought (FIT). This article suggests that there are some subtle differences between NP and FID/FIT, and thus it can be beneficial to examine NP separately. In fact, NP is frequently similar to pure narration in terms of form and function. As a case study, this article presents a stylistic analysis of a number of passages containing NP in Emma which do not typically feature in studies of FID/FIT. The analysis provides textual evidence of (1) the presence of Emma’s sensory perceptions within what looks like narration, (2) the close connection between perception, thought and emotion, and (3) the difficulty of distinguishing between perception and narration in some cases, which suggests the potential of NP to mislead the reader by presenting as a seemingly objective fact what later on turns out to be Emma’s mistaken assessment.

Temporal relations of free indirect discourse events

Linguistics ◽  
2021 ◽  
Vol 0 (0) ◽  
Author(s):  
Jakob Egetenmeyer
Keyword(s):  
Discourse Structure ◽  
Temporal Relations ◽  
Free Indirect Discourse ◽  
Indirect Discourse

Abstract In this article, we investigate the role free indirect discourse (FID) plays in temporal discourse structure. In contrast to the most widely accepted account of FID, which compares the content of FID to the surrounding content (two voices or two contexts), we take FID as a discourse entity and, thus, focus on the FID event. We follow a prominence-based approach to temporal discourse structure, through which we are able to describe the temporal relations the FID event maintains to the preceding and the following discourse in a precise manner. We can also account for the temporal developments that may be brought about by FID events. This becomes especially interesting in longer passages where FID events alternate with non-FID parts of discourse. The interaction involves the three levels which together make up our account of temporal discourse structure.

Multiple strike-slip fault sets: A case study from the Dead Sea Transform

Tectonics ◽  
1990 ◽  
Vol 9 (6) ◽  
pp. 1421-1431 ◽  
Author(s):  
H. Ron ◽  
A. Nur ◽  
Y. Eyal
Keyword(s):  
Dead Sea ◽  
Strike Slip ◽  
Strike Slip Fault ◽  
Dead Sea Transform ◽  
The Dead

Muslim Notables, French Colonial Officials, and the Washers of the Dead

2021 ◽  
Vol 39 (1) ◽  
pp. 9-33
Author(s):  
Augustin Jomier
Keyword(s):  
Middle East ◽  
North Africa ◽  
Arabic Language ◽  
Legal Framework ◽  
Male Domination ◽  
The Road ◽  
Legal Discourses ◽  
French Colonial ◽  
The Dead

For many decades, scholars of gender and women’s history in the Middle East and North Africa have challenged prevailing visions of an unchanged patriarchy, showing how patriarchy was transformed in relation to colonialism, and how some women struggled against it. To the contrary, this article aims to challenge our understanding of women’s agency, taking Mzab as a case study. It explores the ways in which women of this Berber speaking region, inhabited by Ibadi Muslims and conquered by the French in 1882, contributed to the colonial reinforcement of male domination. Reading together works of ethnography, colonial administrative files, legal disputes, and Arabic-language newspapers, this article shows that, together with the colonial legal framework, other informal legal discourses and institutions shaped women’s condition. Down the road, forms of patriarchy and notions of gender shifted.

Sympathy and Empathy

2021 ◽  
Author(s):  
Rae Greiner
Keyword(s):  
Prosocial Behavior ◽  
Literary Criticism ◽  
Moral Sense ◽  
Fair Share ◽  
Mental Processes ◽  
Free Indirect Discourse ◽  
Indirect Discourse ◽  
Human Difference ◽  
Literary Techniques

Sympathy and empathy are complex and entwined concepts with philosophical and scientific roots relating to issues in ethics, aesthetics, psychology, biology, and neuroscience. For some, the two concepts are indistinguishable, the two terms interchangeable, but each has a unique history as well as qualities that make both concepts distinct. Although each is associated with feeling, especially the capacity to feel with others or to imaginatively put oneself “in their shoes,” the concepts’ sometimes shared, sometimes divergent histories reveal more complicated origins, as well as vexed and ongoing relations to feeling and emotion and to the ethical value of emotional sharing. Though empathy regularly is considered the more advanced and egalitarian of the two, it shares with sympathy a controversial role in historical debates regarding questions of an inborn or divine moral sense, prosocial behavior and the development of human communities, the relation of sensation to unconscious mental processes, brain matter, and neurons, and animal/human difference. In literary criticism, sympathy and empathy have been key components of aesthetic movements such as sentimentalism, realism, and modernism, and of literary techniques like free indirect discourse (FID), which are thought (by some) to enhance readerly intimacy and closeness to novelistic characters and perspectives. Both concepts have also received their fair share of suspicion, as the capacity to feel, or imagine feeling, the emotions of others remains a controversial basis for ethics.

scholarly journals Towards National Archaeological Mapping. Assessing Source Data and Methodology—A Case Study from Scotland

Geosciences ◽  
2018 ◽  
Vol 8 (8) ◽  
pp. 272 ◽  
Author(s):  
Łukasz Banaszek ◽  
Dave Cowley ◽  
Mike Middleton
Keyword(s):  
Laser Scanning ◽  
General Purpose ◽  
Primary Sources ◽  
Specific Reference ◽  
Large Area ◽  
The Past ◽  
Airborne Laser ◽  
Source Data ◽  
Collection Strategies

While the National Record of the Historic Environment (NRHE) in Scotland contains valuable information on more than 170,000 archaeological monuments, it is clear that this dataset is conditioned by the disposition of past survey and changing parameters of data collection strategies over many decades. This highlights the importance of creating systematic datasets, in which the standards to which they were created are explicit, and against which the reliability of our knowledge of the material remains of the past can be assessed. This paper describes issues of data structure and reliability, then discussing the methodologies under development for expediting the progress of national-scale mapping with specific reference to the Isle of Arran. Preliminary outcomes of a recent archaeological mapping project of the island, which has been used to develop protocols for rapid large area mapping, are outlined. The primary sources for the survey were airborne laser scanning derivatives and orthophotographs, supplemented by field observation, and the project has more than doubled the number of known monuments of Arran. The survey procedures are described, followed by a discussion of the utility of ‘general purpose’ remote sensed datasets, focusing on the assessment of strengths and weaknesses for rapid mapping of large areas.

scholarly journals Risk Modelling with Bayesian Networks - Case Study: Construction of Tunnel under the Dead Vistula River in Gdansk

2017 ◽  
Vol 196 ◽  
pp. 585-591 ◽  
Author(s):  
Marian W. Kembłowski ◽  
Beata Grzyl ◽  
Adam Kristowski ◽  
Agata Siemaszko
Keyword(s):  
Bayesian Networks ◽  
Risk Modelling ◽  
Vistula River ◽  
The Dead

scholarly journals Precedent Names in the Text Field of Marina Tsvetaeva from the Perspective of Free Indirect Discourse

2017 ◽  
Vol 13 (7) ◽  
pp. 142
Author(s):  
Daniya Abuzarovna Salimova ◽  
Olga Pavlovna Puchinina
Keyword(s):  
World Wide ◽  
The Other ◽  
Specific Character ◽  
Free Indirect Discourse ◽  
Personal Names ◽  
Text Field ◽  
Indirect Discourse ◽  
Marina Tsvetaeva ◽  
The World ◽  
The One

The present study is complied with the topical theme “name in the text” and devoted to the problems of how precedent names as the text-forming elements function in the poems and prose works of Marina Tsvetaeva within the framework of free indirect discourse. The authors study various methods and functions of personal names. The authors make conclusions concerning the frequency of precedent names and the specific character of intertextual elements in Tsvetaeva’s text, which, on the one hand, complicates the perception of the text, but on the other hand, promotes including both the poet and the reader into the world-wide cultural and spiritual environment. The ways of introducing the name and the persona, especially within free indirect discourse, specifies the further existence of the name / or its absence in the text.

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