scholarly journals Trends in the methodology of media consumption study in the field of cinema in Russia

2021 ◽  
Vol 9 (SPE2) ◽  
Author(s):  
Tatyana Igorevna Nikitina ◽  
Aleksey Aleksandrovich Nikitin ◽  
Bulat Ildarovich Yakupov
Keyword(s):  
Production Process ◽  
Film Industry ◽  
Economic Conditions ◽  
Media Consumption ◽  
Film Production ◽  
Financial Success ◽  
Qualitative Understanding ◽  
Modern Economic ◽  
Russian Film ◽  
Research Stage

The relevance of the topic is conditioned by the need for scientific understanding of media analytics and a qualitative understanding of its methods as promotion tools, as well as for the introduction of the research stage of media consumption into the film production process to popularize and further promote domestic film products among the Russian audience. In the Russian film industry, this experience is especially necessary within modern economic conditions. The need to ensure the financial success of Russian film products, which are subsidized by the state, has led to the interest in finding new approaches promoting and increasing the loyalty of the cinema audience, which is especially important at a time when only 1 out of 10 domestic films pays for their film production during the distribution period.

scholarly journals TARGET SUBSIDIES AS A FILM SCREENING DEVELOPMENT TOOL IN RUSSIAN REGIONS

2019 ◽  
pp. 75-82
Author(s):  
L. A. Lanina ◽  
A. V. Malyshev
Keyword(s):  
Film Industry ◽  
System Organization ◽  
Implementation Process ◽  
The State ◽  
Economic Conditions ◽  
State Program ◽  
Development Tool ◽  
Current Program ◽  
Russian Film

Execution of protectionist measures by the state in the film screening field is a significant for the entire film industry as a whole, as the state of the Russian film screening affects both distribution and film production. The implementation process of the state program to provide subsidies for the cinemas modernization cinemas in small and medium-sized Russia cities has been examined. The current program results, their importance for the regional film screening and the Russian film industry have been analyzed. The special socio-economic conditions of the subsidized theaters functioning have been highlighted. The two-level system organization for further activities subsidized cinemas support is proposed and a measures set to achieve the state program goals for the long term have been offered.

Das Filmförderungsgesetz und seine Ansätze zur Steigerung der Eigenkapitalbasis deutscher Kinospielfilmproduzenten

2019 ◽  
Author(s):  
Maria Kairies
Keyword(s):  
Film Industry ◽  
Equity Capital ◽  
Point Of View ◽  
Economic Conditions ◽  
Second Step ◽  
Film Production

How can film producers succeed in forming equity capital on the basis of the Filmfördergesetz (Film Funding Act)? The author examines this question, which is highly relevant for the film industry, taking into account the general economic conditions of film production. The previous approaches to strengthening the equity capital base, which are part of the Act, will be analysed before, in a second step, concrete solutions for a restructuring of the Filmfördergesetz will be worked out and evaluated from an economic and legal point of view. These include the introduction of a revenue corridor, the deletion of the own share and the formulation of minimum contract conditions. The work thus makes an up-to-date contribution to the discourse between producers, funding bodies and the legislator with regard to the forthcoming amendment of the Filmfördergesetz.

Prosumers

2019 ◽  
Vol 11 (3) ◽  
pp. 48-60
Author(s):  
Mina Fanea-Ivanovici
Keyword(s):  
Production Process ◽  
Film Industry ◽  
Film Production ◽  
Active Involvement ◽  
Online Platforms ◽  
Research Findings ◽  
Assessment And Testing ◽  
The One ◽  
Rate Of Success

During the current digital (r)evolution, consumer and producer roles have started to converge, with consumers becoming value creators and, to a certain extent, producers. This phenomenon is particularly enhanced on online platforms and social networks, especially in creative-cultural industries. The goal of this research is to discuss the role of the prosumer in the film industry in the context of crowdfunded projects, with a focus on the Romanian experience. Through an empirical analysis of successful filmmaking crowdfunding projects, the backers' role in the film production process is investigated. The eight cases analysed within this research represent the quasi-totality of the successfully crowdfunded filmmaking projects via Romanian crowdfunding platforms. The research reveals that the active involvement of backers-consumers into the film production process represents one of the most valuable rewards offered in exchange for the highest financial contributions, with the majority of successful filmmaking projects including it in their reward strategy. According to the research findings, filmmakers understand that, on the one hand, fans can financially contribute more by being provided with such an opportunity, and that, on the other hand, prosumers can use their skills and expertise and translate them into creative input, execution, assessment, and testing of the project. The author posits that the opportunity to become producer in a film is an incentive to financially (and additionally non-financially) contribute to the project, thus increasing the odds of the project to be successful. Such conclusion can improve the reward scheme in crowdfunded filmmaking projects as well as their rate of success.

scholarly journals Alternative Forms of Film Distribution and Exhibition in the USSR in the 1920's

2013 ◽  
Vol 5 (4) ◽  
pp. 6-20
Author(s):  
Marina Ivanovna Kosinova
Keyword(s):  
Film Industry ◽  
Film Production ◽  
Film Distribution ◽  
Soviet Cinema ◽  
Russian Film ◽  
The Revolution

The article deals with process of the reconstruction of Russian film industry after the Revolution. Special attention is paid to the problems of the repertoire policy under the near absence of domestic film production. The author also examines alternative forms of film distribution and exhibition (propaganda trains, steamboats, etc.), the principles of promotion the nascent Soviet cinema throughout the country.

From Film Practice to Data Process

2018 ◽  
Author(s):  
Sarah Atkinson
Keyword(s):  
Film Industry ◽  
Film Production ◽  
Profound Change ◽  
Data Process ◽  
Production Practices ◽  
Digital Film ◽  
Contemporary Britain

From Film Practice to Data Process critically examines the practices of independent digital feature filmmaking in contemporary Britain. The business of conventional feature filmmaking is like no other, in that it assembles a huge company of people from a range of disciplines on a temporary basis, all to engage in the collaborative endeavour of producing a unique, one-off piece of work. The book explicitly interrogates what is happening at the frontiers of contemporary ‘digital film’ production at a key transitional moment in 2012, when both the film industry and film-production practices were situated between the two distinct medium polarities of film and digital. With an in-depth case study of Sally Potter’s 2012 film Ginger & Rosa, drawing upon interviews with international film industry practitioners, From Film Practice to Data Process is an examination of film production in its totality, in a moment of profound change.

Innovation and investment framework for the development of competitive fisheries and aquaculture

2019 ◽  
pp. 31-38
Author(s):  
Nataliia Vdovenko ◽  
Maryna Pavlenko ◽  
Elena Hryniuk
Keyword(s):  
Economic Conditions ◽  
Technological Parameters ◽  
Critical Situation ◽  
Competitive Activity ◽  
Scientific Approach ◽  
Production Technologies ◽  
Modern Economic ◽  
Innovative Economy ◽  
Combination Of Methods ◽  
Production Plans

The purpose of the article it consists in the substantiation of innovation and investment principles of competitive development of fisheries and aquaculture in order to effectively conduct business in modern economic conditions and to comply with technological parameters of production, introduce innovations in production, and economical attitude to fish and water resources. Methodology research consists in using a combination of methods: economic-statistical, monographic, systemic, economic-mathematical, abstract-logical and others. The scientific novelty the re- sults obtained include the introduction of innovative, economically viable and competitive production technologies based on a scientific approach to organizing an aquaculture business, namely the ability to quickly and efficiently respond to external challenges, find a way out of a critical situation and correctly adjust production plans in accordance with changes in market conditions. Conclusions. Substantially modern principles of the effective functioning of fisheries in order to ensure competitive activity. Regulatory tools are proposed to ensure the profitability of the aquaculture business, which include attracting in- vestments for the acquisition of capital goods, training specialists and constantly improving their skills, and ensuring efficient fisheries production in an innovative economy.

Accessible Filmmaking and Media Accessibility

2020 ◽  
pp. 323-353
Author(s):  
Pablo Romero-Fresco
Keyword(s):  
Production Process ◽  
Film Studies ◽  
Film Industry ◽  
Theoretical Framework ◽  
Potential Solution ◽  
Creative Team

Despite their importance in the reception and distribution of films, translation and accessibility have traditionally been neglected in the film industry. They are regarded as an afterthought, which results in translators being isolated from the creative team and working in conditions that hamper their attempts to maintain the filmmaker’s original vision. As a potential solution to this problem, accessible filmmaking (AFM) aims to integrate translation and accessibility into the production process through the collaboration between the creative team and the translator. This chapter outlines, firstly, the theoretical framework that underlies AFM, drawing on both translation/media accessibility and film studies and incorporating the notion of the global film. It then reviews the application of AFM in the filmmaking industry through the collaboration between accessible filmmakers and directors of translation and access. Finally, it introduces a new engagement-based approach to media accessibility that has resulted from AFM and compares it to the comprehension-based approach that has traditionally been used in this area.

Film Production and Consumption in Contemporary Taiwan

2016 ◽  
Author(s):  
Ya-Feng Mon
Keyword(s):  
Film Industry ◽  
Sensory Experience ◽  
Media Convergence ◽  
Film Production ◽  
Production And Consumption ◽  
And Control ◽  
Depth Interviews

This book uses the potent case study of contemporary Taiwanese queer romance films to address the question of how capitalism in Taiwan has privileged the film industry at the expense of the audience's freedom to choose and respond to culture on its own terms. Interweaving in-depth interviews with filmmakers, producers, marketers, and spectators, Ya-Fong Mon takes a biopolitical approach to the question, showing how the industry uses investments in techno-science, ancillary marketing, and media convergence to seduce and control the sensory experience of the audience-yet that control only extends so far: volatility remains a key component of the film-going experience.

Sign in / Sign up

Export Citation Format

Share Document