scholarly journals INTERIOR DESIGN IN THE RESTORATION OF THE NATIONAL MUSEUM OF PLASTIC ARTS OF MOLDOVA

2021 ◽  
Vol IV (4) ◽  
pp. 44-50
Author(s):  
Liliana Platon ◽  
Keyword(s):  
Cultural Heritage ◽  
Interior Design ◽  
Historical Period ◽  
National Museum ◽  
Restoration Process ◽  
Plastic Arts ◽  
Scientific Analysis

This paper presents a scientific analysis of interior design in the restoration process of the National Museum of Arts of Moldova. The interior design segment is historically researched through the genre of architecture, from the historical compartment of the XIX-XX century. In the same context, several works of various architects who designed important constructions in Kishinev are analyzed. The study highlights the role and responsibility of interior design in the process of restoration and capitalization of the national cultural heritage. It also analyzes the correspondence or synchronization of new implementations in design with the stylistic concept achieved in the historical period.

scholarly journals Preservation of Art Style in Interior and Architecture Cultural Heritage Buildings: A Case Study in Hotel Kartika Wijaya & Hotel Niagara Malang

Humaniora ◽  
2016 ◽  
Vol 7 (1) ◽  
pp. 87
Author(s):  
Sri Rachmayanti ◽  
Christianto R. ◽  
Anak Agung Ayu Wulandari
Keyword(s):  
Cultural Heritage ◽  
Interior Design ◽  
Historic Buildings ◽  
Historical Building ◽  
Art Deco ◽  
Heritage Buildings ◽  
Heritage Building ◽  
Art Style

Kartika Wijaya Hotel and Niagara Hotel-Malang are two heritage buildings, which are well managed to preserve their historical building that, has been established since 1891. We can find good harmony and variety in interior elements and design styles, such as Colonial style, Art Noveau and Art Deco style. The purpose of documentating this heritage building that has different design styles is for those who needed. The data will be classified according to the period of the development of the buildings and characteristics of existing styles. The research objective on Kartika Wijaya hotel building and art styles is to preserve historic buildings in Indonesia, through documentation of interior elements and architectures, and to conducted a study of the interior and architectures elements, interior design ornaments, that founded in historical Kartika Wijaya Hotel and Niagara Hotel in Malang, whose the existence needs to be preserved. 

scholarly journals Sikring af forsvarshistorisk kulturarv i Danmark

1970 ◽  
pp. 45
Author(s):  
Jens Ole Chistensen
Keyword(s):  
Cultural Heritage ◽  
Cultural History ◽  
Object Oriented ◽  
Military History ◽  
National Museum ◽  
Relevant Research ◽  
Process Of Change ◽  
Constructivist Perspective ◽  
Active Research ◽  
Work Done

Securing the cultural heritage is one of the primary tasks of a museum of cultural history. However, this aspect of these museums’ work rarely attracts attention nor is it subject to any substantial professional debate, despite it being of critical importance for a museum’s future opportunities for development. Since the 1990s, the cultural heritage work done at the National Museum of Military History in Denmark has moved from an object-oriented positivistic perspec- tive to a research-based, problem-oriented and constructivist perspective, as well as moving to conducting active, research-based collecting. This article surveys this process of change and argues for the necessity of departing from ideas that are cha- racteristic of 19th-century museum ideals. The overall conclusion is that collecting should always be conducted as a response to a carefully considered problem that is based on a relevant research issue. This article accounts for the model chosen by the National Museum of Military History.

scholarly journals Financial incentives to motivate workers during the civil war (on the example of Tula Cartridge Plant)

2020 ◽  
pp. 144-159
Author(s):  
Sergei Filippovich Volodin
Keyword(s):  
Civil War ◽  
National Economy ◽  
Financial Incentives ◽  
Research Process ◽  
Plant Production ◽  
Historical Period ◽  
Skilled Workers ◽  
Scientific Analysis ◽  
Administrative Experience ◽  
Crisis Conditions

The subject of this research is the questions of motivating the workers of Tula Cartridge Plant during the civil war. Based on methodology of economic and social microhistory, the author analyzes the practice of using methods of war communism and monetary measures to encourage worker of Tula Cartridge Plant in accomplishment of strenuous government contracts. The research results can be valuable in training management professionals in the context of comprehension of the phenomenon of national economy through the prism of social practices, particular administrative experience in crisis conditions. Writing company’s history necessitates the inclusion of methodology of economic and social microhistory into the research process. Scientific analysis of life of the company as a holistic socioeconomic phenomenon allows determining corporate practices that are essential for understanding the functionality of national economy in a specific historical period. The conclusion is made that objectively, the differentiated plant production significantly adjusted to mobilization regime of war communism using special mechanisms. Among them is the unlimited efficiency wage, non-tariff ways of incentivizing skilled workers, and determination of the urgent work areas with accord wages. At the same time, the war communism method of mobilization of industrial production implemented specific measures of financial incentives for workers. It included the guaranteed minimum of means for each employee, bargain-collective forms of bonuses, and simultaneously, directive allocation of major operations and byworks with due remuneration. The contradictory combination of all these methods of financial incentives ensured a specific effectiveness criterion reflected in the material items of military consumption.

Negotiating Food Heritage Interpretations: Experiences of a Project at the Estonian National Museum

2021 ◽  
Vol 15 (2) ◽  
pp. 112-134
Author(s):  
Anu Kannike ◽  
Ester Bardone
Keyword(s):  
Research And Development ◽  
Cultural Heritage ◽  
Development Project ◽  
Food Culture ◽  
National Museum ◽  
Public Forum ◽  
Non Profit ◽  
The Public

Abstract The article examines varied interpretations of food heritage in contemporary Estonia, relying on the authors’ experiences of a three-year research and development project at the Estonian National Museum (ENM). The study focuses on the museum researchers’ collaboration with different stakeholders, representing small entrepreneurs and the public and non-profit sectors. The authors tackle the partners’ expectations and outcomes of diverse cooperational initiatives and the opportunities and challenges of a contemporary museum as a public forum for discussions on cultural heritage. The project revealed that diverse, complementary, and contested food heritage interpretations exist side-by-side on the Estonian foodscape. Additionally, the project enabled the authors to become better aware of the researcher’s role in the heritagisation process and of the museum as a place for negotiating the meanings and values of food culture.

Sabri, Atta (1912–1988)

2018 ◽  
Author(s):  
Tiffany Renee Floyd
Keyword(s):  
World War Ii ◽  
20Th Century ◽  
Modern Art ◽  
Fine Art ◽  
Museum Of Modern Art ◽  
National Museum ◽  
World War ◽  
Founding Member ◽  
Plastic Arts ◽  
Modern Artists

Born in Kirkuk, Iraq, Atta Sabri was among the pioneer generation of Iraqi modern artists with careers peaking in the mid-20th century. He was an active exhibitor and participant in several burgeoning art groups. After being educated and employed as a teacher in Baghdad, Sabri joined many of his peers in studying art abroad, first in Rome at the Accademia di Belle Arti and then, after World War II, in London at Goldsmith College and the Slade School. During the years of the war, Sabri held a job at the Department of Antiquities in Baghdad. After completing his studies, the artists again took up teaching this time at the Baghdadi Institute of Fine Art. Over the course of his career, Sabri became a founding member of the Society of the Friends of Art and a member of the Society of Iraqi Plastic Arts. His exhibition record includes the seminal Industrial and Agricultural Fair in 1931 and the 1950 First Iraqi Art Show in London. Sabri also exhibited extensively at the National Museum of Modern Art in Baghdad and in 1979 the museum held a retrospective of the artist’s oeuvre.

Project for the Establishment of a National Museum in the drc and Korea’s New oda Strategy: The Contextualization of the drc’s History and Culture

2016 ◽  
Vol 15 (4) ◽  
pp. 408-442
Author(s):  
Kwang-Su Kim
Keyword(s):  
Cultural Heritage ◽  
Ethnic Groups ◽  
Cultural Development ◽  
National Museum ◽  
National Pride ◽  
Starting Point ◽  
Selection Of

The Project for the Establishment of a National Museum in the drc, currently being carried out as a form of grant aid, is Korea’s first cultural oda project. The purpose of the project is for a newly constructed drc National Museum which will protect the cultural heritage of various ethnic groups, and to present their history in order to inspire national pride and integrate the nation. Furthermore, it is hoped that the project will aid the Congo perople in understanding their history correctly, and contribute to the historical and cultural development of their country. This case study can be used as a starting point for a more general understanding of African societies. It shows how this Project for the Establishment of a National Museum in the drc is different in nature than other previous oda projects, and asserts the importance and strategical selection of cultural oda projects.

scholarly journals Social and Historical Aspects of Formation and Functioning

2020 ◽  
Vol 3 (3) ◽  
pp. 579-590
Author(s):  
N. M. Velikhanly
Keyword(s):  
Cultural Heritage ◽  
State Policy ◽  
National Museum ◽  
Archaeological Research ◽  
Historical Aspects ◽  
History Of ◽  
Public Museum ◽  
Changes Of State

The article examines the milestones of formation and development of the first public museum of Azerbaijan - the National Museum of the History of Azerbaijan. The author tracks the changing profile of the museum in the 20-30s of the last century within the context of changes of state policy and ideological priorities in Azerbaijan. The article also provides information on the role of the museum in the emergence and development of archaeological research in Azerbaijan, on the main achievements of the museum in the field of preserving and studying the historical and cultural heritage of the Azerbaijani people.

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