All Today’s Parties

Author(s):  
Gary Westfahl

This chapter examines three William Gibson novels: Pattern Recognition, Spook Country, and Zero History. Gibson had planned Pattern Recognition for a long time: in 1986, he declared that he would “eventually try something else,” and “in twenty years” he would probably be “writing about human relationships.” By shifting from the future to the present, Gibson clearly felt that he was relaunching his career, and hence he logically reverted to the pattern of his first novel. Known as a science fiction writer for decades, Gibson felt an obvious need to justify Pattern Recognition's present-day setting. This chapter considers a number of ways to argue that Pattern Recognition should be classified as science fiction. Spook Country asserts that we live today in a world filled with science-fictional events, but we are unable or unwilling to properly observe them. Zero History suggests that Gibson has entirely distanced himself from the world of computers, the focus of the cyberpunk literature he was once said to represent.

2018 ◽  
Author(s):  
Michael Simeone ◽  
Advaith Gundavajhala Venkata Koundinya ◽  
Anandh Ravi Kumar ◽  
Ed Finn

The trajectory of science fiction since World War II has been defined by its relationship with technoscientific imaginaries. In the Golden Age of the 1930s and 1940s, writers like Isaac Asimov and Robert Heinlein dreamed of the robots and rocket ships that would preoccupy thousands of engineers a few decades later. In 1980s cyberpunk, Vernor Vinge, William Gibson, and Bruce Sterling imagined virtual worlds that informed generations of technology entrepreneurs. When Margaret Atwood was asked what draws her to dystopian visions of the future, she responded, "I read the newspaper." This is not just a reiteration of the truism that science fiction is always about the present as well as the future. In fact, we will argue, science fiction is a genre defined by its special relationship with what we might term "scientific reality," or the set of paradigms, aspirations, and discourses associated with technoscientific research.


2019 ◽  
Vol 1 (1) ◽  
pp. 1-3
Author(s):  
Bando H

Congratulations on the inaugural issue of Journal of Health Care and Research in the Asploro publishing group. In the fields of health and medical care across the world, there have been various clinical practices and research for long time. This journal would be expected to play an important role in further development in the future.


Dismantlings ◽  
2019 ◽  
pp. 93-111
Author(s):  
Matt Tierney

This chapter talks about distortion as a form of dismantling. It describes distortion as the historical and theoretical technique by which readers learn to approach political documents as if they were science fiction. When considered as a vehicle of distortion, literature is measured for its potential to alter exploitative conditions, like those of war, patriarchy, and racism. The science fiction writer Samuel R. Delany insists that transformative change takes shape neither in utopian nor in dystopian visions of the future, but rather in efforts toward significant distortion of the present. This attitude, which is also a theory and practice of literature, is one way to describe the inheritance of cyberculture in the works of writers and activists who employed speculative language to repurpose the thought of Alice Mary Hilton and the Ad Hoc Committee. These writers and activists focused not on the machines that would unveil the myth of scarcity, but instead isolate the forms of human life and relation that would follow the act of unveiling.


Author(s):  
Jonathan R. Eller

This chapter examines the dark themes and moods that characterize some of Ray Bradbury's short stories, a reflection of his deep ambivalence toward an increasingly destabilized world. Bradbury never developed a postmodernist dislike of where technology and science had brought the world, but he always remained wary of where science may lead mankind in the future. This predictive urge led him to use his science fiction stories to work through some of the issues left unresolved in his failed novels. This chapter discusses “—And the Moon Be Still as Bright” and several of Bradbury's tales, written in the 1946–1948 period, which are distinguished from other Bradbury stories of the period by their science fiction trappings, their unrelieved darkness, the lack of any familiar points of reference, and their relative obscurity within the Bradbury canon. It also considers the relationship stories that eased Bradbury through his impasse with Modernist themes.


2002 ◽  
Vol 10 (3) ◽  
pp. 301-304
Author(s):  
H. L. Wesseling

In 1999, a book appeared in Paris with the rather alarming title De la prochaine guerre avec l'Allemagne (‘On the future war with Germany’). It had not been written by some sensationalist science-fiction writer, but by none other than Philippe Delmas, a former aid to Roland Dumas, who was twice minister of Foreign Affairs under the Mitterrand administration.


Radiocarbon ◽  
1986 ◽  
Vol 28 (2A) ◽  
pp. 603-614 ◽  
Author(s):  
R L Otlet ◽  
George Huxtable ◽  
D C W Sanderson

Miniature gas counters have been in use since the early 1960s for the measurement of 14C but were for a long time seen as suitable for providing approximate indications of activity rather than measurements for more precise dates. In recent years the need for better measurements of small samples has posed a continuing challenge for the 14C laboratories. This paper examines how the challenge has been met across the world using conventional beta decay counting techniques and proportional gas counters of 50ml volume or less. A survey is made of the rise of these techniques and attention paid to the solution through modern technology of earlier problems. Some practical systems, now in routine use, are described and consideration is given to the future for miniature counter measurements. Such systems have several attractive features that will guarantee their usefulness in 14C measurements for the future.


Author(s):  
Ram M. Vemuri ◽  
B. PanduRanga Narasimharao

From the time a technological need is recognized to the time that it takes academia to produce graduates coming out of colleges with those skills already developed takes a long time, and if academia reacts to the needs of the technology then academia will always be playing a catch-up game since technology does not stand still while academia is working on churning out graduates with the requisite skills. This is a key reason why industry and academia should work together to have a vision of where technology is headed and design academic programs that will train the graduates for the future needs of technology. While this chapter has provided some examples where collaboration between universities and industry has lead to development of technology, there are a myriad of others covering various fields and disciplines. In a small chapter like this, it is not possible to cover all of this. With the advent of affordable telecommunication and transportation, the world is a lot smaller today than it was a few decades back. Retaining homegrown talent and nurturing the homegrown talent to contribute towards growing even more talent while attracting talent from across the globe will contribute significantly towards a knowledge economy that will be self-sustaining.


Author(s):  
Adil Afsar ◽  
Adil Afsar

The world today is evolving at a very rapid pace. The needs today won't be the needs of tomorrow. This shift of the needs and longing of humans to experience something beyond exceptional is not momentary. This shift is continuous and humans are pushing their limits to experience something which they haven't before. In order to quench that thirst, the products which satisfy their desires don't last long and that's why the products today are short lived and are not sustainable. This is very good for the economy in order to keep the cycle running espousing consumerism as well. This is giving a tough challenge to designers and architects of today to create something sustainable which can keep the people engaged for a long time. Thus, the designers and Architects are in the middle of this issue. Where they don't know whether they shall create something which is sustainable or something which is short lived and increases the desire of the consumer to look for what next.


Author(s):  
Jonathan R. Eller

This chapter reflects on Ray Bradbury's career, describing him as a writer who never really fit the genres he was assigned to. It begins with a discussion of Fahrenheit 451, a novel that illustrates how the ideas in Bradbury's science fiction, often dark and occasionally hopeful, had become cautionary. For Bradbury, the future danger was not technology, but the humans who will control it. The nuclear war that closes both “The Fireman” and Fahrenheit 451 ran parallel to a number of mid-century Bradbury stories, such as “The Last Night of the World” and the last four tales in The Martian Chronicles. This chapter also considers Bradbury's strengths and shortcomings as a creative writer, one who could not resist the temptation of playing the storyteller with details of his own life, but also absolutely true to his public convictions; his desire to be true to his Muse, to write for himself with little regard for outside pressures, has been a constant hallmark of his writing career.


Author(s):  
Michael R. Page

This conclusion reflects on Frederik Pohl's legacy as a science fiction writer, editor, agent, and fan. Pohl died on September 2, 2013, leaving a chasm in the world of science fiction. Among those who paid tribute were Joe Haldeman, James Gunn, Mack Hassler, and Christopher McKitterick. But Pohl's legacy continues and will continue for many decades to come: through the readers who discover his work for the first time on a library shelf or paperback rack; through the writers who are influenced by his writing, his editing, his advice, and his mere presence in the field; and through the scholars who will find in Pohl an astute critic of the twentieth and twenty-first centuries and an advocate for future alternatives to the roads humanity now travels. Pohl lived a life in science fiction, building and shaping it for over three-quarters of a century.


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