“We were released into the so called Western world we knew absolutely nothing about”: Professional Experiences of Female Employees in the Lithuanian Film Industry from the Postcolonial Point of View

Author(s):  
Lina Kaminskaitė‐Jančorienė ◽  
Jelena Šalaj
Babel ◽  
2014 ◽  
Vol 60 (2) ◽  
pp. 193-215
Author(s):  
José Santaemilia Ruiz ◽  
Betlem Soler Pardo

In Spain, as in the rest of the non-Anglophone Western world, English-language film titles have become texts (or paratexts) of great cultural importance. The titles of the films that one may encounter in Western cinema can be considered, on the one hand ephemeral, elusive, and inconsequential. However, on the other hand, despite their clear irrelevance, film titles are considered to be the genuine contemporary cultural texts, for their continued presence in the media and for their evocative nature: an important marketing tool. Moreover, the result of what happens when film titles are translated into other languages and cultures has always intrigued the audience: this is perhaps indicative of the vast universe of translation studies. The differences between languages are palpable, not only from a linguistic point of view but also from a pragmatic, historical or cultural standpoint. In this paper, we deal with the translation of Quentin Tarantino’s film titles into a number of European languages, including Spanish, Catalan, French and German. Quentin Tarantino’s films are controversial, self-reflexive and have acquired a significant recognition within popular culture. Most of the typologies employed so far have revolved around the notion of ‘fidelity” in the translation of film titles, and involving such strategies as literal translation, transposition, addition, etc. We wish to propose here another avenue for investigation: that of film-title translation as a complex (and globalised) rewriting phenomenon that benefits the commercial and ideological interests of the film industry.


2018 ◽  
Vol 45 (1) ◽  
pp. 81-95
Author(s):  
Maria Pia Pagani

From a historiographical point of view, the Italian diva Eleonora Duse (1858–1924) as an actress-manager offers an original case study in relation to her only film performance in Cenere ( Ashes, 1916). This is a film adapted from the eponymous novel by Grazia Deledda (Nobel Prize for Literature in 1926). In the 1910s, when Duse decided to work in the Italian film industry, she was a celebrity and her name was a guarantee of success for the Ambrosio Company in Turin. The film producers wanted to use her celebrity in order to ensure success at the box office. As an actress-manager with a long and acclaimed international career in the theatre, Duse knew this mechanism very well, but her position was contrary to their expectations. In fact, she aimed to present herself as an anti-diva, with her wrinkle-furrowed face and white hair, proposing a fascinating artistic creation based on the ‘mother roles’ that she had created for the theatre. This paper explores new elements concerning the position of Duse as an actress-manager for the Italian film industry in the 1910s. It is focused on her strategy of reiterating her stage success in playing a mother. On film, she did not want to be an instrument used for commercial purposes, and she did not want to create a common popular diva film. With Cenere, Duse's capability as an actress-manager can be seen in her creation of this non-conventional, poetic role for the silent film industry in wartime Italy.


2018 ◽  
Vol 51 (3) ◽  
pp. 359-367 ◽  
Author(s):  
Thomas Mies

This response is focused on the following question: What may be the specific group analytic point of view on phenomena as the resurgence of nationalism in the western world, the so-called refugee crisis and the confrontation with Islamism and Islamist terror? The guideline of this response will be the idea of the ‘group of individuals’, which Norbert Elias characterized as his main contribution to group analytic theory. The response will emphasize the significance of the Other for the formation of personal and collective identities. It will argue that we face the Other, not only outside our own group, but also inside, and that xenophobia goes hand in hand with the denial of real differences and conflicts inside one’s own group. Finally, the history of the German nation-state is discussed as an exemplary case.


2019 ◽  
Vol 19 (4) ◽  
pp. 49-59 ◽  
Author(s):  
José Lucas Pérez-Lloréns

For centuries and from Greenland to Chile, several seaweed species have been staple food for tribes inhabiting coastal areas. However, the current culinary use of seaweeds in the Americas, as well as in the Western world, is still rather anecdotal compared to that in Eastern countries. Most species are completely unexplored from the point of view of their gastronomic and nutritional potentials, since only about 150–200 species out of approximately 10,000 are commonly used in the cuisine of those Asian countries even with the longest tradition, and estimating on the high side this figure drops to just over a dozen in the Western world. In the Americas, very recently, seaweeds are being considered as part of avant-garde culinary activities or innovative gastronomy where so-called phycogastronomy is on the rise. Such culinary tendency eventually will permeate to other casual or midrange restaurants and also to home cuisine, as has already happened in Europe, contributing to the “popularization” of this wonderful and healthy marine produce.


2019 ◽  
Author(s):  
Maria Kairies

How can film producers succeed in forming equity capital on the basis of the Filmfördergesetz (Film Funding Act)? The author examines this question, which is highly relevant for the film industry, taking into account the general economic conditions of film production. The previous approaches to strengthening the equity capital base, which are part of the Act, will be analysed before, in a second step, concrete solutions for a restructuring of the Filmfördergesetz will be worked out and evaluated from an economic and legal point of view. These include the introduction of a revenue corridor, the deletion of the own share and the formulation of minimum contract conditions. The work thus makes an up-to-date contribution to the discourse between producers, funding bodies and the legislator with regard to the forthcoming amendment of the Filmfördergesetz.


Gut ◽  
1999 ◽  
Vol 44 (3) ◽  
pp. 435-438 ◽  
Author(s):  
K J VAN ERPECUM ◽  
G P VAN BERGE-HENEGOUWEN

Current evidence suggests that impaired intestinal motility may facilitate gallstone formation by influencing biliary deoxycholate levels or by modulating interdigestive gall bladder motility (fig 2), although a primary intestinal defect in gallstone pathogenesis has not yet been demonstrated. In the cold war period, most interesting events, from a political point of view, occurred at the border between capitalist and communist systems, near the iron curtain. Similarly, the gall bladder and biliary tract can be viewed as the border between liver and intestinal tract, where many interesting things occur with profound impact on both systems. Combined efforts by researchers in the field of hepatology and gastrointestinal motility should brake down the Berlin wall of ignorance of one of the most common diseases in the Western world.


2004 ◽  
Vol 32 (04) ◽  
pp. 641-650 ◽  
Author(s):  
N. Kannathal ◽  
Joseph K. Paul ◽  
C.M. Lim ◽  
K.P. Chua ◽  
P.K. Sadasivan

Reflexology is a 4000-year-old art of healing practiced in ancient India, China and Egypt. In the beginning of the 20th century, it spread to the Western world. Reflexologic clinics and massage centers can be found all around the world. In spite of the widespread popularity, to the best of our knowledge, no serious research work has been done in this area, although much scientific research work has been carried out in other Eastern techniques like meditation and yoga. This is why a humble attempt is done in this work to quantitatively assess the effect of reflexological stimulation from a systems point of view. In this work, nonlinear techniques have been used to assess the complexity of EEG with and without reflexological stimulation. We prefer the nonlinear approach, as we believe that the effects are taking place in a subtle way, since there is no direct correlation between reflexological points and modern neuroanatomy.


Author(s):  
Birgit Vinther Hansen

NB: Artiklen er på dansk, kun resuméet er på engelsk. New materials were adopted during the industrialisation of paper production in the early 1800s. Experiments were done with straw and wood as fibre sources and acidic alum was commonly used as a sizing agent for all paper qualities produced by the paper machines. This, along with stiff competition among paper manufacturers, resulted in a drastic decrease in the quality of all types of paper and the production of vast quantities of acidic paper that could last only a relatively short time. Many of the Royal Library’s collections consist of acidic, short-fibre paper from around 1830 up to the middle of the 1980s when, finally, increased production of neutral-sized, long-like paper became possible. Acidic paper breaks down under ordinary storage conditions of room temperature and a certain degree of air humidity. Librarians and archivists throughout the Western world face a major challenge in the preservation of this relatively unstable material. To meet this challenge, various mass deacidification processes have been developed that, by deacidifying the paper, extend its lifetime three to four times. On the basis of a national report on the preservation of Danish cultural heritage, a committee was set up in 2004 to examine more closely the extent of acidic paper in the collections and whether mass deacidification of the country’s collections of unique national significance could be recommended. The committee had various sample tests done, including of the Royal Library’s collections. It was found that 70% of the Library’s collections date from 1800 to 1985 and that 93% of the objects concerned are more or less acidic. On the basis of the sample tests, it was possible to establish a rough prognosis as to how long the Library’s collections would be able to withstand ordinary physical handling, given that the paper, over time, will inevitably become so brittle that it disintegrates with use. If the collections are preserved in a climate, as was historically the case, at room temperature and varying humidity throughout the year, then half of the collections will have severely deteriorated in a hundred years. In order to ensure a longer lifetime, the collections can either be mass deacidified or the temperature and air humidity can be reduced so as to inhibit the breakdown processes. The committee and the Royal Library chose to work to ensure the collections’ long-term life by focusing on cool, dry storerooms, since this solution is, both from the financial point of view and with respect to preservation ethics, the most competitive. Lowering the temperature and the air humidity also makes it possible to extend the collections’ lifetime far more than with deacidification alone.


2020 ◽  
Vol 9 (2) ◽  
pp. 135
Author(s):  
Krisna Suksma Yogiswari

<p><em>This discussion aims to see the pattern of patriarchal culture taking part in the development of science and technology. This then creates a different space for women and men, especially in the development of science and technology in Asian countries. This discussion tries to see the current pattern of development of science and technology through the ecofeminism point of view of Vandana Shiva. The results of the analysis prove that the tendency of the pattern of development of science and technology today cannot be denied, many get influence from the West. That the progress of science and technology is so rapid as if it wants to match the development of the Western world, not necessarily in accordance with the character of Indonesianness and the character of Asian society</em></p>


2020 ◽  
Vol 19 (1) ◽  
pp. 9-16
Author(s):  
Ani Rahmani ◽  
Muhammad Edwin

A film is one of the entertainment media in human life. It makes the film industry becomes a potential business to get promising income. Prediction of success of a film financially supports film producers, production houses, distributors, and stakeholders in making decisions. The existing research on film predictions is from a popularity point of view. There is also research to predict success from a financial point of view, but using social media film rating data, which has been released. This paper is a study to find a predictive model for the success of films from the financial aspect of films that have not been released. The prediction model uses the Backpropgation neural network (BNN) algorithm by calculating the accuracy, precision, recall, and f-score. The observed variables  are a combination of film success parameters, namely, budget, genre, production company, holiday, runtime, and competition factor. The study results show that the use of more recent data, although less data, can produce better accuracy values, compared to using more data, films released in older years. From a financial point of view, the difference in the year the film was released, especially if it was tens of years, significantly affects the prediction results. Finally, the number of hidden layers and hidden nodes has a significant non-linear role in determining the prediction results.


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