Das Filmförderungsgesetz und seine Ansätze zur Steigerung der Eigenkapitalbasis deutscher Kinospielfilmproduzenten

2019 ◽  
Author(s):  
Maria Kairies
Keyword(s):  
Film Industry ◽  
Equity Capital ◽  
Point Of View ◽  
Economic Conditions ◽  
Second Step ◽  
Film Production

How can film producers succeed in forming equity capital on the basis of the Filmfördergesetz (Film Funding Act)? The author examines this question, which is highly relevant for the film industry, taking into account the general economic conditions of film production. The previous approaches to strengthening the equity capital base, which are part of the Act, will be analysed before, in a second step, concrete solutions for a restructuring of the Filmfördergesetz will be worked out and evaluated from an economic and legal point of view. These include the introduction of a revenue corridor, the deletion of the own share and the formulation of minimum contract conditions. The work thus makes an up-to-date contribution to the discourse between producers, funding bodies and the legislator with regard to the forthcoming amendment of the Filmfördergesetz.

scholarly journals Trends in the methodology of media consumption study in the field of cinema in Russia

2021 ◽  
Vol 9 (SPE2) ◽  
Author(s):  
Tatyana Igorevna Nikitina ◽  
Aleksey Aleksandrovich Nikitin ◽  
Bulat Ildarovich Yakupov
Keyword(s):  
Production Process ◽  
Film Industry ◽  
Economic Conditions ◽  
Media Consumption ◽  
Film Production ◽  
Financial Success ◽  
Qualitative Understanding ◽  
Modern Economic ◽  
Russian Film ◽  
Research Stage

The relevance of the topic is conditioned by the need for scientific understanding of media analytics and a qualitative understanding of its methods as promotion tools, as well as for the introduction of the research stage of media consumption into the film production process to popularize and further promote domestic film products among the Russian audience. In the Russian film industry, this experience is especially necessary within modern economic conditions. The need to ensure the financial success of Russian film products, which are subsidized by the state, has led to the interest in finding new approaches promoting and increasing the loyalty of the cinema audience, which is especially important at a time when only 1 out of 10 domestic films pays for their film production during the distribution period.

From Film Practice to Data Process

2018 ◽  
Author(s):  
Sarah Atkinson
Keyword(s):  
Film Industry ◽  
Film Production ◽  
Profound Change ◽  
Data Process ◽  
Production Practices ◽  
Digital Film ◽  
Contemporary Britain

From Film Practice to Data Process critically examines the practices of independent digital feature filmmaking in contemporary Britain. The business of conventional feature filmmaking is like no other, in that it assembles a huge company of people from a range of disciplines on a temporary basis, all to engage in the collaborative endeavour of producing a unique, one-off piece of work. The book explicitly interrogates what is happening at the frontiers of contemporary ‘digital film’ production at a key transitional moment in 2012, when both the film industry and film-production practices were situated between the two distinct medium polarities of film and digital. With an in-depth case study of Sally Potter’s 2012 film Ginger & Rosa, drawing upon interviews with international film industry practitioners, From Film Practice to Data Process is an examination of film production in its totality, in a moment of profound change.

Film Production and Consumption in Contemporary Taiwan

2016 ◽  
Author(s):  
Ya-Feng Mon
Keyword(s):  
Film Industry ◽  
Sensory Experience ◽  
Media Convergence ◽  
Film Production ◽  
Production And Consumption ◽  
And Control ◽  
Depth Interviews

This book uses the potent case study of contemporary Taiwanese queer romance films to address the question of how capitalism in Taiwan has privileged the film industry at the expense of the audience's freedom to choose and respond to culture on its own terms. Interweaving in-depth interviews with filmmakers, producers, marketers, and spectators, Ya-Fong Mon takes a biopolitical approach to the question, showing how the industry uses investments in techno-science, ancillary marketing, and media convergence to seduce and control the sensory experience of the audience-yet that control only extends so far: volatility remains a key component of the film-going experience.

Eleonora Duse: An Actress-Manager for the Italian Film Industry in the 1910s

2018 ◽  
Vol 45 (1) ◽  
pp. 81-95
Author(s):  
Maria Pia Pagani
Keyword(s):  
Nobel Prize ◽  
Film Industry ◽  
Silent Film ◽  
White Hair ◽  
Point Of View ◽  
Artistic Creation ◽  
Box Office ◽  
Original Case ◽  
Italian Film

From a historiographical point of view, the Italian diva Eleonora Duse (1858–1924) as an actress-manager offers an original case study in relation to her only film performance in Cenere ( Ashes, 1916). This is a film adapted from the eponymous novel by Grazia Deledda (Nobel Prize for Literature in 1926). In the 1910s, when Duse decided to work in the Italian film industry, she was a celebrity and her name was a guarantee of success for the Ambrosio Company in Turin. The film producers wanted to use her celebrity in order to ensure success at the box office. As an actress-manager with a long and acclaimed international career in the theatre, Duse knew this mechanism very well, but her position was contrary to their expectations. In fact, she aimed to present herself as an anti-diva, with her wrinkle-furrowed face and white hair, proposing a fascinating artistic creation based on the ‘mother roles’ that she had created for the theatre. This paper explores new elements concerning the position of Duse as an actress-manager for the Italian film industry in the 1910s. It is focused on her strategy of reiterating her stage success in playing a mother. On film, she did not want to be an instrument used for commercial purposes, and she did not want to create a common popular diva film. With Cenere, Duse's capability as an actress-manager can be seen in her creation of this non-conventional, poetic role for the silent film industry in wartime Italy.

scholarly journals TARGET SUBSIDIES AS A FILM SCREENING DEVELOPMENT TOOL IN RUSSIAN REGIONS

2019 ◽  
pp. 75-82
Author(s):  
L. A. Lanina ◽  
A. V. Malyshev
Keyword(s):  
Film Industry ◽  
System Organization ◽  
Implementation Process ◽  
The State ◽  
Economic Conditions ◽  
State Program ◽  
Development Tool ◽  
Current Program ◽  
Russian Film

Execution of protectionist measures by the state in the film screening field is a significant for the entire film industry as a whole, as the state of the Russian film screening affects both distribution and film production. The implementation process of the state program to provide subsidies for the cinemas modernization cinemas in small and medium-sized Russia cities has been examined. The current program results, their importance for the regional film screening and the Russian film industry have been analyzed. The special socio-economic conditions of the subsidized theaters functioning have been highlighted. The two-level system organization for further activities subsidized cinemas support is proposed and a measures set to achieve the state program goals for the long term have been offered.

scholarly journals Scene, Aesthetics and Industry Chain: Postmodern Cultural Thinking of Films in 5G Era

2021 ◽  
Vol 3 (4) ◽  
pp. 19-24
Author(s):  
Heqiang Zhou ◽  
Lei Que
Keyword(s):  
Film Industry ◽  
Important Influence ◽  
Film Production ◽  
Film Culture ◽  
Industry Chain ◽  
Chinese Film ◽  
Post Modernism ◽  
The Way ◽  
Film Aesthetics

With the in-depth influence of 5G technology on film art, the postmodern culture contained in it is also becoming more and more obvious. Understanding the context of the 5G era and clarifying the origin of film postmodernism culture will help us deeply analyze the cause of the rise of postmodernism film culture, especially the important influence of the expansion of film application scenes, the innovation of the whole industry chain and the evolution of film aesthetics on the rise of postmodernism film culture. In addition, we should also think deeply about the film culture under the post-modernism of 5G era, and explore the way to stick to the benign development of film creation and film industry. To enhance our cognition and appreciation of post-modern film culture, to give play to the positive factors of post-modern film culture, and to promote the healthy and prosperous development of Chinese film production, creation and industry.

scholarly journals Spotlight on Challenges and Prospect of Directing in Nollywood: A Decade’s Study (2006-2016)

2021 ◽  
Vol 21 (4) ◽  
pp. 100-117
Author(s):  
Kingsley Chukwuemeka Anyira ◽  
Divine Sheriff Uchenna Joe
Keyword(s):  
Survey Research ◽  
Research Method ◽  
Film Industry ◽  
Film Production ◽  
View Point ◽  
Data Collation

The art of video film directing is all encompassing as the director deals with virtually all aspects of film production. This comes with herculean challenges that tend to mar the efforts of directors if not properly addressed. Film scholars cum critics have done a lot of work investing the challenges of the Nigerian Video Film industry with little or no effort to directly ascertain the peculiar challenges of each sector of the industry. To this effect, the paper seeks to source from the directors what these challenges have been over the decade in view and as well through the affected, proffer plausible suppositions asmeasure to ameliorate the identified challenges. In doing so, this paper adopts the view point that the director is the author of the film and thus engages the Survey research method wherein Personal interviews are employed as data collation tool and later analyzed with inferences made from the responses. Conclusively, it anchors on the directors’ views of possible ways to improve/enhance the director’s art in future productions.

scholarly journals EFFICIENT ENGINEERING IN DEVELOPMENT OF CONSTRUCTION SECTOR COMPETITIVENESS

2021 ◽  
Vol 21 (3) ◽  
pp. 90-99
Author(s):  
O.N. Bekirova ◽  
◽  
S.A. Barkalov ◽  
M.S. Trifonova
Keyword(s):  
System Analysis ◽  
Consumer Preferences ◽  
Optimal Solution ◽  
Real Estate Market ◽  
Point Of View ◽  
Economic Conditions ◽  
Construction Sector ◽  
Construction Enterprise ◽  
Modern Economic ◽  
Optimal Construction

The COVID-19 pandemic has really become a real shock for the whole world. The way of life has changed not only for people, but also for companies in various industries. Today, the real estate market, like many other industries, is in conditions of economic instability. The study highlights the problems faced by the construction sector in the current conditions of the coronavirus pandem-ic. One of these problems is the sustainable competitiveness of construction and its compliance with new consumer preferences. Aim. The study of the influence of engineering solutions and other fac-tors on the competitiveness of construction in modern economic conditions, the definition of key criteria. Development and description of the decision-making methodology for choosing the optimal construction enterprise from the point of view of competitiveness. Materials and methods. The methods of system analysis, optimization methods, hierarchy analysis and decision theory are ap-plied in the work. Within the framework of the proposed methodology, the author's method of identifying key competitiveness criteria has been developed. Since the problem of choosing the optimal solution from among the alternatives is based on a multi-criteria approach, the use of this method is quite appropriate. The template for the formation of the methodology was identified based on the analy-sis of existing research in this area. Results. The author summarizes and supplements the criteria and factors affecting the competitiveness of construction organizations in the study. The author's method of making a decision on determining the optimal construction enterprise from the point of view of competitiveness based on the criteria considered by the author is presented. This technique includes several stages: 1) forming a goal; 2) formation of criteria by which organizations will be evaluated; 3) calculation of criteria for each organization and bringing them to a homogeneous type of data; 4) building a tree of goals and a matrix of priorities; 5) Determining the values of priority vectors for each organization under study. Conclusion. The total influence of criteria and engineering solutions on the competitiveness of construction is determined. In this regard, the implementation of the con-struction project should be carried out taking into account the strategic goals of the organization and binding to the identified criteria. The proposed methodology is developed for Russian construc-tion companies operating in modern economic conditions.

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