The eMobiLArt Project from a Curatorial Perspective

Leonardo ◽  
2010 ◽  
Vol 43 (5) ◽  
pp. 478-479
Author(s):  
Annick Bureaud ◽  
Nina Czegledy ◽  
Christiana Galanopoulou
Keyword(s):  

The three curators of the eMobiLArt project developed collaboration within the curatorial group and with other people involved including participating artists and organizers. This article is focused on how the various tasks evolved during the project process. A reflection on the outcomes (artworks and exhibitions) and the role of curators in such a collaborative experimental project is also included.

Author(s):  
Елена Владимировна Евдокимова

В статье рассматривается одна из методик в образовании - моделирование - как способ объединения теоретических и эмпирических данных в педагогическом исследовании. Актуальность рассматриваемой тематики обусловлена возрастающим интересом к моделированию в обозначенной области, а также его большим потенциалом в преодолении педагогических трудностей. Цель исследования - анализ моделирования в педагогической науке и составление модели творческого развития школьников на занятиях декоративно-прикладным искусством на основе полихудожественного подхода. Материалом для исследования послужила психолого-педагогическая и методическая литература. В работе использованы методы наблюдения и эксперимента. Раскрывается термин «модель» и рассматриваются ее виды. Представлены доводы ученых о роли моделирования в педагогическом процессе. Модель в педагогическом изучении выступает в роли научного предвидения. Выделены основные этапы составления педагогической модели. Рассмотрена модель творческого развития школьников на занятиях декоративно-прикладным искусством на основе полихудожественного подхода. Описана ее структура, состоящая из следующих компонентов: целевой, содержательно-операционный (педагогические принципы, методы и технологии, формы и средства обучения, критерии, показатели и уровни формирования творческого развития), оценочно-результативный. Последний предполагает следующие этапы: 1) констатирующий (диагностика и анализ уровня развития при становлении и осуществлении экспериментального проекта); 2) формирующий (в процессе реализуются формирующие и развивающие способы творческого развития учащихся); 3) обобщающий / контрольный (оценивание эффективности полученных знаний, навыков и умений при помощи опросов в анкете и оценка результата формирующего процесса). Изучение моделирования взаимосвязано с глубоким изучением теории и подробным исследованием сущности учебно-воспитательных ситуаций. The article considers one of the methods in education as a way to combine theoretical and empirical data in pedagogical research - modeling. The relevance of this topic is due to the growing interest in modeling in this area, as well as its great potential in overcoming pedagogical difficulties. The purpose of the research is to analyze modeling in pedagogical science and to create a model of creative development of schoolchildren at Arts and Crafts classes based on a multi-artistic approach. The material for the study was psychological, pedagogical and methodological literature. The study employed the method of observation and experiment. The article reveals the term “model” and considers its types; presents the conclusions of scientists on the role of modeling in the pedagogical process. The model in pedagogical study is presented in the role of scientific foresight. Thus, the author identified the main stages of developing a pedagogical model; considered the model of creative development of schoolchildren at Arts and Crafts classes based on a multi-artistic approach; described its structure, which consists of the following components: target component, content and operational component (pedagogical principles, methods and technologies, forms and means of training, criteria, indicators and levels of creative development), evaluation and performance component. The latter implies the following stages: 1) ascertaining (diagnostics and analysis of the level of development during the formation and implementation of an experimental project); 2) forming (in the process, there are being implemented both forming and developing methods of creative development of schoolchildren); 3) generalizing/controlling (evaluation of the effectiveness of the acquired knowledge, skills and abilities using questionnaires, and evaluation of the result of the formation process). The study of modeling is interconnected with a deep study of the theory and a detailed study of the essence of educational situations.


2021 ◽  
pp. 325-336
Author(s):  
L. P. Prokofyeva ◽  
◽  
I. L. Plastun ◽  
N. V. Filippova ◽  
L. Yu. Matveeva ◽  
...  

The paper presents an experimental project of linguists, medical professionals, lawyers, com-puter security specialists dealing with emotions discernment by basic speech signal characteristics. The software has been created, and its first testing has been carried out in the social network VKontakte. The collected recordings of speech fragments of live spontaneous prox-imate-intermediated dialogical speech were analyzed at several levels. First, a complex lin-guistic analysis revealed lexico-semantic and prosodic features of emotionality. Then, a com-parison with the software results was carried out, and the data obtained were systematized. Also, conclusions on the leading role of prosody in revealing hidden types of emotional stress were made. Frequent agreements of digital meanings of prosodic elements in speech segments were found demonstrating emotions not fixed at the lexico-semantic level. Finally, the work-ing formulation for external and internal ways of emotionality expression in the live speech was offered.


Author(s):  
Nataliya Kondel-Perminova ◽  
Oleksandra Khalepa

Filling the spaces of abandoned industrial areas with new content is an urgent problem of the present time. Successful redevelopment of post-industrial locations suitable for the deployment of the latest artistic practices is possible with the multi-vector practice of a new type of figure—the art developer. This concept isintroduced into the scientific circulation in the article. The activity of an art developer is a special art of mixing and performing a number of functions inherent, specifically, to a curator, art manager, and developer. Exemplified with the author’s experimental project of Carbon Аrt Residence (Kyiv), the main content of the art developer’s work is analyzed. According to the project approach, it includes three main stages: concept — project — implementation. Artworks in various creative formats tested in Carbon Аrt Residence are presented.


JAMA ◽  
1966 ◽  
Vol 195 (12) ◽  
pp. 1005-1009 ◽  
Author(s):  
D. J. Fernbach
Keyword(s):  

JAMA ◽  
1966 ◽  
Vol 195 (3) ◽  
pp. 167-172 ◽  
Author(s):  
T. E. Van Metre

2018 ◽  
Vol 41 ◽  
Author(s):  
Winnifred R. Louis ◽  
Craig McGarty ◽  
Emma F. Thomas ◽  
Catherine E. Amiot ◽  
Fathali M. Moghaddam

AbstractWhitehouse adapts insights from evolutionary anthropology to interpret extreme self-sacrifice through the concept of identity fusion. The model neglects the role of normative systems in shaping behaviors, especially in relation to violent extremism. In peaceful groups, increasing fusion will actually decrease extremism. Groups collectively appraise threats and opportunities, actively debate action options, and rarely choose violence toward self or others.


2018 ◽  
Vol 41 ◽  
Author(s):  
Kevin Arceneaux

AbstractIntuitions guide decision-making, and looking to the evolutionary history of humans illuminates why some behavioral responses are more intuitive than others. Yet a place remains for cognitive processes to second-guess intuitive responses – that is, to be reflective – and individual differences abound in automatic, intuitive processing as well.


2020 ◽  
Vol 43 ◽  
Author(s):  
Stefen Beeler-Duden ◽  
Meltem Yucel ◽  
Amrisha Vaish

Abstract Tomasello offers a compelling account of the emergence of humans’ sense of obligation. We suggest that more needs to be said about the role of affect in the creation of obligations. We also argue that positive emotions such as gratitude evolved to encourage individuals to fulfill cooperative obligations without the negative quality that Tomasello proposes is inherent in obligations.


2020 ◽  
Vol 43 ◽  
Author(s):  
Andrew Whiten

Abstract The authors do the field of cultural evolution a service by exploring the role of non-social cognition in human cumulative technological culture, truly neglected in comparison with socio-cognitive abilities frequently assumed to be the primary drivers. Some specifics of their delineation of the critical factors are problematic, however. I highlight recent chimpanzee–human comparative findings that should help refine such analyses.


Sign in / Sign up

Export Citation Format

Share Document