scholarly journals Adventures of the spirit: the older woman in the works of Doris Lessing, Margaret Atwood, and other contemporary women writers

2008 ◽  
Vol 45 (09) ◽  
pp. 45-4815-45-4815
Author(s):  
Tonya Krouse

Virginia Woolf’s novels have historically been regarded as exceptional for their nuanced characterization, particularly of women, and as foundationally influential to women writers after 1945. This chapter investigates the feminist underpinnings of Woolf’s portrayals of female characters in order to trace Woolf’s ongoing legacy in the feminist writing of today’s women authors. Focusing on three archetypes—the Angel, the Artist, and the Girl—the chapter evaluates Woolf’s techniques for female characterization alongside those deployed by women writers including Margaret Atwood, Zadie Smith, Doris Lessing, Claire Messud, Fatima Mernissi, and Jenni Fagan. These comparative readings show the ways in which Woolf’s fiction inspires contemporary women writers to explore relationships between women and gives them a map for creating complex narratives of affiliation to encompass women’s physical, emotional, and intellectual lives.


Author(s):  
Maroula Joannou

Mary Joannou examines the place of London as a haven for English-speaking exiles and émigrés and questions the extent to which it is possible to separate English literature from the literature of the rest of the world as post-war globalization destabilized, de-territorialized and de-colonized Englishness. For the five migrant women writers addressed here - Phyllis Shand Allfrey, Rumer Godden, Attia Hosain, Doris Lessing, and Kamala Markandaya – the attractions of migration to London, albeit bomb-damaged and shortage riven after the war, far outweighed the drabness of the environment of the metropolis. The new migrants, all politically on the left and strong upholders of freedom of speech and universal human rights, made a significant contribution to the enrichment and expansion of Britain’s literary culture in the 1940s and 1950s which was well-served by thriving post-war publishing and media industries.


Author(s):  
Ricarda Menn ◽  
Melissa Schuh

AbstractThis chapter approaches serial literary autofictions as a distinct variant of autofictional writing. While discussions of life writing often focus on male authors, the chapter redresses this imbalance by considering women writers, specifically the works of Dorothy Richardson, Doris Lessing, and Rachel Cusk. The approach is new in exploring the autofictional in serial, literary works, and tracing connections across an author’s oeuvre. Such a focus leads to an extended understanding of autofiction and the autofictional as challenging autobiographical unity and coherence. The chapter distinguishes between different forms of seriality (including series, serial, and serialized life narratives), and argues that serial publications and structures enhance literary and autofictional tendencies in that they draw attention to the complexities of autobiographical representation.


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