Theory after theory: an intellectual history of literary theory from 1950 to the early twenty-first century

2011 ◽  
Vol 48 (05) ◽  
pp. 48-2497-48-2497
Keyword(s):  
Intellectual History ◽  
Literary Theory ◽  
First Century ◽  
Early Twenty ◽  
History Of ◽  
Twenty First Century

GLASS MUSIC OF THE TWENTIETH AND TWENTY-FIRST CENTURIES

Tempo ◽  
2019 ◽  
Vol 73 (289) ◽  
pp. 30-41 ◽  
Author(s):  
Hunter Coblentz
Keyword(s):  
First Century ◽  
Early Twenty ◽  
Musical Practices ◽  
History Of ◽  
Late Twentieth ◽  
Twenty First Century

AbstractThis article serves as an introduction to the twentieth- and twenty-first-century musical practices that have made use of glass instruments and objects. Emphasis is placed on those practices that use glass in a raw, acoustic manner, and those that take advantage of the precision with which glass can be tuned. First, a general history of glass music is presented, followed by an overview of the physical and acoustic aspects pertaining to the material that are relevant to those composers wishing to integrate glass into their works. Finally, the composers, performers and instrument builders who have made significant use of glass in the late twentieth and early twenty-first centuries are surveyed.

Religion and Book Cultures in America

2014 ◽  
Author(s):  
Matthew S. Hedstrom
Keyword(s):  
New England ◽  
Large Scale ◽  
First Century ◽  
Forthcoming Article ◽  
Joseph Smith ◽  
Institutional Authority ◽  
Early Twenty ◽  
History Of ◽  
Twenty First Century ◽  
A Site

This is an advance summary of a forthcoming article in the Oxford Research Encyclopedia of Religion. Please check back later for the full article. At the center of the long, intertwined history of religion and books in America from the early seventeenth century to the early twenty-first century is the dynamic interplay of Protestantism and print in American culture. The Protestant doctrine of sola scriptura energized the publication of Bibles in vernacular languages. The first large-scale publishing project in North America was John Eliot’s Algonquin Bible of 1663. From these beginnings, though the nineteenth-century Bible and tract societies, to the Christian Booksellers Association of the early twenty-first century, the story of Protestant community life and evangelism in America has been inseparable from the Protestant drive to control and disseminate print. Protestantism shaped both American religious history and the history of American reading, as the drive for mass literacy in New England and the early public school movement were largely driven by the religious imperative to access the Word. Yet all along, print has also served as a site of religious conflict and a tool of religious innovation. These conflicts can be tracked through the writings of Thomas Paine, Joseph Smith, Elizabeth Cady Stanton, and other religious dissenters and innovators, structured around four large themes: the relationship between scriptural and nonscriptural forms of print; the role of print in bolstering institutional authority on one hand and in undermining authority on the other; the gendered dimensions of reading, literacy, and authorship; and print as commodity and therefore as a site where market dynamics shape religion with particular potency.

Conclusion

2019 ◽  
pp. 275-278
Author(s):  
Emma Cole
Keyword(s):  
First Century ◽  
The Political ◽  
Future Directions ◽  
Contemporary Theatre ◽  
Early Twenty ◽  
New Directions ◽  
History Of ◽  
Late Twentieth ◽  
Twenty First Century

Postdramatic receptions of ancient tragedy represent a growing trend in contemporary theatre. This conclusion draws together the three core styles of postdramatic theatre considered in Postdramatic Tragedies, and considers future directions surrounding the combination of ancient tragedy and postdramatic theatre. The chapter reaffirms the significance of the political to postdramatic classical receptions. It claims that postdramatic tragedies have pushed both the tragic genre and the postdramatic style in new directions, and that an appreciation of them is key to understanding the history of theatre and of tragedy in the late twentieth and early twenty-first century.

scholarly journals Ogni pensiero vola: the embodied psyche in Terrence Malick's The Tree of Life

2014 ◽  
Vol 6 (2) ◽  
pp. 151-158
Author(s):  
John Izod ◽  
Joanna Dovalis
Keyword(s):  
Tree Of Life ◽  
Full Term ◽  
First Century ◽  
Conscious Awareness ◽  
Middle Aged ◽  
Early Twenty ◽  
History Of ◽  
Affective Experiences ◽  
Twenty First Century

The Tree of Life touches on embodiment of the soul in an early sequence covering courtship, marriage and the first pregnancy of a young couple. In a delicate formal scene, Mrs O'Brien, nearing full term, treads gently along a river's edge summoning infant souls luminous in white linen. She opens a minute book of life to one of them, preparing his entry through the iron gates that open on embodied life. Presently, the infant soul rises up from his underwater home beyond the reach of conscious awareness: Mrs O'Brien gives birth to her first son, Jack. This is the boy who will eventually become a middle-aged man in crisis. Ravaged then by grief for his long-dead younger brother and his own inability to live at peace with his family or himself, his memories, visions and reflections accumulate in a way that makes him a suffering Hermes for the early twenty-first century. The initiating episode of the infant's birth complements the embodied and affective experiences of those in the audience who accept the film's sensual invitation to steep themselves in the immense scale of its gorgeous sounds and images. They then discover on the pulse that, more than the history of one Texan family, it attempts nothing less than the necessary re-creation of the godhead for the early twenty-first century. Contrary to the rigid medieval dogmas of so many orthodox religions, The Tree of Life assures us not of a changeless eternity but rather the sacred and ceaseless metamorphosis of numinous energy.

Paradise Lost in Dutch, 1728–2003

2017 ◽  
Author(s):  
Jan Frans van Dijkhuizen
Keyword(s):  
Twentieth Century ◽  
Paradise Lost ◽  
First Century ◽  
Religious Dimension ◽  
Early Twentieth Century ◽  
Early Twenty ◽  
History Of ◽  
Twenty First Century ◽  
Verse Form ◽  
The Relationship

This chapter offers a history of Dutch translations of Paradise Lost, from the early eighteenth to the early twenty-first century. The focus is on the question of how Dutch translators have grappled with two issues: the epic’s verse form, especially its lack of rhyme and syntactic idiosyncrasies; and its politico-religious dimension, its complex view of the relationship between earthly and divine authority, as well as its anti-predestinarian stance. The history of Paradise Lost in Dutch, which starts with the translation of Van Zanten in 1728, is characterized by an unresolved formal struggle with Milton’s blank verse, embraced unreservedly only in the early twentieth century, with translator Gutteling. Before 1900, the politico-religious dimension of Paradise Lost was at the fore for translators, yet this aspect of the poem has receded in prominence, with translators after 1900 presenting the poem instead as a timeless and self-contained work of literary genius.

[Review] Lukin P.E., Safonov A.A. (2018) In the Heart of the Balkans: Essays on the History of Macedonia (From Ancient Times to the Early Twenty-First Century). Moscow: Indrik

2019 ◽  
Vol 14 (1-2) ◽  
pp. 283-287
Author(s):  
Evgenii Koloskov
Keyword(s):  
Balkan Peninsula ◽  
First Century ◽  
The Balkans ◽  
Early Twenty ◽  
Wide Circle ◽  
History Of ◽  
Ancient Times ◽  
Twenty First Century ◽  
University Course ◽  
The University

This review is devoted to the book of Pavel E. Lukin and Alexander A. Safonov “In the Heart of the Balkans: Essays on the History of Macedonia (from ancient times to the early twenty-first century)”. The authors challenged themselves to write a textbook of the History of Macedonia for history and philology university students, which was the very first attempt in the Russian historiography. The textbook was provided with an extension of a selected bibliography and a list of abbreviations and illustrations. In addition, the authors also proposed an exemplary history course curriculum, which is actually the full content of the university course program. Lukin and Safonov’s book also contains a brief history of the most important historical cities and the illustrative material which demonstrates the beauty of the cultural heritage of the region in architecture and painting. It could be interesting to a wide circle of readers. The work due to the stated framework of the textbook may sometimes lack the deep analysis of some issues; however, it will certainly be fundamental for all those who would choose the specialization in the history of the Macedonian lands and the countries of the Balkan Peninsula in general.

scholarly journals The Proposition: Imagining Race, Family and Violence on the Nineteenth-Century Australian Frontier

2016 ◽  
Vol 69 (2) ◽  
pp. 165
Author(s):  
Catriona Elder
Keyword(s):  
Race Relations ◽  
First Century ◽  
Indigenous Australians ◽  
Post Colonial ◽  
Early Twenty ◽  
History Of ◽  
Twenty First Century ◽  
Intimate Relations ◽  
Colonial Encounter ◽  
The Public Sphere

http://dx.doi.org/10.5007/2175-8026.2016v69n2p165This article analyses John Hillcoat’s 2005 film The Proposition in relation to a spate of Australian films about violence and the (post)colonial encounter released in the early twenty-first century. Extending on  Felicity Collins and Therese Davis argument that these films can be read in terms of the ways they capture or refract aspects of contemporary race relations in Australia in a post-Mabo, this article analyses how The Proposition reconstructs the trauma of the Australian frontier; how from the perspective of the twenty-first century it worries over the meaning of violence on the Australian frontier. It also explores what has become speakable (and remains unspeakable) in the public sphere about the history of the frontier encounter, especially in terms of family and race.  The article argues that The Proposition and other early twenty-first century race relations films can be understood as post-reconciliation films, emerging in a period when Indigenous and non-Indigenous Australians were rethinking ideas of belonging through a prism of post-enmity and forgiveness. Drawing on the theme of violence and intimate relations in the film, this article argues that the challenges to the everyday formulation of Australian history proffered in The Proposition reveal painful and powerful differences amongst Australian citizens’ understanding of who belongs and how they came to belong to the nation. I suggest that by focusing on violence in terms of intimacy, relationships, family and kin, it is possible to see this film presented an opportunity to begin to refigure ideas of belonging. 

An Intellectual History of African Literary Studies?

2017 ◽  
Vol 4 (2) ◽  
pp. 296-306
Author(s):  
Taiwo Adetunji Osinubi
Keyword(s):  
Intellectual History ◽  
African Literature ◽  
First Century ◽  
Literary Studies ◽  
Literary Production ◽  
Field Of Study ◽  
Global Age ◽  
Global Condition ◽  
History Of ◽  
Twenty First Century

AbstractTwenty-first-century African literary production has generated a number of conundrums for scholars invested in African literary studies as one recognizable field of study. Some of these conundrums drive Tejumola Olaniyan’s declaration of a post-global condition in African literary studies in “African Literature in the Post-Global Age.” Understanding that essay demands a detour through an intellectual history of African literary studies from about 1990 to 2010.

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