Language and gender representations in the reality television show Survivor : the Amazon

2005 ◽  
Author(s):  
Ho-ying, Holly Chung
2020 ◽  
Vol 9 (1) ◽  
pp. 1-12
Author(s):  
Saheeh Shafi

This paper aims at a precise interpretation of gender stereotypes portrayed in the three selected TV advertisements in order to find out their implications in Bangladeshi context. The analysis begins with Goffman’s Gender Stereotypes Hypothesis, a theoretical framework to examine and justify the thematic features present in the ads. After critically examining the hypothesis and Kress and Van Leeuwen’s Systemic Functional Analysis framework is used to analyse and interpret the semiotic features such as; the signs and symbols. After that, Fairclough’s Discourse Analysis is used to find out the stylistic features and their implied meanings in the advertisements to search the social, cultural and political implications. Then the paper uses Pope’s The Rape of the Lock and it’s Cultural-Ecofeminist Analysis of Francois d’Eaubonne to connect the above mentioned frameworks from a contextual view-point. To give the interpretation of Stereotypes deeply rooted in the minds of both male and female, Freud’s Psychoanalysis is used. Both Qualitative and Quantitative Analysis are taken into consideration for exploring the Gender Stereotypes thoroughly. This research is basically a blend of Literature, Language and Gender along with other Disciplines to interpret Stereotypes from a holistic framework. To predict the future progression of the gender representations and their implications in the coming years in Bangladesh, an umbrella term “Multi-Disciplinary Framework” will be used to examine whether the changes in gender roles both at home and outside in the workplaces due to the changes in different socio-economic and cultural factors are reflected or not in the TV advertisements.


Author(s):  
Leilani Nishime

This chapter focuses on Kimora Lee Simmons and her reality television show Life in the Fab Lane. Rather than striving for a colorblind, deracinated public image, African/Asian American fashion model and designer Simmons capitalizes on both her race and gender in her advertising campaigns and television show. While her show is certainly complicit in the twin projects of capital accumulation and globalization, the chapter argues for a camp reading of her image as resistant to dominant misogynistic and essentialist representations of African American women. A detailed look at Simmons' multiracial visibility shows that, ironically, representation in itself is not enough to challenge racial categories. Instead, the show vividly demonstrates how multiraciality signifies visually through its intersections with the power hierarchies embedded in class and gender difference.


2021 ◽  
Vol 51 (1) ◽  
pp. 140-161
Author(s):  
Gerd Karin Omdal

Abstract In the article KYKA / 1984 is studied as a concrete experiment with the printed book as a medium and with the double-book-format. Karin Moe is in this text dealing with questions concerning the relationship between work and text, and between work, text and reader. The article is an exploration of the design and the composition of the book, and it also explores several kinds of transtextuality, which are establishing interconnections with other literary works and genres. Questions raised by Moe in KYKA / 1984 concerning language and gender are also examined. An important objective of the article is to uncover how and why an experimental and critical investigation is carried out in a book copying a well-known commercial format.


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