Burney's The Wanderer and Early-Nineteenth-Century Commodity Fetishism

2002 ◽  
Vol 57 (1) ◽  
pp. 1-30 ◽  
Author(s):  
Andrea Henderson
Keyword(s):  
Nineteenth Century ◽  
French Revolution ◽  
Social Changes ◽  
Commodity Fetishism ◽  
Early Nineteenth Century ◽  
Labor Theory ◽  
History Of ◽  
Theory Of Value ◽  
Historical Moment ◽  
The Wanderer

This essay explores a particular moment in the history of commodity fetishism by means of an examination of Frances Burney's The Wanderer (1814). The novel, which is explicitly concerned with the social changes facing early-nineteenth-century England, reveals that at this historical moment the commodity inspired emotions of a particular kind: it was idealized and perceived as attractively individualized, aloof, exotic, and changeable, and it elicited a passionate and sometimes even painful form of desire. In The Wanderer Burney explores the human repercussions of this new way of engaging with objects in the marketplace. She reveals, moreover, the extent to which the fetishism of the commodity reflected not just developments within the economy but also political change: under the influence of the French Revolution the charisma once generated by social status was transferred to the economic realm, where, embodied in the commodity, it gave rise to a pleasurable but masochistic reverence. Burney'sargument for the usefulness of economic independence necessarily leads her to appreciate the commodity fetishism she describes: even while she develops a labor theory of value, Burney promotes a mystification of the commodity by insisting on the aloof independence of both labor and its products. Thus, Burney uses the apparent autonomy of things——which Marx decries——as a means to argue for the autonomy of the makers of those things.

scholarly journals In the Theater of Counterrevolution: Loyalist Association and Conservative Opinion in the 1790s

2002 ◽  
Vol 41 (3) ◽  
pp. 291-328 ◽  
Author(s):  
Kevin Gilmartin
Keyword(s):  
Nineteenth Century ◽  
French Revolution ◽  
Free Expression ◽  
Political Repression ◽  
Early Nineteenth Century ◽  
Political Expression ◽  
Civic Activism ◽  
Late Eighteenth ◽  
History Of ◽  
Negative Role

Conservative movements have generally played a negative role in accounts of the history of political expression in Britain during the period of the French Revolution. Where E. P. Thompson and others on the Left tended to identify radicalism with the disenfranchised and with a struggle for the rights of free expression and public assembly, conservative activists have been associated with state campaigns of political repression and legal interference. Indeed, conservatism in this period is typically conceived in negative terms, as antiradicalism or counterrevolution. If this has been the view of hostile commentators, it is consistent with a more sympathetic mythology that sees nothing novel about the conservative principles that emerged in late eighteenth- and early nineteenth-century Britain. They represent an establishment response to alien challenges. Even where conservatives set about mobilizing the resources of print, opinion, and assembly in a constructive fashion, the reputation for interference has endured. John Reeves's Association for Preserving Liberty and Property against Republicans and Levellers is a useful case in point, since it managed in its brief but enterprising history to combine fierce anti-Jacobinism with the later eighteenth century's rising tide of voluntary civic activism. The association came together at the Crown and Anchor Tavern when a group of self-professed “private men” decided “to form ourselves into an Association” and announced their intentions through the major London newspapers in November and December of 1792. The original committee then called on others “to make similar exertions in their respective neighbourhoods,” forming energetic local associations that would be linked by regular correspondence with the central London committee. In this way, the loyalist movement grew with astonishing speed.

James Mill's ‘The History of British India’ and Utilitarianism as a Rhetoric of Reform

1990 ◽  
Vol 24 (2) ◽  
pp. 209-224 ◽  
Author(s):  
J. Majeed
Keyword(s):  
Nineteenth Century ◽  
French Revolution ◽  
Cultural Identities ◽  
Jeremy Bentham ◽  
British India ◽  
Early Nineteenth Century ◽  
Late Eighteenth ◽  
History Of ◽  
The French Revolution

This paper is about the emergence of new political idioms in the late eighteenth and early nineteenth centuries in Britain, and how this was closely involved with the complexities of British imperial experience in India. In particular, I shall concentrate on the radical rhetoric of Utilitarianism expressed by Jeremy Bentham, and especially by James Mill. This rhetoric was an attack on the revitalized conservatism of the early nineteenth century, which had emerged in response to the threat of the French revolution; but the arena for the struggle between this conservatism and Utilitarianism increasingly became defined in relation to a set of conflicting attitudes towards British involvement in India. These new political languages also involved the formulation of aesthetic attitudes, which were an important component of British views on India. I shall try to show how these attitudes, or what we might call the politics of the imagination, had a lot to do with the defining of cultural identities, with which both political languages were preoccupied.

scholarly journals THE HISTORY OF A CALENDAR AS A CUMULATIVE TEXT OF MASS MEDIA IN THE ETHNIC CULTURE OF GERMANY

2019 ◽  
Vol 29 (6) ◽  
pp. 976-981
Author(s):  
U.A. Nebesnyuk
Keyword(s):  
Nineteenth Century ◽  
Mass Media ◽  
French Revolution ◽  
Social Consciousness ◽  
Literary Genre ◽  
Ethnic Culture ◽  
Early Nineteenth Century ◽  
Original Meaning ◽  
History Of

The article presents the analysis of composition, forms and functions of a calendar as a cumulative text of mass media in the ethnic culture of Germany from the mid-fifteenth until the early nineteenth century. It was revealed that, in connection with the growing role of narrative entertainment part since the 10s of the nineteenth century and the politicization of social consciousness during the great French Revolution, the calendar as a truly national medium of information has been undergone literarization, having lost its original meaning. Calendar stories have formed an independent literary genre which had received the name «Kalendergeschichte» in German tradition.

Orthodoxy, Enlightenment and Religious Revival

1981 ◽  
Vol 17 ◽  
pp. 275-296 ◽  
Author(s):  
W. R. Ward
Keyword(s):  
Nineteenth Century ◽  
Central Europe ◽  
French Revolution ◽  
Early Stage ◽  
The Other ◽  
Religious Revival ◽  
Early Nineteenth Century ◽  
Text Book ◽  
History Of ◽  
Modern Knowledge

Everyone has his favourite squibs to illuminate the animosity of the devotees of the Christian application of modern knowledge towards the partisans of religious revival. R. B. Aspland, the unitarian, summed them all up succinctly in the early nineteenth century in his case against Wesleyanism. ‘Wine’, he declared, ‘is the beverage of the gentleman, spirits of the herd. So with religion’. Something of this edge had been there from the beginning, long before attitudes had been struck and the French Revolution had become a divider of spirits everywhere. Much of the fascination of the Turretini correspondence is provided by the conscious sense of intellectual superiority of the Swiss fathers of rational orthodoxy. ‘We are here much occupied with the scandalous affairs of Toggenburg’, writes Jean Gaspard Escher with an almost audible turn of the nose. ‘These are mountain people rather like Vaudois, Miquelets or Camisards’, and their murderous politics were of the Ulster variety. Neither the Toggenburgers, nor the Vaudois or Camisards were part of the history of religious revival, but they were very like Protestant minorities from Central Europe who were; the Salzburgers, for example. ‘The majority of these men’, writes Escher of the latter, ‘can neither read nor write; their fundamental doctrine is that worship is due to God alone and that salvation is by Jesus Christ. This doctrine fills them with a horror of popery: . . . they are ill-instructed in the other articles of religion. They know by heart some fine passages of scripture and some Lutheran hymns to which they hold’. Pastorally, if not confessionally, the mountain men were a different cup of tea from the practitioners of polite learning; but as late as 1800 it was possible to turn American methodists and baptists out in droves to vote for the deist Jefferson, and it is the purpose of this paper to suggest that the fate of the revivalist and that of the men of enlightenment was more closely linked at an early stage than the text-book categories usually suggest.

scholarly journals Freedom and liberty: the influence of the ideology of the polish uprising of 1830 on Russian philosophy and literature

2021 ◽  
Vol 24 (2) ◽  
pp. 74-84
Author(s):  
Tetiana Murha
Keyword(s):  
Nineteenth Century ◽  
French Revolution ◽  
National Identities ◽  
Russian Philosophy ◽  
Early Nineteenth Century ◽  
Philosophy And Literature ◽  
Late Eighteenth ◽  
History Of ◽  
Political Principles ◽  
The French Revolution

The relevance of the topic is due to the history of the concept of freedom in the Russian, Polish and Ukrainian thesauri in the late eighteenth and early nineteenth centuries. Because the concept of "freedom" is important in shaping the national identities of these Slavic peoples.The aim of the article was to consider the causes of metamorphoses that occurred in the use of words and changes in the connotations of the concept of "freedom". It is determined that the development of philosophical ideas about freedom in Russia in the early nineteenth century is influenced by two contradictory tendencies: nihilistic-deterministic and religious-libertarian. It is studied that in the Soviet official philosophy and ideology the concept of "freedom" acquires ritual-official and rational-determinist meaning ("freedom as a known necessity"). In contrast, "freedom" is replaced by the concept of "freedom", which has acquired positive connotations. At the same time, the identification of "freedom" with "arbitrariness" in recent years has been a source of Russian anti-liberal discourse.Conclusions. The concept of "freedom" in literature, official documents and philosophical considerations originally had two verbal reflections "liberty" and "freedom". And the first of them actually dominated until the early nineteenth century. Its meanings were related to the influence of Polish political principles and the Ukrainian Orthodox tradition, which was spread by graduates of the Kyiv-Mohyla Collegium (Academy). At the same time, it was gradually supplanted by another word, "liberty," especially under the influence of the reaction to the events and slogans of the French Revolution.

A history of some fruit models in wax and other materials: scientific teaching aids and courtly table decorations

2003 ◽  
Vol 30 (2) ◽  
pp. 299-316 ◽  
Author(s):  
Hans-JüRgen Lechtreck
Keyword(s):  
Nineteenth Century ◽  
Fruit Trees ◽  
Visual Aids ◽  
Early Nineteenth Century ◽  
Teaching Aids ◽  
Scientific Teaching ◽  
Glass Marble ◽  
History Of ◽  
By Products ◽  
Wax Models

Two early nineteenth century texts treating the production and use of wax models of fruit reveal the history of these objects in the context of courtly decoration. Both sources emphasise the models' decorative qualities and their suitability for display, properties which were not simply by-products of the realism that the use of wax allowed. Thus, such models were not regarded merely as visual aids for educational purposes. The artists who created them sought to entice collectors of art and natural history objects, as well as teachers and scientists. Wax models of fruits are known to have been collected and displayed as early as the seventeenth century, although only one such collection is extant. Before the early nineteenth century models of fruits made from wax or other materials (glass, marble, faience) were considered worthy of display because contemporaries attached great importance to mastery of the cultivation and grafting of fruit trees. This skill could only be demonstrated by actually showing the fruits themselves. Therefore, wax models made before the early nineteenth century may also be regarded as attempts to preserve natural products beyond the point of decay.

Dan Inman, The Making of English Theology: God and the Academy at Oxford (Minneapolis: Fortress Press, 2014). ISBN: 9781451469264

2017 ◽  
Author(s):  
Johannes Zachhuber
Keyword(s):  
Nineteenth Century ◽  
Early Nineteenth Century ◽  
University Of Oxford ◽  
History Of ◽  
History Of The University ◽  
The University

This chapter reviews the book The Making of English Theology: God and the Academy at Oxford (2014). by Dan Inman. The book offers an account of a fascinating and little known episode in the history of the University of Oxford. It examines the history of Oxford’s Faculty of Theology from the early nineteenth century to the middle of the twentieth. In particular, it revisits the various attempts to tinker with theology at Oxford during this period and considers the fierce resistance of conservatives. Inman argues that Oxford’s idiosyncratic development deserves to be taken more seriously than it often has been, at least by historians of theology.

The National and the Universal

2020 ◽  
pp. 368-386
Author(s):  
Sarah Collins
Keyword(s):  
Nineteenth Century ◽  
Cultural Difference ◽  
John Stuart Mill ◽  
Late Nineteenth Century ◽  
Johann Gottfried Herder ◽  
Early Nineteenth Century ◽  
The World ◽  
Respective Treatment ◽  
History Of

This chapter examines the continuities between the categories of the “national” and the “universal” in the nineteenth century. It construes these categories as interrelated efforts to create a “world” on various scales. The chapter explores the perceived role of music as a world-making medium within these discourses. It argues that the increased exposure to cultural difference and the interpretation of that cultural difference as distant in time and space shaped a conception of “humanity” in terms of a universal history of world cultures. The chapter reexamines those early nineteenth-century thinkers whose work became inextricably linked with the rise of exclusivist notions of nationalism in the late nineteenth century, such as Johann Gottfried Herder and John Stuart Mill. It draws from their respective treatment of music to recover their early commitment to universalizable principles and their view that the “world” is something that must be actively created rather than empirically observed.

scholarly journals An Illustrated Shiʿi Pilgrimage Scroll in the Collections of the Royal Asiatic Society

2021 ◽  
pp. 1-25
Author(s):  
ULRICH MARZOLPH ◽  
MATHILDE RENAULD
Keyword(s):  
Nineteenth Century ◽  
Visual Narrative ◽  
Early Nineteenth Century ◽  
Asiatic Society ◽  
Material Condition ◽  
Visual Dimension ◽  
History Of ◽  
Initial Survey ◽  
Royal Asiatic Society

Abstract The collections of the Royal Asiatic Society hold an illustrated pilgrimage scroll apparently dating from the first half of the nineteenth century. The scroll's hand painted images relate to the journey that a pious Shiʿi Muslim would have undertaken after the performance of the pilgrimage to Mecca. Its visual narrative continues, first to Medina and then to the Shiʿi sanctuaries in present-day Iraq, concluding in the Iranian city of Mashhad at the sanctuary of the eighth imam of the Twelver-Shiʿi creed, imam Riḍā (d. 818). The scroll was likely prepared in the early nineteenth century and acquired by the Royal Asiatic Society from its unknown previous owner sometime after 1857. In terms of chronology the pilgrimage scroll fits neatly into the period between the Niebuhr scroll, bought in Karbala in 1765, and a lithographed item most likely dating from the latter half of the nineteenth century, both of which depict a corresponding journey. The present essay's initial survey of the scroll's visual dimension, by Ulrich Marzolph, adds hitherto unknown details to the history of similar objects. The concluding report, by Mathilde Renauld, sheds light on the scroll's material condition and the difficulties encountered during the object's conservation and their solution.

scholarly journals Johann Michael von Hermann (1793–1855): A predecessor of Max Schweidler?

2019 ◽  
Vol 40 (3-4) ◽  
pp. 239-270
Author(s):  
Susanne Wagini ◽  
Katrin Holzherr
Keyword(s):  
Nineteenth Century ◽  
Present Article ◽  
Early History ◽  
Early Nineteenth Century ◽  
Conservation History ◽  
Works Of Art ◽  
Close Study ◽  
Fresh Perspective ◽  
History Of ◽  
Paper Conservation

Abstract The restorer Johann Michael von Hermann (1793–1855), famous in the early nineteenth century, has long fallen into oblivion. A recent discovery of his work associated with old master prints at the Staatliche Graphische Sammlung München has allowed a close study of his methods and skills as well as those of his pupil Ludwig Albert von Montmorillon (1794–1854), providing a fresh perspective on the early history of paper conservation. Von Hermann’s method of facsimile inserts was praised by his contemporaries, before Max Schweidler (1885–1953) described these methods in 1938. The present article provides biographical notes on both nineteenth century restorers, gives examples of prints treated by them and adds a chapter of conservation history crediting them with a place in the history of the discipline. In summary, this offers a surprising insight on how works of art used to be almost untraceably restored by this team of Munich-based restorers more than 150 years before Schweidler.

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