The Tudors Viewed by French Romantic Artists
Keyword(s):
This chapter singles out two features of the cult of British historical themes in French Romantic painting, and focuses on the most prominent of the artists who cultivated such scenes involving Tudors and Stuarts: Paul Delaroche. It argues that the pronounced nineteenth-century French interest in sixteenth- and seventeenth-century English history was a form of displacement, so that Delaroche's painting of the execution of Lady Jane Grey (1834), for example, opened up for the French viewer a space in which to negotiate memories of the Terror within the relative comfort of a more distant and foreign historical moment.
Keyword(s):
2020 ◽
Keyword(s):
Keyword(s):
2014 ◽
Vol 55
(1)
◽
pp. 55-78
◽
Keyword(s):
2002 ◽
Vol 57
(1)
◽
pp. 1-30
◽
1971 ◽
Vol 12
(4)
◽
pp. 517-530
◽
Keyword(s):
Keyword(s):