The Relationship Among the Performance Satisfaction, the Image of Korea and Post-viewing Behaviors by Korea Traditional Dance Performance Foreign Audiences

2012 ◽  
Vol 47 ◽  
pp. 345-356
Author(s):  
Seung Hee Kook ◽  
Chan Woo Ahn
2005 ◽  
Vol 21 (4) ◽  
pp. 367-381 ◽  
Author(s):  
Victoria Hunter

In this article, Victoria Hunter explores the concept of the ‘here and now’ in the creation of site-specific dance performance, in response to Doreen Massey's questioning of the fixity of the concept of the ‘here and now’ during the recent RESCEN seminar on ‘Making Space’, in which she challenged the concept of a singular fixed ‘present’, suggesting instead that we exist in a constant production of ‘here and nows’ akin to ‘being in the moment’. Here the concept is applied to an analysis of the author's recent performance work created as part of a PhD investigation into the relationship between the site and the creative process in site-specific dance performance. In this context the notion of the ‘here and now’ is discussed in relation to the concept of dance embodiment informed by the site and the genius loci, or ‘spirit of place’. Victoria Hunter is a Lecturer in Dance at the University of Leeds, who is currently researching a PhD in site-specific dance performance.


2020 ◽  
Vol 8 (4) ◽  
pp. 411
Author(s):  
Irianto Liko Koten ◽  
Cokorda Rai Adi Pramartha

Bali is an island in Indonesia that is rich in culture, for example, is a traditional dance. The traditional dance performance is diverse from one village to another village in Bali. The traditional Balinese dance knowledge should be captured dan documented well in a digital form so that it can be shared easily to different people and generation across the world. The use of ontology as an information representation technique is the preferred solution in this matter because ontology can be used to enhance the development of semantic applications, especially when dealing with semantic webs. In this project, the ontology was built using Protege ontology development tool.  We follow the methontology ontology development method where this methodology clearly describes each of its activity. In this study, we focus to describe two variants of Balinese traditional dance (Barong dance and Pendet dance). In the future, we expect that more type of dance can be documented using our proposed ontology. Keywords: Balinese Dance, Ontology,Semantic Web


2020 ◽  
Vol 1 (1) ◽  
pp. 51-56
Author(s):  
Ni Kadek Rai Dewi Astini

Kegiatan Penyuluhan Seni yang berlangsung dari 19 Maret sampai dengan 4 Mei 2019 ini memiliki tujuan memperkenalkan Program Studi Jurusan Seni Tari ISI Yogyakarta kepada masyarakat Kelurahan Kricak khususnya peserta pelatihan tari. Dengan adanya penyuluhan ini, banyak sekali ha positif yang didapatkannya itu dapat menyambung tali silaturahmi dengan para pecinta seni tari khususnya peserta dan warga RW 13 Bangunrejo, Kricak, Tegalrejo, Yogyakarta. Kendala yang dihadapi dalam pelaksanaan kegiatan penyuluhan, mengingat bahwa anak-anak yang terlibat dalam pelatihan merupakan masyarakat asli dari kota Yogyakarta, yang sangat asing terhadap budaya Bali, di awal-awal pertemuan mereka sangat kesulitan untuk menerima materi yang diberikan. Namu berkat tekad yang kua dan semangat yang pantang menyerah, niscaya semua dapat teratasi.Kegiatan penyuluhan ini diakhiri dengan pentas seni budaya, dalam acara Mreti Desa, salah satunya adalah penampilan tari Bali. This workshop was held at March 19 to May 4 with the aim of introducing Dance major from ISI Yogyakarta to the residents at Kricak Sub-district, especially the dance workshop participants. There are many positive benefits gained from this workshop such as the relationship building between the dance enthusiasts dwelling in Bangunrejo RW 13 at Kricak, Tegalrejo, Yogyakarta. The slight problem that arise was that the Yogyakarta born and raised children are not accustomed to Balinese culture. They faced great difficulty at the beginning of the workshop and hard to absorb the given practices. Through perseverance and will, these hardships are eventually bypassed. This workshop is ended with a cultural display stage, included in the MretiDesa event, as a Bali dance performance.


2021 ◽  
Vol 11 (2) ◽  
pp. 177-188
Author(s):  
Nuzulul Fatimah ◽  
Nauman Tahir ◽  
Muhammad Ali Ahmad ◽  
Amna Batool ◽  
Arbab Gul ◽  
...  

Organizations face many challenges regarding employee engagement and employee job satisfaction. To increase the level of employee job satisfaction, HIWP must be implemented in order to have an impact on employee performance satisfaction. The purpose of this study was to examine the relationship between high-involvement work practices (HIWP) and job satisfaction with the mediating effect of employee engagement; HIWPs consist of four main attributes: (a) power (b) information (c) reward (d) knowledge. This study investigates the relationship between the three variables. Here, convenience sampling was used and data were collected through questionnaires from 185 organizational respondents in the banking sector. Regression analysis was used to test the hypothesis and Andrew F. Hayes model 4 was used to examine the mediating effect. The results showed that there was a significant relationship between the mediating variables and the effect of employee engagement. This study expands on HIWP employment and job satisfaction. The practical implication of this research is to measure the level of job satisfaction of employees by using HIWP can be implemented for managers and employees.


2020 ◽  
pp. 317-342
Author(s):  
Sille Kapper

Kapper (Estonia) focuses mainly on the twentieth century, basing her discussion on information from folk dance collectors and researchers connected to the folk-dance movement. She surveys round dance forms described or referred to as part of this information, and discusses the relationship between round dances and other dances in a local community, particularly if that community was known as a stronghold of traditional dance. She also refers in brief to the folk-dance movement. In this way, she includes two of the groups mentioned above: the ‘dancing crowds’ and the folk dancers, and discusses the place round dancing has within each.


2021 ◽  
Author(s):  
Patrick James Edelman

The Vision for the Future of Non-binary Fashion on Video is a practice- based research project that examines the relationship between trans and non-binary bodies to, public space through creative methods of wearable sculpture, dance, performance and experimental video. This project enacts my theory of gender pregnancy, that one can achieve a non-binary appearance through using garments, motifs, or colors typically associated with binary gender and juxtaposing them into one look that is full of gender. This project dismantles binary notions of gender, public/private, mind/body and human/animal. Through the use of performance this project speaks to the transformative power of queer visibility in reclaiming public space. The resulting video, Trans Animal Fashion Futures, presents similarities between trans experiences and non-human animals in an to situate trans narratives as part of the ‘natural’ environment. Ultimately, this project engages with trans subjects and experiences to imagine queer collective futures in the interest of all.


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