Across the River and into the Trees

2017 ◽  
Author(s):  
Marina Gradoli
Keyword(s):  
Complex System ◽  
Walt Whitman ◽  
Marcel Proust ◽  
The Novel ◽  
Italian Architecture

Gradoli explores elements of mythology, Italian architecture, poetical allusions, and geography to argue for the subtlety and care in craft of Across the River and into the Trees. Using Walt Whitman, Marcel Proust, and a complex system of charts, Gradoli pursues the hidden and suggested aspects of the novel and how they contribute to its power.

Le premier moment de l’art dans À la recherche du temps perdu de Marcel Proust – une « leçon d’idéalisme » ?

2020 ◽  
pp. 25-40
Author(s):  
Larisa Botnari
Keyword(s):  
Essential Role ◽  
Marcel Proust ◽  
The Self ◽  
Philosophy Of Art ◽  
The Novel ◽  
Philosophical Interpretation ◽  
German Philosopher ◽  
Lost Time ◽  
Aesthetic Thinking

Although very famous, some key moments of the novel In Search of Lost Time, such as those of the madeleine or the uneven pavement, often remain enigmatic for the reader. Our article attempts to formulate a possible philosophical interpretation of the narrator's experiences during these scenes, through a confrontation of the Proustian text with the ideas found in the System of Transcendental Idealism (1800) of the German philosopher F. W. J. Schelling. We thus try to highlight the essential role of the self in Marcel Proust's aesthetic thinking, by showing that the mysterious happiness felt by the narrator, and from which the project of creating a work of art is ultimately born, is similar to the experiences of pure self-consciousness evoked and analyzed by Schellingian philosophy of art.

scholarly journals Konkretyzacja estetyczna w Zwierzętach nocy (2016) Toma Forda

2019 ◽  
Author(s):  
Patrycja Rojek
Keyword(s):  
Complex System ◽  
Significant Part ◽  
Film Adaptation ◽  
Literary Fiction ◽  
The Novel ◽  
Moving Images ◽  
Communication Situations ◽  
Female Protagonist ◽  
The Subject ◽  
Insight Into

Rojek Patrycja, Konkretyzacja estetyczna w Zwierzętach nocy (2016) Toma Forda [Aesthetic Concretization in Tom Ford’s Nocturnal Animals (2016)]. „Przestrzenie Teorii” 32. Poznań 2019, Adam Mickiewicz University Press, pp. 401–416. ISSN 1644-6763. DOI 10.14746/pt.2019.32.22. The subject of Austin Wright’s novel Tony and Susan (published in 1993) is the reader’s experience. The peculiar relationship that forms between the main female character - a reader of literary fiction – and the novel itself as well as its author, inspired in 2016 Tom Ford to capture the specifics of the same relationships using the language of moving images. This article presents the effects of studying the complex system of communication situations occurring in the novel and its film adaptation: each of them contains an additional story around which further author-reader relationships are formed. The analysis shows that a significant part of the film’s plot is not a direct insight into the novel, but its concretization projected by a female protagonist. Tom Ford’s film is therefore considered in relation to Roman Ingarden’s theory on aesthetic concretization.

scholarly journals Dominando a imagem: funções da pintura na narrativa

2015 ◽  
Vol 20 (1) ◽  
pp. 109
Author(s):  
Sophie Bertho
Keyword(s):  
French Literature ◽  
Marcel Proust ◽  
Production Level ◽  
The Novel

<p>  Este artigo tem por objetivo examinar as referências ao pictural na literatura e, especialmente, definir as funções da presença do quadro de pintura na narrativa. Com base na obra de Marcel Proust, <em>À la Recherche du temps perdu</em>, são analisadas as referências à pintura para se definir quatro tipos de função: psicológica, retórica, estrutural e ontológica, que são exemplificadas com excertos de Proust e comparadas a outras obras da literatura francesa. Conclui-se que as diferentes funções que a referência ao pictural exerce em um romance se distinguem por operarem no nível da recepção ou da produção, sendo que a função ontológica, a mais complexa, ultrapassa essa distinção e atinge o metadiscurso, revelando em uma outra arte, a pintura, a essência da arte primeira, a literatura.   </p><p>This essay investigates the pictorial references in literature and especially defines the role of the presence of paintings in the narrative. These pictorial references are analyzed in order to define four types of functions: psychological, rhetorical, structural and ontological, which are exemplified with Proust excerpts and compared to other works of French literature. The different functions of the pictorial references are operating in the novel at reception or production level, and by Proust the ontological function, more complex, beyond this distinction reaches metadiscourse, revealing in another art, painting, the essence of the first art, literature.  </p>

scholarly journals Imaginaire médiatique et dynamique du regard dans l’œuvre proustienne

1969 ◽  
Author(s):  
Thomas Carrier-Lafleur
Keyword(s):  
Social Network ◽  
19Th Century ◽  
Social Life ◽  
Marcel Proust ◽  
The Other ◽  
The Novel ◽  
Lost Time ◽  
Xixe Siecle ◽  
The 19Th Century ◽  
Xixe Siècle

Cet article propose d’analyser deux aspects majeurs, et pourtant méconnus, d’À la recherche du temps perdu : d’une part, celui d’« imaginaire médiatique », d’autre part, celui de « dynamique du regard ». Tous deux sont propres au XIXe siècle français, espace-temps d’inventions majeures pour notre modernité culturelle et artistique. Le texte proustien, un pied dans le XIEe siècle et l’autre dans le XXe, apparaît ainsi comme un catalyseur et comme un passeur. Le « temps retrouvé » de la Recherche, c’est aussi celui d’un XIXe siècle rendu sensible par le roman, médiatisé par l’œuvre. Le déploiement et la floraison de ces deux thématiques (la première questionnant la problématique de la mondanité et l’autre celle de l’imaginaire de l’œil et de la vision) seront relevés de façon générale dans la Recherche, puis on proposera deux études de cas ― sur le journal et sur la photographie ― qui viendront les illustrer.AbstractThis article proposes to analyze two major aspects of the novel À la recherche du temps perdu (In search of lost time/Remembrance of things past), by Marcel Proust: on one hand, what is called “l’imaginaire médiatique”, on the other hand, “la dynamique du regard”. Both are specific to the 19th century in France, time and place of major inventions for our cultural and artistic modernity. The proustian novel, a foot in the 19th century and the other in the 20th, seems thus like a catalyst and a frontier runner. The “time regained” by In search of lost time is also that of the 19th century, precisely mediated by the novel. The deployment of these two sets of themes (the first questioning the problems of “mondanité” — social life, social network, social gossip and so on —, the second those of vision in a civilization of the eye) will be generally identified in the novel, after which two case studies (on newspapers and on photography) will be proposed to illustrate them.

Mirages and Mad Beliefs

2013 ◽  
Author(s):  
Christopher Prendergast
Keyword(s):  
Marcel Proust ◽  
The Novel ◽  
Literary Thought ◽  
Lost Time ◽  
Writing Practice

Marcel Proust was long the object of a cult in which the main point of reading his great novel In Search of Lost Time was to find, with its narrator, a redemptive epiphany in a pastry and a cup of lime-blossom tea. We now live in less confident times, in ways that place great strain on the assumptions and beliefs that made those earlier readings possible. This has led to a new manner of reading Proust, against the grain. This book argues the case differently, with the grain, on the basis that Proust himself was prey to self-doubt and found numerous, if indirect, ways of letting us know. The book traces in detail the locations and forms of a quietly nondogmatic yet insistently skeptical voice that questions the redemptive aesthetic the novel is so often taken to celebrate, bringing the reader to wonder whether that aesthetic is but another instance of the mirage or the mad belief that, in other guises, figures prominently in In Search of Lost Time. In tracing the modalities of this self-pressuring voice, the book ranges far and wide, across a multiplicity of ideas, themes, sources, and stylistic registers in Proust's literary thought and writing practice, attentive at every point to inflections of detail, in a sustained account of Proust the skeptic for the contemporary reader.

scholarly journals A Novel Four-Wing Hyperchaotic Complex System and Its Complex Modified Hybrid Projective Synchronization with Different Dimensions

2014 ◽  
Vol 2014 ◽  
pp. 1-16 ◽  
Author(s):  
Jian Liu ◽  
Shutang Liu ◽  
Fangfang Zhang
Keyword(s):  
Complex System ◽  
Dynamic Properties ◽  
Fractal Dimensions ◽  
Transformation Matrix ◽  
Projective Synchronization ◽  
The Novel ◽  
Complex Transformation ◽  
New Type ◽  
Response Systems ◽  
Complex Chaotic Systems

We introduce a new Dadras system with complex variables which can exhibit both four-wing hyperchaotic and chaotic attractors. Some dynamic properties of the system have been described including Lyapunov exponents, fractal dimensions, and Poincaré maps. More importantly, we focus on a new type of synchronization method of modified hybrid project synchronization with complex transformation matrix (CMHPS) for different dimensional hyperchaotic and chaotic complex systems with complex parameters, where the drive and response systems can be asymptotically synchronized up to a desired complex transformation matrix, not a diagonal matrix. Furthermore, CMHPS between the novel hyperchaotic Dadras complex system and other two different dimensional complex chaotic systems is provided as an example to discuss increased order synchronization and reduced order synchronization, respectively. Numerical results verify the feasibility and effectiveness of the presented schemes.

Die Bedeutung des Gelesenen: Eine komparatistische Studie über Rainer Maria Rilke und Marcel Proust

2019 ◽  
Vol 54 (2) ◽  
pp. 196-211
Author(s):  
Maria Slavtscheva
Keyword(s):  
Hierarchical Model ◽  
Marcel Proust ◽  
Rainer Maria Rilke ◽  
The Novel ◽  
Reading And Writing ◽  
French Author ◽  
The Ideal

Abstract The article discusses the hierarchical model of readers’ types outlined by Marcel Proust in his essay “Journées de lecture” and reconstructs Rainer Maria Rilke’s poetics of reading in accordance with the poems “Der Lesende” and “Der Leser” as well as the thematic relevant parts of the novel Die Aufzeichnungen des Malte Laurids Brigge. Based on the conclusions made thereby, it draws attention to the possibilities arising from a comparative reading of the description of the scene in which the young Marcel reads in the garden of Combray from Proust’s Du côté de chez Swann, and Rilke’s poem “Hebend die Blicke vom Buch”. Moreover, it is shown that in this short but complex poem, the German poet fulfills the ideal of a unity of reading and writing emphasized by the French author. Combining the motive of looking away from the book typical of his prose and poetry with Proust’s typical motive of the memory of a certain read, Rilke brings into being a poetic picture of reading, which triggers both the memory and the reflection, and an image of a reader that reveals his own productive reception.

ON THE FOUNDATIONS OF CANCER MODELLING: SELECTED TOPICS, SPECULATIONS, AND PERSPECTIVES

2008 ◽  
Vol 18 (04) ◽  
pp. 593-646 ◽  
Author(s):  
N. BELLOMO ◽  
N. K. LI ◽  
P. K. MAINI
Keyword(s):  
Complex System ◽  
Critical Review ◽  
Biological Theory ◽  
Scale Up ◽  
The Novel ◽  
Molecular Scale ◽  
Mathematical Problems ◽  
Cancer Modelling ◽  
Cancer Dynamics

This paper presents a critical review of selected topics related to the modelling of cancer onset, evolution and growth, with the aim of illustrating, to a wide applied mathematical readership, some of the novel mathematical problems in the field. This review attempts to capture, from the appropriate literature, the main issues involved in the modelling of phenomena related to cancer dynamics at all scales which characterise this highly complex system: from the molecular scale up to that of tissue. The last part of the paper discusses the challenge of developing a mathematical biological theory of tumour onset and evolution.

Sign in / Sign up

Export Citation Format

Share Document