Contemporary flâneuses in late capitalism: the representation of urban space in two Hong Kong women artists’ works

Continuum ◽  
2020 ◽  
Vol 34 (3) ◽  
pp. 448-467
Author(s):  
Hong Zeng
2021 ◽  
pp. 026377582110302
Author(s):  
Asha Best ◽  
Margaret M Ramírez

In this piece, we take up haunting as a spatial method to consider what geography can learn from ghosts. Following Avery Gordon’s theorizations of haunting as a sociological method, a consideration of the spectral offers a means of reckoning with the shadows of social life that are not always readily apparent. Drawing upon art installations in Brooklyn, NY, White Shoes (2012–2016), and Oakland, CA, House/Full of BlackWomen (2015–present), we find that in both installations, Black women artists perform hauntings, threading geographies of race, sex, and speculation across past and present. We observe how these installations operate through spectacle, embodiment, and temporal disjuncture, illuminating how Black life and labor have been central to the construction of property and urban space in the United States. In what follows, we explore the following questions: what does haunting reveal about the relationship between property, personhood, and the urban in a time of racial banishment? And the second, how might we think of haunting as a mode of refusing displacement, banishment, and archival erasure as a way of imagining “livable” urban futures in which Black life is neither static nor obsolete?


2013 ◽  
Vol 17 (2) ◽  
pp. 139-147 ◽  
Author(s):  
Tonia Carless

This paper is intended as a contribution to current debates about the changing conditions of urban space and uneven development. It will analyse the functions of the architectural professions in this process and how their productions prefigure the social and economic arrangement of space. It will examine these notions through analysis of Cardiff Bay and will analyse the changes occurring under late capitalism in the shift to Post-Fordist modes of accumulation. While the paper will examine the local space of Cardiff Bay, the analytical ground will be extended to the ongoing restructuring of space under the new global economies at a macro scale.Urban restructuring is most evident in the decentred metropolis of the post-modern city, the new cities for consumption. The growth or collapse of multinational capital needs to be seen as framing the occupation of space, its investment and disinvestment, and as an ongoing process, part of a systematic reprogramming of space that can and should be examined at every stage of its operations.Relocating the economic, political and social into considerations of space means that the paper will also incorporate historical analysis of modes of production and social formations. To consider space as ideological means that transfigured space must also be considered. The paper will therefore raise ideas that are directed towards the transformation of social and political space, and will examine that which identifies Lefebvre's distinction between appropriated and dominated space.


2020 ◽  
Vol 32 (1-2) ◽  
pp. 49-67 ◽  
Author(s):  
Alvin K Wong

This essay explores the queer literary modernism of Hong Kong and Singapore since the 1990s to make several interventions. While the two cities have been studied as exemplars of postcolonial state formation in which finance capitalism contributes to the rise of modernity, their queer modernism in the literary and cultural spheres has largely escaped comparative studies. To address this blind spot, I examine two literary texts of gay male urbanism, namely Bryan Yip’s 2003 Hong Kong queer novel, Suddenly Single and Johann S. Lee’s 1992 coming-of-age queer Singaporean novel, Peculiar Chris, as cases of “queer vernacularism.” Specifically, Yip and Lee’s queer vernacular modernism—especially their references to Hong Kong and Singaporean popular culture, urban space, and soundscapes of modernity—altogether exceeds the familiar boundary of queer transnationalism and actualizes other modes of minor transnational desire. This essay concludes with a brief analysis of Yonfan’s 1995 Hong Kong film Bugis Street, which visualizes the bygone past of Singapore’s 1950–1970s sexual utopia and transgender imaginary.


2010 ◽  
Vol 17 (1) ◽  
pp. 87-107 ◽  
Author(s):  
Shu-Yun Ma

AbstractBuilt heritage conservation is not easily achievable through the market, as it involves use of urban space and thus opportunity cost. The problem is more serious if there is no government support. This is the case in Hong Kong, where both the market and the state are not favorable to built heritage conservation. However, in 2005, through a local voluntary organization, a built heritage of Hong Kong—the Tung Wah Coffin Home—was conserved, and the project won one local and one regional conservation award. While conservation of built heritage by the voluntary sector has been common among developed countries, it is new in Hong Kong. This article first situates the issue in a general political-economy perspective and then analyzes the case of the Tung Wah Coffin Home, in particular, in the context of Hong Kong. The purpose is to examine what this case tells us about the role of the voluntary sector and its relationship with the government in providing built heritage conservation.


2019 ◽  
pp. 199-212
Author(s):  
Kevin Mak

Photographing urban space has always been my interest, even before I entered architectural school and began my career as an architect. When I was still at school, I already enjoyed observing, through my camera, on how the complex yet limited public spaces in Hong Kong accommodated the diverse and spontaneous street life. Studying & practising in architecture further shaped my interest in exploring Hong Kong’s urban topics beyond the visuals. My approach in urban photography promotes spatial aesthetics that embrace diverse cultures in public space, and controversially suggests how we introspect our way & attitude living in contemporary cities.


2017 ◽  
Vol 41 (2) ◽  
pp. 145-161 ◽  
Author(s):  
Serge Salat

This paper is a contribution to the significant research program having developed around the concept of the global city over the last four decades in urban sociology and in political geography. Global cities can be defined both as places and as locations in a network of flows. We use a network and complexity theory perspective to contribute to the debate about global cities and we apply this approach to a rising global city: Shanghai. Cities are networks from which locations emerge, and global cities are the places that emerge as interconnected command centres in the most dynamic and connected nodes in the global network of flows. As places, global cities present a highly unequal landscape of economic growth at intra-urban scale, with peaks of extreme concentration of wealth creation in specific locations within their urban space. To acquire a similar intensity of agglomeration economies in high-end services and in finance as global cities such as London, New York, Tokyo, Seoul, Singapore, and Hong Kong, Shanghai spatial structure needs more concentration and a more complex articulation of its economic densities. Pareto distributions, which are the “signature” of complexity, are the hidden order of the spiky spatial economic landscapes of global cities, for the distribution of people, jobs, and economic densities, office space density, accessibility to jobs, rents, subway network centralities. Within the dynamics of global networks, Shanghai challenge is to become a hub across five flows of goods, services, finance, people, and data and communication, in which Singapore and Hong Kong have acquired dominant positions as waypoints. The transformation of the global landscape of flows with an increasing growth of knowledge-based flows, cross-border flows, and digital flows puts Shanghai business model, dominated today by goods flows, at risk. Shanghai would benefit developing stronger air and Internet connectivity and building collaborative bridges with global cities.


2010 ◽  
Vol 202 ◽  
pp. 381-399 ◽  
Author(s):  
Agnes Shuk-mei Ku

AbstractThis article is a case study of state–society–capital conflicts over the preservation of the Central Police Station (CPS) compound in Hong Kong during 2003–08. The conflict was between two fundamentally different approaches to urban space: a cultural economy approach that took culture and space as a source of economic profit, and an opposition discourse of preservation that emphasized cultural, historical and humanistic values as an end. The struggle turned out to be a moderate success for anti-commercialism. Drawing on and extending the notions of collective memory and spatial politics, this article examines how the various civil society actors, in their struggle against commercialism, sought to define and enhance the cultural value of the site through a variety of discourses and practices relating to history and space. It addresses the specific question of why and how certain constructions of collective memory succeed (or fail) to work with certain places in particular instances. The study shows that memories of the CPS compound contained both state-associated and people-associated accounts, between which the former prevailed. The state-associated account was embedded in a familiar, hegemonic story about Hong Kong, which, via an abstract process of symbolization around the notion of the rule of law, successfully turned the compound into an iconic symbol of identification for the city. Beyond this, the civil society actors sought also to generate a sense of lived space associated with the people, and the outcome was mixed.


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