scholarly journals Extolling Blackness: The African Culture in The Color Purple

2017 ◽  
Vol 7 (1) ◽  
pp. 13
Author(s):  
Lei Sun

Alice Walker, advocates African cultures in her epistolary novel The Color Purple. Underscoring the fact that quilt-making has an ancient history in the black community and presents the African tradition of folk art and the rich legacy of visual images in African culture, Walker employs the image of quilts and quilt-making to associate with the symbolic meaning of sisterhood, family history and self-creation. Also, she depicts Shug as the most popular character as a blues singer in the novel, to indicate that she acknowledges her mode of thinking that blues as one secular African tradition can deliver its spiritual power to African Americans.

Author(s):  
Ekawati Marhaenny Dukut ◽  
Nuki Dhamayanti

The world of literature can be a medium of expressing the writer's expressions and ideas. Universal topics such as, love, death, and war often become subject mailers in the world of literature. In the novel, of The Color Purple. Alice Walker describes the oppression experienced by Afro American women in the female characters of Celie, Nellie, Shug Avery, Sofia, and Mary Agnes who faced sexual discrimina!ions in a patriarchal society. Womanhood, education, and lesbianism are factors that help the Afro American women to free themselves from traditional values. The Color Purple puts into words the process of its main character, Celie, who tries to reject and escape from the male domination of her world. The other Afro American women characters that help Celie to find her selfidentity represent the manifestation of the rejection of the traditional values. This article. which uses the socio-historical alld feminism approach. is intended to analyse the Afro-American women's rejection of traditional values by focusing on the major character of' Walker's The Color Purple. Celie. as she develops from being a victim of traditional values to the rejoiceful discovery of her selfidentity.


African-American literature is otherwise known as slave narratives. The popular African-American writers are Langston Hughes, Richard Wright, Toni Morrison, Zora Neale Hurston, Frederick Douglass, Alice Walker etc. The Color Purple is a well-known epistolary novel written by Alice Walker in 1983. The novel brought her a Pulitzer Prize and National Book Award in 1983. This is a novel about a young fourteen year old black girl. She is tortured physically, emotionally, sexually by her step father and her husband. Later on she develops an intimate relationship with Shug. It has changed her life topsy-turvy. The poor, ugly, innocent, oppressed, inferior woman tremendously changed as a woman of self confident, beautiful and proud human being.


2016 ◽  
Vol 1 (2) ◽  
pp. 129
Author(s):  
Nailil Muna Yusak

Over time, as secularization took root in Black churches during the CivilRights era, the prevalent framework in understanding African Americanspirituality discourse has shifted from theology to sociology. This paper triesto discern this major shift from the black literature perspective. It aims todiscuss the main charachers� paradoxical state of mind in understandingGod in the novel The Color Purple. The 1982 Pulitzer Prize for fiction winneris organized around an intimate conversation between two femalecharacters, Celie and Shug Avery, whose understanding of God werechallanged by complexity of sexism and racism in the black family.Sociological approach is adopted to understand the characters� dynamicconcept of God. Discussion in this paper suggested that Alice Walker�snaturalist theology is embodied in Celie and Shug Avery�s conceptualizationof God in the novel.Keywords: Black Theology, The Color Purple, God in Black Literature.


2019 ◽  
Author(s):  
Mardliya Pratiwi Zamruddin ◽  
Burhanuddin Arafah

The purpose of this study was to describe the regularities of the American Postmodern Novelist: Alice Walker with a focus on a character’s and/or narrator’s mind style in a stylistic and narratological approach. This study aimed to attain the regularities from the American novelist’s literary work and how the regularities/irregularities occur in the novel to frame the style of the novelist in producing her literary work. This study was a descriptive qualitative by taken into account of stylistics categories and mind style which were applied to the Alice Walker’s The Color Purple. The data of this study were taken from Alice Walker’s novel entitled The Color Purple. The result of the study showed the occurrences and the forms of regularities in the novel The Color Purple by Alice Walker which represented the style of the novelist in creating her literary work. The bold character of African-American Vernacular English that were found in Alice Walker’s The Color Purple showed that the novelist poured their mind style in their literary works by showing their stylistic options in producing the novel. By showing their writing style the novelists were contributed to the development of national language in America.


This article focuses on the theme of alienation in the novel Color Purple by Alice Walker. The main protagonist of the novel is Celie. Celie has been alienated from her family, husband, step children, society and also from herself. It is understandable of the colored people’s situation in a white dominated society. Celie was not only ostracized in the society because of her race but because of her gender and physical appearances. The trauma that she had to undergone from her childhood causes her to change radically. Though she is alienated from everyone and did not receive love until she met with Shrug Avery, she never did lose her real self and at the end she finds her true self


2021 ◽  
Vol 2 (1) ◽  
pp. 10-21
Author(s):  
Morshedul Arifin ◽  
◽  
Shah Ahmed ◽  

Unlike most African-American authors, who constantly mirror the repressive effects of racism, classicism and gender discrimination, Alice Walker (1944–) in her The Color Purple (1982) compulsively deals with sexism that was still pervasive within African American communities during the early twentieth century. She argues that just as black groups are relegated to an underclass due to the colour of their skin in a wider milieu of white society, in the same way the black women are reduced to a more inferior class due to their sex in their own community. For women’s self-emancipation from such an inhibitory patriarchy, the novel gives an overarching emphasis on the formation of language, execution of voice, review of sexual preference and redefinition of identity of her female characters, the protagonist Celie in particular. This paper examines how, by a fusion of the bildungsroman and epistolary conventions, the novelist melds a unique way for her women creating a God for their own and carving out a niche in social and economic concerns. It assesses the strategic reversal of gender stereotype as well as sexual orientation in order to establish the independence and equality of women on a par with men. The paper ends up with the claim that the novel is predicated upon the theoretical prism of womanism, previously premised by Walker herself, which puts extensive emphasis on a deeper, empathetic relationship and camaraderie of women.


2015 ◽  
Vol 12 (2) ◽  
pp. 1
Author(s):  
Arda Arıkan

<p>Flowers are one of the most popular motifs in verse as well as in prose. Many critics have noted that nature is at the core of Alice Walker’s epistolary novel <em>The Color Purple</em> (1983) in which depicting or writing about flowers requires special attention. However, in Alice Walker’s <em>The Color Purple</em>, flowers are depicted and written about to convey strong negative emotions as well as positive ones. In this study, how flowers are depicted or written about in the novel is studied through an ecocritical lens. I argue that Walker’s use of flowers provides examples of the vitality of a hopeful existence especially when various flowers mentioned in the novel are considered along with the seasonal changes organically affecting such floral richness. I equally argue that Walker uses flowers to show the change experienced by the major character, Celie. In that sense, Walker’s flowers are in direct coexistence with the major character, Celie. </p>


Gragoatá ◽  
2016 ◽  
Vol 7 (13) ◽  
Author(s):  
Maristela Cury Sarian

Este trabalho tem por objetivo estabelecer uma relação entre a tradução e a sociolinguística, a partir da análise da tradução do romance epistolar The Color Purple, da afro-americana Alice Walker, A cor púrpura, realizada por Peg Bodelson, Betúlia Machado e Maria José Silveira, a fim de investigar como a heterogeneidade linguística da obra original, associada, sobretudo, à maior ou menor frequência de uso de inglês padrão e de Black English Vernacular pelas personagens, foi construída na tradução. Nessa análise, verifico quais foram os recursos utilizados na caracterização da linguagem das personagens e como estes podem ser associados aos diferentes graus de escolaridade e de letramento de Celie e Nettie, valendo-me, como instrumental para essa análise, de descrições da variação sociolinguística, das teorias do letramento e dos processos de aquisição de língua escrita.


Transilvania ◽  
2021 ◽  
pp. 58-63
Author(s):  
Ana Maria Basarabă

The paper aims to disclose the factors behind Celie’s preference of transition from an involuntary heterosexual relationship to a homosexual one. I pursue this path due to multiple factors that occur in the novel and which nevertheless lead to Celie’s final homosexual identity. Homosexuality is far too often regarded as a mental illness and people have far too many times misjudged people with other sexual orientation than what the society perceives as “normal”. The findings of my research intend to show that homosexuality implies a variety of psychological, emotional and physical issues and that it is nothing to be ashamed or afraid of. Since racism has always been associated with Black men and sexism with White females, the paper brings the invisible Black lesbians to light.


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