Pneumadectomy

2022 ◽  
Vol 3 (1) ◽  
pp. 75-84
Author(s):  
Harris Coverley ◽  
Keyword(s):  
Short Fiction ◽  
The Other

What if there was absolute proof of the soul? Would you ever have yours removed? Would you be friends with someone who had had it removed? In this work of philosophical short fiction, science has definitively discovered that your soul resides in your appendix. Sometimes, when your appendix is having issues, it is for medical reasons. However, sometimes it is because your soul, residing in your appendix, is having issues. The solution in either case is the same, remove the organ. Rolly is a young boy, like all other young boys, who likes to play with is friends. However, his appendix was inflamed and had to be removed. Now, the other children call him “No Soul” and refuse to play with him. Feeling left out, he goes to a neighbor’s house to visit another friend Cioran. However, Cioran’s parents are far more religious and, when their child had appendix issues, they refused to have it removed as they didn’t want to remove his soul. Because his appendix was not removed Cioran, unlike Rolly, died.

scholarly journals FILM FIKSI PENDEK “DESAK TERDESAK”

2018 ◽  
Vol 15 (1) ◽  
Author(s):  
Gede Basuyoga Prabhawita ◽  
Rahayu Supanggah
Keyword(s):  
Short Fiction ◽  
Culture System ◽  
Social Conflict ◽  
The Other ◽  
Customary Law ◽  
Eastern Philosophy ◽  
System Form ◽  
Other Hand ◽  
Economic Depression ◽  
Classical Hollywood

<p><span>“Desak Terdesak” merupakan sebuah film fiksi pendek yang berangkat dari isu tentang kurangnya “penghargaan” <span>terhadap perempuan Bali. Karya ini mengangkat posisi serta status perempuan Bali dalam hukum adat yang<br /><span>selalu berada di bawah kekuasaan laki-laki. Hal tersebut berkaitan erat dan didasari oleh keyakinan mayoritas <span>penduduk Bali, sistem kekerabatan patrilineal, sistem wangsa dan petuah-petuah orang tua. Dalam film fiksi <span>pendek ini pengkarya berusaha menghadirkan konflik sosial yang lebih tajam dengan menggabungkan <span>permasalahan kekerasan dalam rumah tangga, tekanan ekonomi, dan ketidakberdayaan melawan hukum <span>adat yang membuat posisi perempuan Bali bernama Desak semakin terdesak. Sejak kecil perempuan Bali<br /><span>dididik untuk mandiri, bekerja keras dan bukan mahkluk lemah yang harus dilindungi. Orang tua mengajarkan <span>untuk selalu menjunjung tinggi martabat dan siap berkorban demi nama baik keluarga. Perempuan Bali telah <span>diberikan persamaan hak dalam memperoleh pendidikan, pekerjaan dan mengutarakan pendapat, namun <span>disisi lain mereka tetap diikat oleh berbagai sistem yang berlaku di Bali. “Desak Terdesak” berdurasi 20 menit, <span>menggunakan pendekatan Realis medan Hollywood Klasik sebagai bentuk karya dengan plot linier yang<br /><span>sesuai aksi peristiwa. Dialog dalam film ini menggunakan bahasa Bali dialek Singaraja untuk memperkuat <span>setting dan penokohan yang dibangun dalam cerita. Beberapa sumber pustaka seperti Filsafat Timur, Sebuah <span>Pengantar Hinduisme dan Buddhisme, Perempuan Bali, Hukum Adat Bali, Hak Waris Perempuan Bali dan <span>Kesalahpahaman Kasta digunakan sebagai rujukan dalam menciptakan karya ini. Film yang diilhami dari <span>kisah nyata ini memberikan sedikit pengetahuan, informasi, pemahaman kepada pembaca serta penonton<br /><span>terkait posisi perempuan dalam hukum dan pergaulan adat masyarakat Bali yang menganut sistem kekerabatan <span>patrilineal.<br /><span><strong>Kata kunci: </strong><span>film, perempuan, Bali, budaya, sistem, bentuk.</span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></p><p><span><span><span><em>“Desak Terdesak” is a film of short fiction based on the issues of the lack of “appreciation” towards Balinese </em><span><em>women. This work tells about the position and status of Balinese women in the custom that they are always </em><span><em>under the men’s power. It is closely related to and based on the most Balinese belief, the patrilineal kinship </em><span><em>system, </em><span>wangsa <span><em>system, and the parental teachings. In the short fiction film, the creator tries to present the </em><span><em>sharper social conflict by combining the problems of domestic violance, economic depression, and the</em><br /><span><em>helpnessness against customary law that makes Balinese women namely Desak is more distressed. Sinceyoung, </em><span><em>Balinese women have been educated to be independent, working hard, and not to be a poor being that must</em><br /><span><em>be protected. Parents teach to always uphold dignity and to be ready to sacrifice in the name of family’s </em><span><em>reputation. Balinese women have been given similar rights in getting education, employment and proposing </em><span><em>opinion, on the other hand, they are tied by various systems held in Bali. “Desak Terdesak” has 20 minutes </em><span><em>duration using Realism and Classical Hollywood approach as a form of work with linear plots corresponding to </em><span><em>the action of events. Dialogue in the film uses Balinese language with Singaraja dialect to strengthen setting</em><br /><span><em>and characterization built in the story. Library sources like Eastern Philosophy, An Introductory To Hinduism </em><span><em>AndBuddhism, Balinese Women, Balinese Custom, Hereditary Right Of Balinese Women And Misconceptions Of Caste is used as a reference in creating this work. The film that has been inspired by a real story</em><br /><span><em>provides little knowledge,informations, the reader as well as the audience understanding related to the women </em><span><em>position in law and in customary intercommunication of Balinese community that follow patrilineal kinship</em><br /><span><em>system.</em><br /><span><strong><em>Keywords: </em></strong><span><em>film, woman, Bali, culture, system, form.</em></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span><br /></span></span></span></span><br /></span></span></p>

‘Forlorn on the Fringe of Life’: Exploring Working-Class Childhood in Katherine Mansfield’s Short Stories

2022 ◽  
Author(s):  
Argha Kumar Banerjee
Keyword(s):  
Short Stories ◽  
Working Class ◽  
Short Story ◽  
Short Fiction ◽  
Verbal Abuse ◽  
The Other ◽  
Parental Rejection ◽  
Narrative Strategies ◽  
Childhood Experiences ◽  
The One

Abstract In Katherine Mansfield’s short story ‘Life of Ma Parker’, the old, widowed charwoman is plagued by ‘unbearable’ thoughts of her deceased grandson Lennie: ‘Why did he have to suffer so?’ Lennie’s unfortunate death in the story is not a solitary instance of tragic portrayal of working-class childhood in Mansfield’s short fiction. In several of her tales she empathetically explores the marginalized existence of such children, occasionally juxtaposing their deplorable existence with their elite counterparts’. From social exclusion, child labour, parental rejection, infant and child mortality on the one hand to physical and verbal abuse, bullying in the school and appalling living conditions on the other; Mansfield's exploration of the working-class childhood in her short fiction is not only psychologically complex but sociologically significant. Focusing on the relevant short stories in her oeuvre, this brief analysis intends to closely examine such depictions of marginalized childhood experiences, particularly in light of the oppressive societal conditions that validate their repressive alienation and sufferings. Tracing various biographical circumstances that may have fostered Mansfield’s deep empathy with the children’s’ predicament, this analysis also draws attention to her subtle oblique narrative strategies that effectively represent the plight of working-class children in a convincing and an ingeniously nuanced manner.

scholarly journals Images of the East in the Short Fiction of Ivan Bunin

2020 ◽  
Vol 49 ◽  
Author(s):  
Kata Juracsek
Keyword(s):  
Short Stories ◽  
Short Fiction ◽  
Postcolonial Theory ◽  
Postcolonial Studies ◽  
The Other ◽  
Semantic Structure ◽  
Social Setting ◽  
Postcolonial Criticism ◽  
The One ◽  
Second World

The article examines the images of the East in the short fiction of Ivan Bunin. With the help of the narrative model of Jan van der Eng, consisting of three basic thematic levels (action, characterization, geographical and social setting) we read and arrange the works of Bunin through the prism of postcolonial criticism. On the one hand, we will consider the arguments of traditional postcolonial studies; on the other hand, we will also take into account the postcolonial theory regarding the “second world” (Russia, Eastern and Central Europe).We start our analysis with the texts in which images of the East are only featured on one thematic level, gradually directing our attention towards the short stories in which these images determine the whole semantic structure.

Short Stories, Poems, Letters

2018 ◽  
pp. 101-112
Author(s):  
Hugh Adlington
Keyword(s):  
Short Stories ◽  
Short Fiction ◽  
The Other ◽  
Authorial Persona ◽  
Private Version ◽  
Dividing Line

This chapter reviews the most neglected forms of Penelope Fitzgerald’s writing: her short stories, poems and letters. Although Fitzgerald claimed not to be able to write short stories, the evidence of the ten stories collected in The Means of Escape, and of the other eleven uncollected stories that survive, suggests otherwise. The chapter shows how Fitzgerald’s short fiction shares with her novels themes of misunderstanding, disappointment and loneliness. Other continuities include Fitzgerald’s tragicomic wit, art of compression, and taste for the macabre. Yet the chapter also shows how the stories differ from the novels. The sense of disruption of the accepted order of things is concentrated in the stories to the point of menace. The author’s presence, more pervasive and inescapable in the stories than in the novels, obscures the dividing line between author and narrator. By contrast, Fitzgerald’s handful of poems are surprisingly intimate and self-revealing, confronting the reader with a starker, more private version of Fitzgerald’s authorial persona. The letters, written to family, friends, literary editors and writers, provide a different kind of evidence of Fitzgerald’s sharp wit, intelligence and powers of observation.

Potential Clinical Insights Generated Through the Process of Interdisciplinary Science/art Collaboration

2009 ◽  
Vol 24 (S1) ◽  
pp. 1-1
Author(s):  
S. Anderson
Keyword(s):  
Short Fiction ◽  
Subjective Experience ◽  
The Other ◽  
Subjective Perception ◽  
Visual Agnosia ◽  
Interdisciplinary Science ◽  
Interdisciplinary Work ◽  
Neurological Condition ◽  
The One

The filmmaker’s trained intuition in ‘reading’ gesture on the one hand and the highly technical nature of the filmmaking process on the other allows for productive interdisciplinary science/art exchange in exploring neurological and psychopathological conditions. As an illustration, processes and observations of a cinema/neuroscience collaboration in the production of a short fiction film featuring a protagonist with visual agnosia will be presented. It will be suggested that challenges and conflicting approaches employed by the different disciplines in the interdisciplinary collaborative investigation are beneficial to both the neuroscience and the filmmaking process. Parallels will be drawn between the cinema/neuroscience collaboration on visual agnosia and the intentions of the current symposium’s interdisciplinary work. This will be discussed in relation to the depiction and interpretation of ‘the subjective’. A questioning of an individual’s subjective perception underpins both the experience of hallucinations and the neurological condition visual agnosia. The potential for clinical insights will be considered in the light of the particular nature of the medium of film and its preoccupation with the subjective experience in relation to aspects of psychosis.

scholarly journals Ideology, Identity And Power: The Linguistic Construction Of The Voice Of The Other In Two Immigration Short Stories

2017 ◽  
Author(s):  
Jorge López Asensio
Keyword(s):  
Short Stories ◽  
Critical Discourse Analysis ◽  
Short Fiction ◽  
Theoretical Background ◽  
The Other ◽  
Critical Discourse ◽  
Junot Diaz ◽  
Analytic Process ◽  
Discursive Power ◽  
The Voice

Abstract: this article explores how the concepts of ideology, identity, and power contribute to the construction of the voice of the Other in immigration short fiction. For this purpose, a twofold linguistic analysis using Critical Discourse Analysis (CDA)and stylistics is carried out. The innovative nature of the study can be perceived in its theoretical background as well as in its analytic process given that it combines CDA and stylistics andit proposes a corpus of immigration literature. The two short stories analyzed are “Negocios” by Junot Díaz and “The Arrangers of Marriage” by Chimamanda Ngozi Adichie.The results show that the voice of the Other as immigrant is destructed and through processes of discursive power there is an attempt to shape his/her identity to conform to a new ideology.  Resumen: este artículo explora cómo los conceptos de ideología, identidad y poder contribuyen a la construcción de la voz del Otro en historias cortas de temática de inmigración. Para ello, se elabora un doble análisis lingüístico a través del Análisis Crítico del Discurso y de la pragmaestilística. El carácter innovador del trabajo se percibe en materia teórica y metodológica ya que utiliza un marco teórico combinado de ACD y estilística para analizar un corpus literario de relatos de inmigración. Los relatos analizados son “Negocios” (Junot Díaz) y “The Arrangers of Marriage” (Chimamanda Ngozi Adichie). Los resultados indican que la voz del Otro como inmigrante es destruida y que a través de procesos de poder discursivo existe un intento de moldear su identidad a fin de acomodarle a una nueva ideología. 

scholarly journals “Uprooted:” Anton Chekhov’s Influence on Frank O’Connor

2020 ◽  
Vol 12 (1) ◽  
pp. 98-109
Author(s):  
Márta Pellérdi
Keyword(s):  
Twentieth Century ◽  
Short Story ◽  
Short Fiction ◽  
The Other ◽  
Anton Chekhov ◽  
Russian Author ◽  
Narrative Techniques ◽  
The One ◽  
Lasting Influence ◽  
Crab Apple

Abstract Thus far perhaps the most acclaimed Irish practitioner of the short story, Frank O’Connor, attributes a lasting influence to Russian author Anton Chekhov when he considers the direction that the modern Irish short story was to take in the twentieth century. In The Lonely Voice: A Study of the Short Story (1963), O’Connor emphasized two particular themes in Chekhov’s short fiction that influenced his own stories: on the one hand, a preoccupation with loneliness; on the other, a belief that venial sin, or the adoption of a false personality, was “far more destructive” than mortal sin itself. In other writings, he expressed an interest in narrative technique and structure as he found them in Chekhov’s stories. The article explores O’Connor’s “Uprooted” from his collection Crab Apple Jelly (1944), a story about displaced intellectuals. My reading illustrates how the Irish writer was not only adopting Chekhov’s themes but was also experimenting with Chekhov’s character types and narrative techniques, particularly as found in the Russian author’s story “The Lady with the Dog.” At the same time, O’Connor developed a distinctly individual technique of his own within the Irish realist/naturalist short story tradition, making a lasting impact on the art of the modern Irish short story. Unlike his displaced Irish characters in “Uprooted,” he prefers to remain faithful to this tradition.

Stromatoporoids from the Famennian (Devonian) Wabamun Formation, Normandville oilfield, north–central Alberta, Canada

1988 ◽  
Vol 62 (03) ◽  
pp. 411-419 ◽  
Author(s):  
Colin W. Stearn
Keyword(s):  
Patch Reef ◽  
Abundant Species ◽  
The Other ◽  
North Central ◽  
Biotic Crisis

Stromatoporoids are the principal framebuilding organisms in the patch reef that is part of the reservoir of the Normandville field. The reef is 10 m thick and 1.5 km2in area and demonstrates that stromatoporoids retained their ability to build reefal edifices into Famennian time despite the biotic crisis at the close of Frasnian time. The fauna is dominated by labechiids but includes three non-labechiid species. The most abundant species isStylostroma sinense(Dong) butLabechia palliseriStearn is also common. Both these species are highly variable and are described in terms of multiple phases that occur in a single skeleton. The other species described areClathrostromacf.C. jukkenseYavorsky,Gerronostromasp. (a columnar species), andStromatoporasp. The fauna belongs in Famennian/Strunian assemblage 2 as defined by Stearn et al. (1988).

D. The Line Spectrum of Pulsating Variable Stars

1967 ◽  
Vol 28 ◽  
pp. 207-244
Author(s):  
R. P. Kraft
Keyword(s):  
Variable Stars ◽  
The Other ◽  
Line Spectrum ◽  
Afternoon Session ◽  
Empirical Information ◽  
Pulsating Variable Stars ◽  
Almost Continuous ◽  
Informal Approach

(Ed. note:Encouraged by the success of the more informal approach in Christy's presentation, we tried an even more extreme experiment in this session, I-D. In essence, Kraft held the floor continuously all morning, and for the hour and a half afternoon session, serving as a combined Summary-Introductory speaker and a marathon-moderator of a running discussion on the line spectrum of cepheids. There was almost continuous interruption of his presentation; and most points raised from the floor were followed through in detail, no matter how digressive to the main presentation. This approach turned out to be much too extreme. It is wearing on the speaker, and the other members of the symposium feel more like an audience and less like participants in a dissective discussion. Because Kraft presented a compendious collection of empirical information, and, based on it, an exceedingly novel series of suggestions on the cepheid problem, these defects were probably aggravated by the first and alleviated by the second. I am much indebted to Kraft for working with me on a preliminary editing, to try to delete the side-excursions and to retain coherence about the main points. As usual, however, all responsibility for defects in final editing is wholly my own.)

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