scholarly journals CELIE: A PORTRAYAL OF AN AFRO-AMERICAN WOMAN'S REJECTION OF TRADITIONAL VALUES

2017 ◽  
Vol 2 (2) ◽  
pp. 129
Author(s):  
Ekawati Marhaenny Dukut ◽  
Nuki Dhamayanti
Keyword(s):  
Women Characters ◽  
Alice Walker ◽  
The Novel ◽  
Main Character ◽  
Traditional Values ◽  
Female Characters ◽  
American Women ◽  
The Color Purple ◽  
The World ◽  
Color Purple

The world of literature can be a medium of expressing the writer's expressions and ideas. Universal topics such as, love, death, and war often become subject mailers in the world of literature. In the novel, of The Color Purple. Alice Walker describes the oppression experienced by Afro American women in the female characters of Celie, Nellie, Shug Avery, Sofia, and Mary Agnes who faced sexual discrimina!ions in a patriarchal society. Womanhood, education, and lesbianism are factors that help the Afro American women to free themselves from traditional values. The Color Purple puts into words the process of its main character, Celie, who tries to reject and escape from the male domination of her world. The other Afro American women characters that help Celie to find her selfidentity represent the manifestation of the rejection of the traditional values. This article. which uses the socio-historical alld feminism approach. is intended to analyse the Afro-American women's rejection of traditional values by focusing on the major character of' Walker's The Color Purple. Celie. as she develops from being a victim of traditional values to the rejoiceful discovery of her selfidentity.

scholarly journals GOD IN ALICE WALKER�S THE COLOR PURPLE; A PARADOX OF THE DIVINE

2016 ◽  
Vol 1 (2) ◽  
pp. 129
Author(s):  
Nailil Muna Yusak
Keyword(s):  
Alice Walker ◽  
Black Churches ◽  
Black Theology ◽  
Pulitzer Prize ◽  
The Novel ◽  
Black Literature ◽  
The Color Purple ◽  
State Of Mind ◽  
Major Shift ◽  
Color Purple

Over time, as secularization took root in Black churches during the CivilRights era, the prevalent framework in understanding African Americanspirituality discourse has shifted from theology to sociology. This paper triesto discern this major shift from the black literature perspective. It aims todiscuss the main charachers� paradoxical state of mind in understandingGod in the novel The Color Purple. The 1982 Pulitzer Prize for fiction winneris organized around an intimate conversation between two femalecharacters, Celie and Shug Avery, whose understanding of God werechallanged by complexity of sexism and racism in the black family.Sociological approach is adopted to understand the characters� dynamicconcept of God. Discussion in this paper suggested that Alice Walker�snaturalist theology is embodied in Celie and Shug Avery�s conceptualizationof God in the novel.Keywords: Black Theology, The Color Purple, God in Black Literature.

scholarly journals A Discourse Stylistics Analysis on the Regularities in Alice Walker’s The Color Purple

2019 ◽  
Author(s):  
Mardliya Pratiwi Zamruddin ◽  
Burhanuddin Arafah
Keyword(s):  
African American ◽  
Alice Walker ◽  
Literary Work ◽  
National Language ◽  
African American Vernacular English ◽  
The Novel ◽  
Writing Style ◽  
Vernacular English ◽  
The Color Purple ◽  
Color Purple

The purpose of this study was to describe the regularities of the American Postmodern Novelist: Alice Walker with a focus on a character’s and/or narrator’s mind style in a stylistic and narratological approach. This study aimed to attain the regularities from the American novelist’s literary work and how the regularities/irregularities occur in the novel to frame the style of the novelist in producing her literary work. This study was a descriptive qualitative by taken into account of stylistics categories and mind style which were applied to the Alice Walker’s The Color Purple. The data of this study were taken from Alice Walker’s novel entitled The Color Purple. The result of the study showed the occurrences and the forms of regularities in the novel The Color Purple by Alice Walker which represented the style of the novelist in creating her literary work. The bold character of African-American Vernacular English that were found in Alice Walker’s The Color Purple showed that the novelist poured their mind style in their literary works by showing their stylistic options in producing the novel. By showing their writing style the novelists were contributed to the development of national language in America.

scholarly journals In Search of Self : Analysis of the Character Celie in the Color Purple

2019 ◽  
Vol 8 (12S) ◽  
pp. 485-487
Keyword(s):  
Alice Walker ◽  
The Novel ◽  
True Self ◽  
Her Family ◽  
The Color Purple ◽  
Main Protagonist ◽  
Color Purple ◽  
Real Self

This article focuses on the theme of alienation in the novel Color Purple by Alice Walker. The main protagonist of the novel is Celie. Celie has been alienated from her family, husband, step children, society and also from herself. It is understandable of the colored people’s situation in a white dominated society. Celie was not only ostracized in the society because of her race but because of her gender and physical appearances. The trauma that she had to undergone from her childhood causes her to change radically. Though she is alienated from everyone and did not receive love until she met with Shrug Avery, she never did lose her real self and at the end she finds her true self

scholarly journals Extolling Blackness: The African Culture in The Color Purple

2017 ◽  
Vol 7 (1) ◽  
pp. 13
Author(s):  
Lei Sun
Keyword(s):  
Alice Walker ◽  
Visual Images ◽  
The Novel ◽  
Spiritual Power ◽  
African Culture ◽  
Ancient History ◽  
Epistolary Novel ◽  
The Color Purple ◽  
The Rich ◽  
Color Purple

Alice Walker, advocates African cultures in her epistolary novel The Color Purple. Underscoring the fact that quilt-making has an ancient history in the black community and presents the African tradition of folk art and the rich legacy of visual images in African culture, Walker employs the image of quilts and quilt-making to associate with the symbolic meaning of sisterhood, family history and self-creation. Also, she depicts Shug as the most popular character as a blues singer in the novel, to indicate that she acknowledges her mode of thinking that blues as one secular African tradition can deliver its spiritual power to African Americans.

Reversal of Stereotypes in Alice Walker's The Color Purple: God, Gender, Narrative and Sexuality

2021 ◽  
Vol 2 (1) ◽  
pp. 10-21
Author(s):  
Morshedul Arifin ◽  
◽  
Shah Ahmed ◽  
Keyword(s):  
African American ◽  
Black Women ◽  
Gender Discrimination ◽  
Alice Walker ◽  
The Novel ◽  
The Color Purple ◽  
African American Authors ◽  
And Gender ◽  
Color Purple ◽  
American Authors

Unlike most African-American authors, who constantly mirror the repressive effects of racism, classicism and gender discrimination, Alice Walker (1944–) in her The Color Purple (1982) compulsively deals with sexism that was still pervasive within African American communities during the early twentieth century. She argues that just as black groups are relegated to an underclass due to the colour of their skin in a wider milieu of white society, in the same way the black women are reduced to a more inferior class due to their sex in their own community. For women’s self-emancipation from such an inhibitory patriarchy, the novel gives an overarching emphasis on the formation of language, execution of voice, review of sexual preference and redefinition of identity of her female characters, the protagonist Celie in particular. This paper examines how, by a fusion of the bildungsroman and epistolary conventions, the novelist melds a unique way for her women creating a God for their own and carving out a niche in social and economic concerns. It assesses the strategic reversal of gender stereotype as well as sexual orientation in order to establish the independence and equality of women on a par with men. The paper ends up with the claim that the novel is predicated upon the theoretical prism of womanism, previously premised by Walker herself, which puts extensive emphasis on a deeper, empathetic relationship and camaraderie of women.

Guantánamo, Eatonville, Accompong: Barbecue and the Diaspora in the Writings of Zora Neale Hurston

2006 ◽  
Vol 40 (2) ◽  
pp. 367-389 ◽  
Author(s):  
ANDREW WARNES
Keyword(s):  
African Diaspora ◽  
American South ◽  
Alice Walker ◽  
Black Communities ◽  
Ntozake Shange ◽  
The Color Purple ◽  
The World ◽  
The Usa ◽  
The American South ◽  
Color Purple

African American writers often express great affection for barbecue, a food many describe as “scrumptious” – to use a term that recurs throughout Bobby Seale's cookbook, Barbeque'n with Bobby (1988) – and invest with a particular capacity to lend shape and coherence to the idea of the African Diaspora. In the writings of Ntozake Shange, Albert Murray, Alice Walker, and others, barbecue seems able to reunite black communities, to gather together people dispersed across the USA or even the world. This literary use of barbecue is epitomized by Alice Walker's The Color Purple (1982), the concluding pages of which make the food central to a rejuvenating Diasporic optimism that stands in sharp contrast to the novel's desolate opening description of Celie's sexual abuse. Having grown up in West Africa, Adam, offspring of Celie's rape, finally meets his mother at a barbecue held in the American South. The food provides a conversation opener, a point of contact that the estranged family badly need:Everybody make a lot of miration over Tashi. People look at her and Adam's scars like that's they business. Say they never suspect African ladies could look so good. They make a fine couple. Speak a little funny, but us gitting use to it.

Para uma sociolinguística do texto literário traduzido: um olhar sobre ‘The Color Purple’ e sua tradução

Gragoatá ◽  
2016 ◽  
Vol 7 (13) ◽  
Author(s):  
Maristela Cury Sarian
Keyword(s):  
Alice Walker ◽  
Black English ◽  
The Color Purple ◽  
Color Purple

Este trabalho tem por objetivo estabelecer uma relação entre a tradução e a sociolinguística, a partir da análise da tradução do romance epistolar The Color Purple, da afro-americana Alice Walker, A cor púrpura, realizada por Peg Bodelson, Betúlia Machado e Maria José Silveira, a fim de investigar como a heterogeneidade linguística da obra original, associada, sobretudo, à maior ou menor frequência de uso de inglês padrão e de Black English Vernacular pelas personagens, foi construída na tradução. Nessa análise, verifico quais foram os recursos utilizados na caracterização da linguagem das personagens e como estes podem ser associados aos diferentes graus de escolaridade e de letramento de Celie e Nettie, valendo-me, como instrumental para essa análise, de descrições da variação sociolinguística, das teorias do letramento e dos processos de aquisição de língua escrita.

Making the Invisible Visible: Black Lesbianism in The Color Purple

Transilvania ◽  
2021 ◽  
pp. 58-63
Author(s):  
Ana Maria Basarabă
Keyword(s):  
Mental Illness ◽  
Sexual Orientation ◽  
Black Men ◽  
The Novel ◽  
Multiple Factors ◽  
Heterosexual Relationship ◽  
The Color Purple ◽  
Black Lesbians ◽  
Color Purple ◽  
The Invisible

The paper aims to disclose the factors behind Celie’s preference of transition from an involuntary heterosexual relationship to a homosexual one. I pursue this path due to multiple factors that occur in the novel and which nevertheless lead to Celie’s final homosexual identity. Homosexuality is far too often regarded as a mental illness and people have far too many times misjudged people with other sexual orientation than what the society perceives as “normal”. The findings of my research intend to show that homosexuality implies a variety of psychological, emotional and physical issues and that it is nothing to be ashamed or afraid of. Since racism has always been associated with Black men and sexism with White females, the paper brings the invisible Black lesbians to light.

scholarly journals A REESCRITURA DE THE COLOR PURPLE NO CINEMA:

2015 ◽  
Vol 4 (1) ◽  
pp. 169-180
Author(s):  
Raquel Barros Veronesi
Keyword(s):  
Alice Walker ◽  
Steven Spielberg ◽  
The Color Purple ◽  
Color Purple

Neste trabalho, analisamos a tradução das personagens Celie e Shug do romance de Alice Walker, The Color Purple (1982), para sua adaptação fílmica de 1985, dirigido por Steven Spielberg. Especificamente, investigamos a reescritura do relacionamento homoafetivo entre as personagens, no cinema, uma vez que se trata do amor entre duas mulheres negras no início do século XX. Diante de aspectos suscitadores de discussões polêmicas – ser mulher, ser negra, ser homossexual – percebemos a dificuldade de adaptar tais personagens para o meio cinematográfico. Acreditamos, portanto, que, devido a exigências mercadológicas diferentes das que regem a Literatura e considerando a época em que foi lançado, o filme suaviza algumas cenas em que Celie e Shug demonstram o amor que sentem uma pela outra. Assim, utilizando os Estudos Descritivos da Tradução (TOURY, 2012), objetivamos investigar quais estratégias foram utilizadas no processo de tradução de situações que demonstram esta relação afetiva, observando como o filme lida com a proposta de Walker, que busca evidenciar a mulher negra e sua trajetória de luta contra a discriminação gênero-racial.

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