Being a Woman: Mothers and Lovers
This chapter examines the increasingly important role of female characters in Modiano’s novels of the 90s onwards, who divide roughly into two types: mothers and lovers. The chapter argues that Modiano’s interest in the young female lover figure has its roots in his failure to satisfactorily identify the ‘real’ Dora (ever since he was inspired to write a novel based on her, Voyage de noces, in 1990). As for the mother, the chapter suggests that it was the cathartic writing of the quasi-autobiographical Accident nocturne and the explicitly autobiographical Un pedigree that seems to have freed Modiano to write more nuanced and complex portraits of mothers in his more recent work. Last but not least, Modiano’s recent use of female narrators is examined in detail.