scholarly journals Un buceo en la naturaleza para la creación artística de recorridos y mapas: Proyectos artísticos de Ecoarte

2019 ◽  
Vol 20 ◽  
pp. 29-48
Author(s):  
Karla Brunet
Keyword(s):  
Citizen Science ◽  
Theoretical Research ◽  
Environmental Sensors ◽  
Artistic Practice ◽  
Audiovisual Cartography ◽  
Online Mapping ◽  
Artistic Works ◽  
Interactive Installations

Este artículo presenta la investigación y la práctica artística del Grupo Ecoarte, UFBA/Brasil, enfocándose en proyectos que trabajan especialmente con mares y ríos. Son inmersiones en la naturaleza que buscan discutir y reflexionar sobre nuestroterritorio, lugar y cómo lo representamos en mapas y en obrasartísticas. Los resultados de estas experiencias en la naturaleza son lo más variado posible: instalaciones interactivas, ciencia ciudadana, sensores medioambientales, mapas interactivos online, residencia artística en un velero, performance audiovisual, paseos en una isla y cartografía audiovisual. Es el relato de una investigación empírica teórico-artística en busca de una estéticamedioambiental. This paper presents the research and artistic practice of the Ecoarte Group, UFBA/Brazil, focusing on projects that workespecially with seas and rivers. They are immersions in naturethat seek to discuss and reflect on our territory, place and how we represent it in maps and artistic works. The results of these experiences in nature are as diverse as possible: interactive installations, citizen science, environmental sensors, interactive online mapping, artistic residence on a sailboat, audiovisual performance, island walks, and audiovisual cartography. It is the report of an empirical artistic theoretical research in search of an environmental aesthetic.

scholarly journals Painting, Poetry and the Interference of the Genres in English Art: The Case of William Blake

2020 ◽  
Vol 10 (1) ◽  
pp. 29-42
Author(s):  
Atanas Karaçoban ◽  
Patricia Denisa Dita
Keyword(s):  
Western Culture ◽  
William Blake ◽  
Original Method ◽  
Artistic Practice ◽  
Poetic Text ◽  
History Of ◽  
Artistic Works

Throughout the history of Western culture and art, there are numerous examples of those who, in their creativity, went beyond the limits of a particular art, embarking instead on attempts to combine in one artistic discourse the practices of various arts, such as music and poetic text, drama and dance, literature and sculpture, literature and painting, and so on. One of these artists is William Blake, acclaimed as a major poet and painter of romanticism in English and world art. He is accredited as the founder of a whole new and original method of producing artistic works, called “illuminated printing”, which is a remarkable combination of poetic text, decoration, and picture. Apart from revealing Blake’s appurtenance to romantic tradition, the present study aims to present the specificity of his technique and, primary, to disclose the ways in which it combines the artistic practice of poetry with that of painting as to render and strengthen the meaning by mutually sustaining and illuminating each other.

scholarly journals Backyard Sounds

2020 ◽  
Vol 11 (1) ◽  
pp. 1-17
Author(s):  
Rosimária Sapucaia Rocha ◽  
Ângela Maria Mendes Saldanha da Sil Gomes ◽  
Jose Bidarra
Keyword(s):  
Theoretical Research ◽  
Artistic Practice ◽  
Sound Installation ◽  
Artistic Process ◽  
Contemporary Life ◽  
Lead Users ◽  
Dark Room

This article is a study on the immersive sound installation “Backyard Sounds”. The union of our artistic practice to theoretical research resulted on the birth of this project. One of the main objectives of “Backyard Sounds” was the consideration of the sounds of contemporaneity. Seeking to lead users to experience videos and sounds in a dark room, since sounds were only set off with the users' approach, sounds of nature and those produced by humans were used intentionally to demonstrate the inherent paradoxes of contemporary life. This research consists of a study on the immersive sound installation “Backyard Sounds”. The authors approach the artistic process involved in its creation and the concepts, notions, and reflections related to the computational artifact. The sounds heard were reveries of the soundscapes (concept of sounds of nature and others produced by humans), and it was intended to bring users the extreme paradoxes of contemporary life.

scholarly journals The kaleidoscopic interference and the double-slit project: Borges’ thought, quantum behaviour and multiverse theory

Artnodes ◽  
2020 ◽  
Author(s):  
Mari Nieves Vergara
Keyword(s):  
Quantum Physics ◽  
Theoretical Research ◽  
Artistic Practice ◽  
New Paradigm ◽  
Interference Phenomenon ◽  
Image Creation ◽  
Observer Experience ◽  
The Impact ◽  
The Relationship ◽  
Double Slit

This paper presents an artistic research project entitled Double-slit, which is based on the relationship between the kaleidoscopic image and the interference phenomenon both from conceptual and visual viewpoints. Through the combination of artistic practice and theoretical research, the kaleidoscopic interference is investigated considering a different involvement of the subject. In Cortazar’s view, the kaleidoscopic image creation process would be closer to the observer experience than to the author’s role when looking through the kaleidoscope. Consequently, the relationship between the author and the observer/reader is introduced with reference to kaleidoscopic image, producing an interference feeling between these different positions. Specifically, the present article refers to cases from Borges’ literature, mainly related to the connection between reality and fiction within the observer position. The indicated approach corresponds to a kaleidoscopic narrative, since this type of image is virtually composed by real –the original motif– and fictional elements –the reflections/copies–. Therefore, Borges’ thought will be discussed in this regard, specifically those characters that present both kaleidoscopic and quantum behaviour. The results found in the process of developing the aforementioned project on the double-slit shows that this experiment –whose result in physics is the interference pattern– and kaleidoscopic image are significantly related to each other. In particular, concerning Feynman’s sum-over-paths phase of infinite possible trajectories. This insight leads the article into a discussion on the impact that quantum physics and multiverse theory have in relation to our understanding of existence. This way, we see that a new paradigm is present regarding visuality. It implies accepting contradictory facts as constituents of reality. Likewise, even our notion of individual identity is transformed into the subject’s juxtaposition of ubiquities, which produces the “to be and not to be” kaleidoscopic interference.

scholarly journals “Augmenting visual faculties: an exploration of traditional and experimental augmented reality methods in artistic practice”

2021 ◽  
Author(s):  
Helen Papagiannis
Keyword(s):  
Augmented Reality ◽  
Artistic Practice ◽  
Marker Tracking ◽  
Final Project ◽  
Alternative Materials ◽  
Artistic Works

"The final project resulted in a series of artistic works applying both traditional and experimental AR methods. The various AR artworks created compose a body of work that are intended to be viewed as a series resulting from two streams of exploration: traditional marker tracking methods, and experimental processes with non-marker images and alternative materials"--From page 8.

scholarly journals “Augmenting visual faculties: an exploration of traditional and experimental augmented reality methods in artistic practice”

2021 ◽  
Author(s):  
Helen Papagiannis
Keyword(s):  
Augmented Reality ◽  
Artistic Practice ◽  
Marker Tracking ◽  
Final Project ◽  
Alternative Materials ◽  
Artistic Works

"The final project resulted in a series of artistic works applying both traditional and experimental AR methods. The various AR artworks created compose a body of work that are intended to be viewed as a series resulting from two streams of exploration: traditional marker tracking methods, and experimental processes with non-marker images and alternative materials"--From page 8.

Theoretical research of electron-density measurements of plane targets using soft XRL deflectometry

2001 ◽  
Vol 11 (PR2) ◽  
pp. Pr2-479-Pr2-481
Author(s):  
C. Ye ◽  
G. Zhang ◽  
T. Zhang ◽  
H. Peng ◽  
W. Zheng
Keyword(s):  
Electron Density ◽  
Theoretical Research ◽  
Density Measurements

The ethics of citizen science in biomedicine

2015 ◽  
Vol 77 (08/09) ◽  
Author(s):  
L Del Savio ◽  
A Buyx ◽  
B Prainsack
Keyword(s):  
Citizen Science

Maxim Berezovsky C-dur symphony in a context of new biographical scenario of artist’s life-creativity

2018 ◽  
pp. 13-25
Author(s):  
Olha Shumilina
Keyword(s):  
Eighteenth Century ◽  
Instrumental Music ◽  
Analytical Approach ◽  
Spiritual Direction ◽  
Theoretical Research ◽  
Orchestral Music ◽  
Musical Life ◽  
Analysis And Synthesis ◽  
Mental Modeling ◽  
Independent Work

Relevance of the study. The article studies recently found symphony of the prominent Ukrainian composer of the second half of the eighteenth century Maxim Berezovsky. He is widely known now as the author of cyclic spiritual concerts written for the Orthodox worship, and is practically unknown as a musician instrumentalist associated with the imperial theater and the court musical life. The work of M. Berezovsky as a secular musician determined the creative interest in composing instrumental music intended for secular chamber and orchestral music. Main objective of the article is a clarification of M.Berezovsky symphony as one of secular field artworks in the light of new summaries about artist’s life-creativity. Methodology. Taking into account peculiarities of the material and the analytical approach to its study, the methods of theoretical research have been chosen(abstraction, analysis and synthesis, induction and deduction, mental modeling, ascension from abstract to concrete, etc.). Conclusions. As a result of a study the symphony analysis in a context of new authentic statements about M.Berezovsky’s life-creativity. It was stated that this artwork was written not accidentally and detects absolute awareness of the artist in all composer’s niceties – how to build a topic and build a homophonic construction based on it, in a technique of orchestral construction, form creations of that time and etc. From the beginning of his creative career, M. Berezovsky was well aware of the possibilities of the orchestra as a performer, attached to the Italian opera and instrumental music. Symphony enriches our imagination about the works of M. Berezovsky in the field of secular instrumental and operatic music and extends the range of works of the artist beyond the spiritual direction. Some signs indicate that the Symphony was not an independent work, but an overture to the opera Demofont.

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