scholarly journals Árbitros y mediadores en el mundo rural valenciano durante la Baja Edad Media: Els Ports y El Maestrat (s. XIII-XIV) = Arbiters and Mediators in Rural Valencia during the Late Middle Ages: Els Ports and El Maestrat (Thirteenth-Fourteenth Centuries)

2019 ◽  
pp. 379
Author(s):  
Vicent Royo Pérez
Keyword(s):  
Social Structure ◽  
Middle Ages ◽  
Thirteenth Century ◽  
Essential Role ◽  
Rural Society ◽  
Social Actors ◽  
Late Middle Ages ◽  
The Social

Este artículo analiza la identidad de los árbitros que median en los conflictos suscitados en el campo valenciano en la Baja Edad Media. Tras la conquista del siglo XIII, la implantación de la nueva sociedad rural provoca el surgimiento de numerosos conflictos entre los actores sociales presentes en las comarcas de Els Ports y El Maestrat, situadas al norte del reino de Valencia. Muchos de estos litigios se solucionan a través de la institución arbitral, de modo que los mediadores tienen la responsabilidad de gestionar los cambios de la estructura social. En consecuencia, se pretende analizar la identidad de los árbitros y averiguar los criterios que siguen señores, burgueses y campesinos para elegir a los mediadores durante los siglos XIII y XIV, porque estos personajes tienen un papel esencial en la articulación de las relaciones sociales en el mundo rural.AbstractThis article analyses the identity of the arbiters in conflicts that took place in the rural country of the kingdom of Valencia during the late Middle Ages. After the conquest of the thirteenth century, the implementation of a new rural society led to the emergence of numerous conflicts between the social actors present in the regions of Els Ports and El Maestrat, both located in the northern part of the kingdom of Valencia. Many of these conflicts were resolved through arbitration, so the arbiters are responsible for managing any changes in social structure. Consequently, our aim is to analyse the identity of the arbiters and to determine the diverse criteria that lords, bourgeois and peasants followed to choose mediators during the thirteenth and fourteenth centuries, as these individuals played an essential role in the forging of relationships in rural society.

MARCEL PAGNOL'S THE BAKER'S WIFE, A CINEMATIC CHARIVARI IN POPULAR FRONT FRANCE

2005 ◽  
Vol 48 (2) ◽  
pp. 437-469 ◽  
Author(s):  
BRETT BOWLES
Keyword(s):  
Middle Ages ◽  
Focal Point ◽  
Public Support ◽  
Popular Front ◽  
Partisan Politics ◽  
National Union ◽  
Late Middle Ages ◽  
The Social ◽  
Definition Of

Taking an anthropological approach, this article interprets Pagnol's critically acknowledged classic as a reinvention of a carnivalesque ritual practised in France from the late middle ages through the late 1930s, when ethnographers observed its last vestiges. By linking La Femme du boulanger (The baker's wife, 1938) to contemporaneous debates over gender, national decadence, and the definition of French cultural identity, I argue that the film recycles the charivari's long-standing function as a tool of popular protest against social and political practices regarded as detrimental to the welfare of the nation. In the context of the Popular Front, Pagnol's charivari ridiculed divisive partisan politics pitting Left against Right, symbolically purged class conflict from the social body, and created a new form of folklore that served as a focal point for the communitarian ritual of movie-going among the urban working and middle classes. In so doing, the film promoted the ongoing shift in public support away from the Popular Front in favour of a conservative ‘National Union’ government under Prime Minister Edouard Daladier, who in 1938–9 assumed the role of France's newest political patriarch.

Die geschriebene Stadt

2021 ◽  
Vol 48 (1) ◽  
pp. 1-40
Author(s):  
Teresa Schröder-Stapper
Keyword(s):  
Early Modern ◽  
Middle Ages ◽  
Urban Space ◽  
Essential Role ◽  
Early Modern Period ◽  
Space And Time ◽  
Late Middle Ages ◽  
Modern Period ◽  
The City

The Written City. Inscriptions as Media of Urban Knowledge of Space and Time The article investigates the function of urban inscriptions as media of knowledge about space and time at the transition from the late Middle Ages to the early modern period in the city of Braunschweig. The article starts with the insight that inscriptions in stone or wood on buildings or monuments not only convey knowledge about space and time but at the same time play an essential role in the construction of space and time in the city by the practice of inscribing. The analysis focuses on the steadily deteriorating relationship between the city of Braunschweig and its city lord, the Duke of Braunschweig-Lüneburg, and its material manifestation in building and monument inscriptions. The contribution shows that in the course of the escalating conflict over autonomy, a change in epigraphic habit took placed that aimed at claiming both urban space and its history exclusively on behalf of the city as an expression of its autonomy.

scholarly journals Conductus as Analgesic

2013 ◽  
pp. 49-59 ◽  
Author(s):  
Bryan Gillingham
Keyword(s):  
Middle Ages ◽  
Thirteenth Century ◽  
Detailed Account ◽  
Social Milieu ◽  
Specific Instance ◽  
The Social ◽  
The Middle Ages

One of the difficulties in creating an adequate picture of the contextual situation for music, other than that clearly associated with the liturgy, in the Middle Ages, is the paucity of accounts describing performance circumstances. We know little about the social milieu and purposes attending genres marginal to the liturgy such as the conductus and thirteenth-century motet. A manuscript which seems to redress this problem, albeit for one very specific instance, is Vat. lat. 2854 in the Vatican library in Rome. This manuscript is unusual in that it contains not only music but a detailed account of why the music was written. The author, Bonaiutus de Casentino, active in the circle of Pope Boniface VIII, prepared the manuscript in the last decade of the thirteenth century at Rome. The document includes various poems, sacred and secular, as well as two Latin songs written in late Franconian notation. One of the pieces is a two-voice conductus (Hec medela corporalis) which was written, according to the account of Bonaiutus himself, in order to cure the maladies of an ailing pontif. The pontifical complaints seemed to be both psychological and intestinal in nature. It was the hope of Bonaiutus not only to provoke laughter (always a curative), but also to cleanse the papal bowels through his composition. Although one cannot generalize on the basis of this single incident, it does yield a fascinating glimpse into a possible venue for the conductus.

Why This Time and Place?

Born to Write ◽  
2020 ◽  
pp. 10-19
Author(s):  
Neil Kenny
Keyword(s):  
Seventeenth Century ◽  
Fifteenth Century ◽  
Middle Ages ◽  
Social Position ◽  
Late Middle Ages ◽  
The Social ◽  
Late Fifteenth ◽  
The Revolution

From about the late fifteenth century onwards, literature and learning acquired increased importance for the social position of noble and elite-commoner families in France. One reason is the expansion and rise to prominence of the royal office-holder milieu, which had no exact equivalent in, say, England, where the aristocracy was much smaller than the French nobility and where there was no equivalent of the French system of venality of office. In France, family literature often helped extend across the generations a relationship between two families—that of the literary producer and that of the monarch. From the late Middle Ages, the conditions for family literature were made more favourable by broad social shifts. Although this study focuses mainly on the period from the late fifteenth to the mid-seventeenth century, it is likely that the production of works from within families of literary producers thrived especially up to the Revolution.

Weavers into Heretics? The Social Organization of Early-Thirteenth-Century Catharism in Comparative Perspective

1997 ◽  
Vol 21 (1) ◽  
pp. 111-137
Author(s):  
Lutz Kaelber
Keyword(s):  
Social Organization ◽  
Middle Ages ◽  
Thirteenth Century ◽  
Social Processes ◽  
The Other ◽  
Comparative Perspective ◽  
The Social ◽  
The Church ◽  
The Middle Ages

How did a person become a heretic in the Middle Ages? Then, once the person was affiliated with a heretical group, how was the affiliation sustained? What social processes and mechanisms were involved that forged bonds among heretics strong enough, in some cases, for them to choose death rather than return to the bosom of the Church? Two competing accounts of what attracted people to medieval heresies have marked the extremes in historical explanations (Russell 1963): one is a materialist account elucidated by Marxist historians; the other one focuses on ideal factors, as proposed by the eminent historian Herbert Grundmann.

Art and Identity in the Parish Communities of Late Medieval Kent

1992 ◽  
Vol 28 ◽  
pp. 225-237
Author(s):  
Judy Ann Ford
Keyword(s):  
Middle Ages ◽  
Art Criticism ◽  
Religious Community ◽  
Social Meaning ◽  
Late Medieval ◽  
Men And Women ◽  
Political Messages ◽  
Late Middle Ages ◽  
The Social ◽  
Religious Associations

Historians have long been aware that patronage is a crucial factor in interpreting the social meaning of art. The late Middle Ages knew a variety of patrons, each employing art to communicate different sorts of concern: royal and aristocratic courts emphasized political messages, urban communes created governmental myths, cathedrals and monasteries gave expression to spiritual ideas—and all used art to convey notions of social identity. Recent investigations into the process of choosing and procuring works of art in these contexts have not only added perspective to formal art criticism, they have also deepened our understanding of the groups interested in the creation of art. One area in which questions of patronage could perhaps be better illuminated is the community of the parish. The parish served as the primary religious community for the majority of men and women for most of the Middle Ages. It was complex in composition, involving both laity and clergy, encompassing other religious associations, such as gilds, and including the devout and the indifferent, the orthodox and the dissenters.

The Image of Music and the Bodies of Knowledge in the Late Middle Ages: Rhythmic Procedures as Cultural Representations

1996 ◽  
Vol 9 (2) ◽  
pp. 121-136 ◽  
Author(s):  
Dorit Tanay
Keyword(s):  
Middle Ages ◽  
Fourteenth Century ◽  
Thirteenth Century ◽  
Theory And Practice ◽  
Cultural Representations ◽  
Musical Thought ◽  
Late Middle Ages

The ArgumentThe paper argues that the distinction between modernism and postmodernism can be applied metaphorically to clarify the changing image of music during the late Middle Ages. The paper discusses the scientific and rational strategies that thirteenth century musical theorists applied to revise earlier musical conceptualization. It highlights the thirteenth-century innovative affiliation of music with Aristotelian physics and argues that in a very subtle and seemingly contradictory way music theorists expressed the nascent awareness, if not tacit acknowledgment, of the mundane nature of music. It argues further that in the fourteenth century the issue of representing musical-rhythmical variability by means of a suitable language shifted to the forefront of musical theory and practice. The unprecedented emphasis on musical signs and their semantic behavior as well as the demand to demystify the discourse about rhythmical concepts — so as to question the necessity of metacategories — all point to an affinity between fourteenth century musical thought and postmodern sensibilities.

The Criterion for Distinguishing Legal Opinions from Judicial Rulings and the Administrative Acts of Judges and Rulers

2017 ◽  
Author(s):  
Shihab al-Din Ahmad ibn Idris al-Qarafi al-Maliki
Keyword(s):  
Middle Ages ◽  
Thirteenth Century ◽  
English Translation ◽  
English Language ◽  
Islamic Law ◽  
Seminal Work ◽  
Late Middle Ages ◽  
Legal Texts ◽  
Legal Opinions ◽  
Subsequent Revision

This book is the first and much-needed English translation of a thirteenth-century text that shaped the development of Islamic law in the late middle ages. Scholars of Islamic law can find few English language translations of foundational Islamic legal texts, particularly from the understudied Mamluk era. This edition addresses this gap, finally making the great Muslim jurist Shihab al-Din al-Qarafi's seminal work available to a wider audience. The book's examination of the distinctions among judicial rulings, which were final and unassailable; legal opinions, which were advisory and not binding; and administrative actions, which were binding but amenable to subsequent revision, remained standard for centuries and are still actively debated today.

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