Last Days
“The subject of this book,” Benjamin writes in the last exposé of his Arcades Project, “is an illusion expressed by Schopenhauer in the following formula: for the one who wants to seize the essence of history, it suffices to compare Herodotus and the morning newspaper.” In this chapter, I examine the place of journalism in Benjamin’s philosophical reflections on time and history through a close reading of his great essay on Karl Kraus, the Viennese writer who, for him, embodied journalism’s “most paradoxical form.” In his physiognomies of Kraus, Benjamin develops a critique of modern journalism as the expression of a wholly reified experience of history while also trying to retrieve the elements for a different kind of journalism: a writing that rids itself from a belief in progress and instead strives after an “actuality” (Aktualität) that is both close to and infinitely distant from the novelty of the newspapers.