A Proposal for How to Organize the Public Funding of Science

2013 ◽  
Vol 17 (2) ◽  
pp. 227-252
Author(s):  
James Gerrie ◽  
Stephen F. Haller ◽  
Keyword(s):  
Public Funding ◽  
The Public

scholarly journals Citizen preferences regarding the public funding of projects promoting a healthy body weight among people with a low income

2021 ◽  
pp. 114015
Author(s):  
Lisanne S. Mulderij ◽  
José Ignacio Hernández ◽  
dr.mr. Niek Mouter ◽  
dr. Kirsten T. Verkooijen ◽  
dr.ir. Annemarie Wagemakers
Keyword(s):  
Body Weight ◽  
Low Income ◽  
Public Funding ◽  
The Public ◽  
Healthy Body Weight ◽  
Citizen Preferences ◽  
Healthy Body

scholarly journals Institutional Isomorphism And Adoption Of International Public Sector Accounting Standards By African Countries

2019 ◽  
Vol 7 (05) ◽  
Author(s):  
Dr. Muganda Munir Manini
Keyword(s):  
Public Sector ◽  
Financial Reporting ◽  
Financial Management ◽  
Public Funding ◽  
Accounting Standards ◽  
Target Population ◽  
Institutional Isomorphism ◽  
African Countries ◽  
The Public ◽  
Public Sector Accounting

The international harmonization of financial reporting standards in the public sector is one of the significant public sector accounting reforms which have gained prominence in the recent past under the New Public Financial Management order. However, previous empirical evidence provided mixed results on the extent of African countries’ decision on the adoption of International Public Sector Accounting Standards and its relationship with institutional isomorphism factors. The purpose of this study was to examine the influence of institutional isomorphism (normative, mimetic and coercive) on the adoption International Public Sector Accounting Standards by African countries. The target population was 54 countries; however the final sample was 29 countries which comprised the dataset. A logistic regression analysis was thereafter conducted. Based on the Institutional Theory, the study revealed external public funding (coercive isomorphic pressure), the countries’ global competitiveness (mimetic isomorphic pressure), and human capital (normative isomorphic pressure) were non significant factors in a countries decision to adopt IPSAS. This study contributes to the literature on the international accounting in the public sector. The results of the study have significant managerial and theoretical implications for accounting standards regulators, researchers, and multilateral organizations.

Normative justification for public arts funding: what can we learn from linking arts consumption and arts policy in Israel?

2018 ◽  
Vol 18 (1) ◽  
pp. 193-213 ◽  
Author(s):  
Tal Feder
Keyword(s):  
Public Funding ◽  
State Intervention ◽  
Arts Organizations ◽  
Arts Funding ◽  
Arts Policy ◽  
The Public ◽  
The Arts ◽  
Using Data ◽  
Normative Justification ◽  
The Relationship

AbstractThis article studies the socioeconomics of government public expenditure for the arts and the normative foundations of state intervention in the arts. I pose two interrelated research questions: (a) what is the relationship between the public funding of the arts and their consumption? and (b) what mode of justification and what perception of the place of art in society is reflected in this relationship? Based on the philosophical work of Alan Badiou, I develop a novel conceptual framework to delineate three types of normative justifications for the public funding of arts organizations: romantic, didactic and classical. Using data from the public funding of 92 orchestras, theaters and dance troupes in Israel between 1999 and 2011, I estimate a cross-lagged panel data model to study how arts funding both affects and is affected by the levels of consumption of the organizations’ productions. The results of the study show a complex pattern of different relationships between funding and consumption that accord with the three types of normative justifications for public arts funding.

Technology Transfer

2011 ◽  
pp. 100-113
Author(s):  
Russ Lea
Keyword(s):  
Technology Transfer ◽  
Public Good ◽  
Public Funding ◽  
Arms Race ◽  
The Public ◽  
Economic Competitiveness ◽  
The Past ◽  
Private And Public ◽  
Technology Parks ◽  
Academic Earmarking

In the past three decades, economic competitiveness has morphed from an international concern (e.g. outcompete Japan) to a regional concern (e.g. knowledge clusters) to one where individual universities are in an “arms race” with each other for private and public funding (including licensing royalties, retaining star faculty, pursuing academic earmarking, developing technology parks and incubators, etc.). The greatest benefit that Bayh-Dole afforded universities, namely, to promote the utilization of their research for the public good, sometimes seems distant to the perceived objectives whereby universities attempt to maximize their own resources, including commercialization profits from faculty innovations that are ultimately transferred to the economy.

Economy and funding of European minority language media: Reality and impact of digitalization and economic crisis

Journalism ◽  
2020 ◽  
pp. 146488492095403
Author(s):  
Iñaki Zabaleta ◽  
Nikolas Xamardo
Keyword(s):  
Economic Crisis ◽  
Public Funding ◽  
Qualitative Evaluation ◽  
Minority Language ◽  
Minority Languages ◽  
Scottish Gaelic ◽  
The Public ◽  
Public Aid ◽  
Media Types ◽  
Media Systems

This article investigates the economy of monolingual media systems in nine European minority language communities during 2009–2015, a period of strong economic crisis and accelerated digitalization. The main areas of study are three: The economic volume or weight of those media systems and its variation between 2009 and 2015; the current funding structure of the four media types (press, radio, TV and cybermedia); and the qualitative evaluation of media editors and managers on the effect of those two crises as well as the significance of the public aid. The nine European minority languages are Basque, Welsh, Galician, Irish, Breton, Frisian, Sámi, Corsican and Scottish-Gaelic. As for the findings, it can be highlighted that the economic volume or revenue of European minority language media is close to five hundred million euros per year, of which over ninety per cent is public funding, mostly devoted to broadcasting media. The conclusion set forth is that public funding should not be framed as aid but as a social, cultural and economic investment.

Women as film directors in Turkish cinema

2016 ◽  
Vol 24 (4) ◽  
pp. 321-335 ◽  
Author(s):  
Hulya Uğur Tanrıöver
Keyword(s):  
Public Funding ◽  
Women Directors ◽  
The Public ◽  
Secondary Sources ◽  
Participation Of Women ◽  
Film Directors ◽  
Turkish Cinema ◽  
Feminist Film ◽  
Film Productions ◽  
The Public Sphere

Representations of women, or more exactly of gender, and the presence and works of women filmmakers constitute an important area of analysis for gender studies and feminist film theories. In Turkey the presence and the participation of women in the public sphere have been one of the important objectives of the Kemalist modernization project since the founding of the modern nation-state in 1923. However, despite the modernizing efforts to empower women in different spheres of life there was no woman director in Turkish commercial feature cinema until the beginning of the 1950s. Since the beginning of the 2000s the number of women directors has increased significantly, reaching a number well above that of the entire period before. This article investigates the reasons behind this increase based on quantitative data gathered from secondary sources and in-depth interviews with women producers and directors. It also questions whether and to what extent the increase in the number of women film directors contributed to the production of ‘women’s films’, based on a qualitative analysis of films produced by women directors between the years 2004 and 2013. The results show that in addition to technological and aesthetic changes in the industry, the increase in the availability of international and national public funding for low-budget independent film productions and the enlargement of the women’s movement allowed more women directors to enter the film industry. While half of the films made by women directors in the 2000s could be qualified as ‘women films’, the other half remained, largely due to market forces, within the conventions of popular or art house cinema.

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