scholarly journals Cemeteries of the Great War by Sir Edwin Lutyens

2021 ◽  
pp. 99-122
Author(s):  
Jeroen Geurst

En 1917 se le encargó al arquitecto británico sir Edwin Lutyens que hiciera diseños para los cementerios de guerra en el continente. El resultado fue casi 1000 cementerios y monumentos diseñados por Lutyens y otros arquitectos en Bélgica, norte de Francia y varios lugares de Asia. Bajo el liderazgo del director del Museo Británico, los arquitectos optaron por un estilo común, con la libertad de hacer variaciones individuales para cada cementerio relacionado con su contexto. Como resultado de estas dos ideas opuestas, hay dos elementos principales en cada cementerio, la ‘Piedra de Guerra’ diseñada por Lutyens y la Cruz del Sacrificio de Blomfield. Para los soldados desaparecidos, se erigieron enormes monumentos con sus nom- bres en las paredes como único recuerdo. Los cementerios más pequeños fueron diseñados por jóvenes arquitectos que estuvieron en el ejército durante la guerra. Hay lápidas en lugar de cruces para cada tumba según las diferentes condiciones religiosas de los soldados. Para Lutyens, el concepto de cementerio se basaba en la idea de una catedral verde, una iglesia al aire libre, rodeada de árboles como columnas. Esta idea se inspiró en la conocida arquitecta paisajista Getrude Jekyll. Gracias al mantenimiento por parte de la Commonwealth War Graves Commission, los cementerios todavía están en perfecto estado y juegan un papel importante en el recuerdo de la Primera Guerra Mundial. Already in 1917, the British architect sir Edwin Lutyens was asked to make designs for warcemeteries on the continent. In the end this resulted in almost 1000 cemeteries and monuments designed by Lutyens and other architects in Belgium, Northern France and other locations in Asia. Under leadership of the director of the British Museum, the architects have chosen for a common style, with the freedom to make individual variations for each cemetery related to the site. As a result of two opposing ideas there are two main elements on each cemetery, the War Stone designed by Lutyens and the Cross of Sacrifice by Blomfield. For the soldiers which were not found huge monuments were erected with their names on walls as their only surviving memory. The smaller cemeteries were designed by young architects who were in the army during the war. There are headstones instead of crosses for each grave due to the different religious background of the soldiers. For Lutyens the concept of a cemetery was based on the idea of green cathedral, a church in the open air, surrounded by trees as columns. For this idea he took advice from the well-known landscape architect Getrude Jekyll. Because of the maintenance by de Commonwealth War Graves Commission Still the cemeteries are still in perfect state and play an important role in the remembrance of the First World War.

2017 ◽  
Vol 14 (3) ◽  
pp. 283-297 ◽  
Author(s):  
Taylor Downing

This article considers the making of the BBC2 series, The Great War, and examines issues around the treatment and presentation of the First World War on television, the reception of the series in 1964 and its impact on the making of television history over the last fifty years. The Great War combined archive film with interviews from front-line soldiers, nurses and war workers, giving a totally new feel to the depiction of history on television. Many aspects of The Great War were controversial and raised intense debate at the time and have continued to do so ever since.


Balcanica ◽  
2015 ◽  
pp. 107-133
Author(s):  
Dimitrije Djordjevic

This paper discusses the occupation of Serbia during the First World War by Austro-Hungarian forces. The first partial occupation was short-lived as the Serbian army repelled the aggressors after the Battle of Kolubara in late 1914, but the second one lasted from fall 1915 until the end of the Great War. The Austro-Hungarian occupation zone in Serbia covered the largest share of Serbia?s territory and it was organised in the shape of the Military Governorate on the pattern of Austro-Hungarian occupation of part of Poland. The invaders did not reach a clear decision as to what to do with Serbian territory in post-war period and that gave rise to considerable frictions between Austro-Hungarian and German interests in the Balkans, then between Austrian and Hungarian interests and, finally, between military and civilian authorities within Military Governorate. Throughout the occupation Serbia was exposed to ruthless economic exploitation and her population suffered much both from devastation and from large-scale repression (including deportations, internments and denationalisation) on the part of the occupation regime.


Balcanica ◽  
2013 ◽  
pp. 357-390
Author(s):  
Milovan Pisarri

Since sufferings of civilian populations during the First World War in Europe, especially war crimes perpetrated against civilians, have - unlike the political and military history of the Great War - only recently become an object of scholarly interest, there still are considerable gaps in our knowledge, the Balkans being a salient example. Therefore, suggesting a methodology that involves a comparative approach, the use of all available sources, cooperation among scholars from different countries and attention to the historical background, the paper seeks to open some questions and start filling lacunae in our knowledge of the war crimes perpetrated against Serb civilians as part of the policy of Bulgarization in the portions of Serbia under Bulgarian military occupation.


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