Making artist neighbourhoods : production of urban space and culture in Hong Kong and Taipei

2012 ◽  
Author(s):  
Siu-fan Tang
Keyword(s):  
2020 ◽  
Vol 32 (1-2) ◽  
pp. 49-67 ◽  
Author(s):  
Alvin K Wong

This essay explores the queer literary modernism of Hong Kong and Singapore since the 1990s to make several interventions. While the two cities have been studied as exemplars of postcolonial state formation in which finance capitalism contributes to the rise of modernity, their queer modernism in the literary and cultural spheres has largely escaped comparative studies. To address this blind spot, I examine two literary texts of gay male urbanism, namely Bryan Yip’s 2003 Hong Kong queer novel, Suddenly Single and Johann S. Lee’s 1992 coming-of-age queer Singaporean novel, Peculiar Chris, as cases of “queer vernacularism.” Specifically, Yip and Lee’s queer vernacular modernism—especially their references to Hong Kong and Singaporean popular culture, urban space, and soundscapes of modernity—altogether exceeds the familiar boundary of queer transnationalism and actualizes other modes of minor transnational desire. This essay concludes with a brief analysis of Yonfan’s 1995 Hong Kong film Bugis Street, which visualizes the bygone past of Singapore’s 1950–1970s sexual utopia and transgender imaginary.


2010 ◽  
Vol 17 (1) ◽  
pp. 87-107 ◽  
Author(s):  
Shu-Yun Ma

AbstractBuilt heritage conservation is not easily achievable through the market, as it involves use of urban space and thus opportunity cost. The problem is more serious if there is no government support. This is the case in Hong Kong, where both the market and the state are not favorable to built heritage conservation. However, in 2005, through a local voluntary organization, a built heritage of Hong Kong—the Tung Wah Coffin Home—was conserved, and the project won one local and one regional conservation award. While conservation of built heritage by the voluntary sector has been common among developed countries, it is new in Hong Kong. This article first situates the issue in a general political-economy perspective and then analyzes the case of the Tung Wah Coffin Home, in particular, in the context of Hong Kong. The purpose is to examine what this case tells us about the role of the voluntary sector and its relationship with the government in providing built heritage conservation.


2019 ◽  
pp. 199-212
Author(s):  
Kevin Mak

Photographing urban space has always been my interest, even before I entered architectural school and began my career as an architect. When I was still at school, I already enjoyed observing, through my camera, on how the complex yet limited public spaces in Hong Kong accommodated the diverse and spontaneous street life. Studying & practising in architecture further shaped my interest in exploring Hong Kong’s urban topics beyond the visuals. My approach in urban photography promotes spatial aesthetics that embrace diverse cultures in public space, and controversially suggests how we introspect our way & attitude living in contemporary cities.


2017 ◽  
Vol 41 (2) ◽  
pp. 145-161 ◽  
Author(s):  
Serge Salat

This paper is a contribution to the significant research program having developed around the concept of the global city over the last four decades in urban sociology and in political geography. Global cities can be defined both as places and as locations in a network of flows. We use a network and complexity theory perspective to contribute to the debate about global cities and we apply this approach to a rising global city: Shanghai. Cities are networks from which locations emerge, and global cities are the places that emerge as interconnected command centres in the most dynamic and connected nodes in the global network of flows. As places, global cities present a highly unequal landscape of economic growth at intra-urban scale, with peaks of extreme concentration of wealth creation in specific locations within their urban space. To acquire a similar intensity of agglomeration economies in high-end services and in finance as global cities such as London, New York, Tokyo, Seoul, Singapore, and Hong Kong, Shanghai spatial structure needs more concentration and a more complex articulation of its economic densities. Pareto distributions, which are the “signature” of complexity, are the hidden order of the spiky spatial economic landscapes of global cities, for the distribution of people, jobs, and economic densities, office space density, accessibility to jobs, rents, subway network centralities. Within the dynamics of global networks, Shanghai challenge is to become a hub across five flows of goods, services, finance, people, and data and communication, in which Singapore and Hong Kong have acquired dominant positions as waypoints. The transformation of the global landscape of flows with an increasing growth of knowledge-based flows, cross-border flows, and digital flows puts Shanghai business model, dominated today by goods flows, at risk. Shanghai would benefit developing stronger air and Internet connectivity and building collaborative bridges with global cities.


2010 ◽  
Vol 202 ◽  
pp. 381-399 ◽  
Author(s):  
Agnes Shuk-mei Ku

AbstractThis article is a case study of state–society–capital conflicts over the preservation of the Central Police Station (CPS) compound in Hong Kong during 2003–08. The conflict was between two fundamentally different approaches to urban space: a cultural economy approach that took culture and space as a source of economic profit, and an opposition discourse of preservation that emphasized cultural, historical and humanistic values as an end. The struggle turned out to be a moderate success for anti-commercialism. Drawing on and extending the notions of collective memory and spatial politics, this article examines how the various civil society actors, in their struggle against commercialism, sought to define and enhance the cultural value of the site through a variety of discourses and practices relating to history and space. It addresses the specific question of why and how certain constructions of collective memory succeed (or fail) to work with certain places in particular instances. The study shows that memories of the CPS compound contained both state-associated and people-associated accounts, between which the former prevailed. The state-associated account was embedded in a familiar, hegemonic story about Hong Kong, which, via an abstract process of symbolization around the notion of the rule of law, successfully turned the compound into an iconic symbol of identification for the city. Beyond this, the civil society actors sought also to generate a sense of lived space associated with the people, and the outcome was mixed.


Urban Studies ◽  
2019 ◽  
Vol 57 (5) ◽  
pp. 1087-1104
Author(s):  
Sonia Lam-Knott

Since the 2000s, Hong Kong has become inundated with retail centres, such that the territory is now known as ‘Mall City’, a condition now problematised by youth activists in the city. This article is interested in why these youths take issue with this form of urban development. By tracing the emergence of the contemporary consumerist landscape from the colonial era to the present, it is shown that the current manifestation and characteristics of Hong Kong’s brandscapes are the product of unequal power dynamics between the Hong Kong Special Administrative Region (HKSAR) government, estate developers and the Hong Kong citizenry in shaping the city. By bringing youth activist voices to the forefront through the use of ethnographic data, the discussion then examines youth activist accounts detailing the experiential dimensions of living in this consumerist landscape, noting the feelings of alienation and exploitation circulating within the vernacular domains of Hong Kong society. The article concludes by reviewing the different ways these youths have attempted to reconfigure their relationship with this brandscape, and thus challenge the control the HKSAR government and estate developers have over Hong Kong urban space.


2021 ◽  
Vol 8 (1) ◽  
pp. 121-133
Author(s):  
Anneke Coppoolse

Despite, and due to, its culture of consuming ‘the new’, Hong Kong contains an expansive second-hand world that encourages preoccupation with the past through pre-owned ‘things’ and related practices of displaying and collecting. This article takes on a visual approach to understanding (fragments of) Hong Kong’s urban condition by considering its second-hand world. Following an established tradition of revaluing second-hand objects (economically and otherwise), the sites where these objects are temporarily ‘exhibited’ form stages for the emergence of stories about the city, through practices of exchanging, collecting and displaying. Focusing on a selection of these objects, displayed in particular locations, an attempt is made at understanding the significance of their persistence in Hong Kong.


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