Conclusion

Author(s):  
Tony Banham

So we decided to emigrate to Australia and I suppose we could now be called ‘Dinkum Aussies’ – after 30 years.1 By 1946 Hong Kong’s pre-war colonial society, which had celebrated its hundredth birthday just five years earlier, had gone forever. Hong Kong, to the British people who lived there between the twentieth century’s two great wars, had been perhaps the prime real estate to be had in the empire. Life there was entertaining and cheap, profits were bountiful. But then came the threat of war. Mindful of their own situation in 1939, the British government instructed the Hong Kong government to mandate evacuation of British women and children should the colony be threatened by attack. In mid-1940, as the Battle of Britain stamped an indelible, greasy smoke stain through British skies thousands of miles away, the majority of Hong Kong’s civilians prescriptively escaped the threat of Asian war. Those families split asunder would often—in the context of the more than 200 husbands killed, and the many divorces—never be reunited; the cost of war being measured in permanently broken homes. That evacuation, in stages from Hong Kong to the Philippines, from the Philippines to Australia, and from Australia to the UK, or back to Hong Kong, and—in many cases—back to Australia again, would define many lives. Looking at Australia’s population today, a surprisingly large number can—at least in part—track their heritage back to Hong Kong’s pre-war society: the garrison, the businessmen, earlier evacuees who had washed up in the colony, and local families. From the perspective of Australia’s twenty-first century population, the effects of Hong Kong’s evacuation still reverberate through tens of thousands of its people. Many of the ancestors of those Australians are buried in Hong Kong or—for those who died as prisoners of war—in Japan, or they lie lost and forgotten, skeletons in Hong Kong’s remotest ravines or at the bottom of the South China Sea....

Author(s):  
David Whetham

Between 2007 and 2011, Wootton Bassett, a small Wiltshire town in the UK, became the focus of national attention as its residents responded to the regular repatriations of dead soldiers through its High Street. The town’s response came to symbolize the way that broader attitudes developed and changed over that period. As such, it is a fascinating case study in civil–military relations in the twenty-first century. Success may be the same as victory, but victory, at least as it has been traditionally understood, is not a realistic goal in many types of contemporary conflict. Discretionary wars—conflicts in which national survival is not an issue and even vital national interests may not be at stake—pose particular challenges for any government which does not explain why the cost being paid in blood and treasure is ‘worth it’.


Author(s):  
Jane Lee

This chapter explores the contribution of Anglican women, Chinese and British, in the promotion of welfare for women and children in Hong Kong from the mid-nineteenth century to the present. The narrative covers four areas of progress in chronological order, which include: Elevating Social Status through Education, Advocating Women’s Rights through Social Movements, the establishment of the Hong Kong Sheng Kung Hui Women’s League, and women leaders in social services. It presents an account of change and continuity in the development of women’s work for women: from British women’s work of charity and evangelism to Chinese women’s assumption of leadership roles; from protection of girls and women in the nineteenth century, to pioneering nursery and child care in postwar rehabilitation, and providing holistic care to the elderly and marginalised in twenty-first century.


Author(s):  
Donald W. Winnicott

In this essay written at boarding school, Donald, aged seventeen, describes a school trip to Essen, in Germany, to see the work of a Dr Schmidt who, in Winnicott’s view, is an enlightened town planner who considers the needs of the men women and children of his town with great care. Winnicott enthusiastically reports Schmidt’s care of the health and safekeeping of the many inhabitants of Essen, with implications for the same approach in the UK.


Author(s):  
Ekaterina Stepanova

The chapter explores how, despite earlier counterterrorism failures and two bitter wars in Chechnya, terrorism in Russia has declined in the 2010s. The Islamist-separatist terrorism problem that used to dominate national politics was degraded to a relatively peripheral issue that hovers at a level of persistent, but low-scale and increasingly fragmented violence, primarily in the North Caucasus. However imperfect, interim and incomplete, a ‘solution’ that has worked out in the Russian case was not ‘war’. This ‘solution other than war’ was made possible by certain developments outside Moscow’s direct control, such as the internal split within the insurgency catalyzed by its increasing jihadization, and resulted from a combination of the policy of Chechenization, shifts in federal security strategy towards smarter suppression and prevention, and massive reconstruction and development assistance. While this solution is no substitute for addressing the underlying structural causes of violent extremism and has involved enormous security, financial, human rights and governance costs for the nation, these costs are much lower than the cost of war. This is seen as one of the key broader lessons to be gleaned from Russia’s response to terrorism. It also explains why Russia has a genuine interest in ensuring that this degree of stabilization and decline in terrorism of North Caucasian origin is not distorted or reversed by new destabilizing factors, including transnational influences and connections.


2008 ◽  
Vol 26 (2) ◽  
pp. 223-243 ◽  
Author(s):  
AVANTHI MEDURI

In this paper, I discuss issues revolving around history, historiography, alterity, difference and otherness concealed in the doubled Indian/South Asian label used to describe Indian/South Asian dance genres in the UK. The paper traces the historical genealogy of the South Asian label to US, Indian and British contexts and describes how the South Asian enunciation fed into Indian nation-state historiography and politics in the 1950s. I conclude by describing how Akademi: South Asian Dance, a leading London based arts organisation, explored the ambivalence in the doubled Indian/South Asian label by renaming itself in 1997, and forging new local/global networks of communication and artistic exchange between Indian and British based dancers and choreographers at the turn of the twenty-first century.


2014 ◽  
Vol 23 (1) ◽  
pp. 11-33 ◽  
Author(s):  
Anna McMullan ◽  
Trish McTighe ◽  
David Pattie ◽  
David Tucker

This multi-authored essay presents some selected initial findings from the AHRC Staging Beckett research project led by the Universities of Reading and Chester with the Victoria and Albert Museum, London. For example, how did changes in economic and cultural climates, such as funding structures, impact on productions of Beckett's plays in the UK and Ireland from the 1950s to the first decade of the twenty-first century? The paper will raise historiographical questions raised by the attempts to map or construct performance histories of Beckett's theatre in the UK and Ireland.


2019 ◽  
Author(s):  
Vilius Floreskul ◽  
Fatima Juma ◽  
Anjali Daniel ◽  
Imran Zamir ◽  
Zulf Mughal ◽  
...  

Author(s):  
Gerald Pratley

PRODUCTION ACTIVITY It was not so many years ago it seems when speaking of motion pictures from Asia meant Japanese films as represented by Akira Kurosawa and films from India made by Satyajit Ray. But suddenly time passes and now we are impressed and immersed in the flow of films from Hong Kong, Taiwan, China, South Korea, the Philippines, with Japan a less significant player, and India and Pakistan more prolific than ever in making entertainment for the mass audience. No one has given it a name or described it as "New Wave," it is simply Asian Cinema -- the most exciting development in filmmaking taking place in the world today. In China everything is falling apart yet it manages to hold together, nothing works yet it keeps on going, nothing is ever finished or properly maintained, and yes, here time does wait for every man. But as far...


Vamping the Stage is the first book-length historical and comparative examination of women, modernity, and popular music in Asia. This book documents the many ways that women performers have supported, challenged, and undermined representations of existing gendered norms in the entertainment industries of China, Japan, India, Indonesia, Iran, Korea, Malaysia, and the Philippines. The case studies in this volume address colonial, post-colonial, as well as late modern conditions of culture as they relate to women’s musical practices and their changing social and cultural identities throughout Asia. Female entertainers were artistic pioneers of new music, new cinema, new forms of dance and theater, and new behavior and morals. Their voices, mediated through new technologies of film, radio, and the phonograph, changed the soundscape of global popular music and resonate today in all spheres of modern life. These female performers were not merely symbols of times that were rapidly changing. They were active agents in the creation of local performance cultures and the rise of a region-wide and globally oriented entertainment industry. Placing women’s voices in social and historical contexts, the authors critically analyze salient discourses, representations, meanings, and politics of “voice” in Asian popular music of the 20th century to the present day.


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