scholarly journals Smerte kræver øvelse. En undersøgelse af smerte, body suspension og førstehed

2018 ◽  
Author(s):  
Maria Mortensen
Keyword(s):  
Affect Theory ◽  
Theoretical Framework ◽  
The Body ◽  
New Materialisms

Pain takes practice. A study of pain, body suspension and Firstness. This study examines the Firstness of pain as an understanding of pain as isolating and destructive, as well as entering the debate about the lack of intentionality of pain. In the article I draw on two empirical examples from fieldwork conducted at body suspension events in Copenhagen in 2014/2015. Throughout the article I apply a theoretical framework from the field of affect theory and new materialisms, in the form of Sara Ahmed and Robin Bauer. The analyses of the empirical examples show how pain can work as a way of diverting attentiveness from the bodies surrounding the body in pain, as well as creating transgressive bodies, which exceeds the singular body in pain. I hereby argue that the object of pain should not be limited to the singular body. Instead we must understand the object of pain, as well as the body in pain, as multiple and situational. Pain works both inside bodies, outside bodies and between bodies.

Bodily Archiving in 69 Positions

2018 ◽  
Vol 9 (1) ◽  
pp. 4-13
Author(s):  
Josefine Löfblad
Keyword(s):  
Theoretical Framework ◽  
The Body ◽  
Specific Focus ◽  
Guided Tour ◽  
Archival Practices

Abstract Recently, an interest in archives and archiving has been noticeable amongst artists as well as scholars. This paper analyses Mette Ingvartsen’s 69 Positions (2014), a dance work in which the audience participates in a guided tour through Ingvartsen’s own “archive”. The aim is to look at how archival traces and archival practices “perform” in the work, with a specific focus on bodily archiving. As a theoretical framework, I draw mainly on André Lepecki’s (2016) conceptualization of “the body as archive”, whereby reenacting becomes a mode of inventive archiving that actualizes not-yet utilized potential in a work. In this analysis, I propose that Ingvartsen’s body and the bodies of the audience create a collective body-archive, which collectively actualizes (previously virtual) intimacy. In addition, I argue that blurring the distinctions between body and archive and between reenactment and archiving are ways of insisting that dance does not disappear but remains, counter to “archival logic” (Schneider 2011, 99), by being stored in bodies and transmitted between bodies and by repeatedly reappearing–always more or less altered–in or as performance.

Toward a Trans* Method in Musicology

2018 ◽  
Author(s):  
Dana Baitz
Keyword(s):  
The Body ◽  
Primary Sources ◽  
Sources Of Knowledge ◽  
Musical Structures ◽  
New Materialisms ◽  
Way Of Knowing ◽  
Material Conditions

This chapter shows that the methods used to approach queer musical subjects cannot adequately account for transsexual ones. To show this, I distinguish queer methods from transsexual methods, while acknowledging a continuum between those extremes. Queer aesthetic and interpretive models highlight a transcending of bodily and other material structures; transsexuality invests in the body. Transsexual studies situate embodiment and material conditions as primary sources of knowledge (or forms of “counterknowledge”), thereby providing new ways for musicologists to consider the meaning that musical structures hold. Likewise, transsexual artists become legible within musicology through an application of transsexual studies (notably including phenomenology and new materialisms) to music. Ultimately, by integrating transsexual epistemologies with queer ones, a new way of knowing music (a “trans* method”) is suggested.

Gender: A Public Feeling?

2019 ◽  
pp. 174-186
Author(s):  
Max Thornton
Keyword(s):  
Online Communities ◽  
Affect Theory ◽  
Limit Case ◽  
Transgendered People ◽  
Corporate Body ◽  
Theological Turn ◽  
New Materialisms ◽  
The Church

This essay reframes and reconceives gender as both a public feeling (in Cvetkovich’s sense of the term) and an affective assemblage. The latter concept, which extends the former, is designed to accommodate the multiplicity of factors, forces, processes, and agencies implicated in gender in general, but in non-normative gender in particular. The essay’s affective assemblage is eclectically composed from Deleuzoguattarian philosophy, pheonomenology, new materialisms, and affect theory, and enacted in the limit case of non-transitioning transgendered people in online communities. Gender as an affective assemblage takes a theological turn in the essay’s concluding section where it counters a territorialized reading of Christ’s body, one which seeks to exclude non-normative genders from the church. Calling for the church’s self-deterritorialization, the essay proposes a corporate body enfleshed by queer affective assemblages that would facilitate gendered exploration and discovery.

Coda: Affect after the Affektenlehre

2020 ◽  
pp. 131-142
Author(s):  
Roger Mathew Grant
Keyword(s):  
Music Theory ◽  
Affect Theory ◽  
The Body ◽  
Close Attention ◽  
Historical Investigation

This concluding chapter places contemporary affect theory in conversation with the historical investigation outlined in the body of the book. It finds within recent affect theory a certain musicality and a tendency to rehearse dynamics that once played out within historical music theory. This final chapter closes with a call to restore diachronicity and movement to affect theory: to think affect historically, and to therefore pay close attention to the movements between the objects and subjects that have generated it.

Introduction

Making Icons ◽  
2017 ◽  
Author(s):  
Jennifer Coates
Keyword(s):  
Cultural Production ◽  
Affect Theory ◽  
Theoretical Framework ◽  
Social Changes ◽  
Popular Film ◽  
Case Study Analysis ◽  
Film Texts ◽  
Repeated Motifs ◽  
Sample Case

The introduction describes the historical contexts and theoretical framework of the book, beginning with an outline of the method of research. A brief literature review of affect theory in the Japanese context is followed by an introduction to Yoshimoto Takaaki’s Communal Fantasies (Kyōdōgensō ron, 1968). Giles Deleuze’s Difference and Repetition (1968) is juxtaposed with Yoshimoto’s philosophical investigation of repeated tropes in Japanese cultural production to form a theoretical framework for the analysis of selected repeated motifs in female cinematic representation that follows. Social changes during the occupation of Japan (1945-1952), particularly as regards roles and rights for women, are presented as key socio-political and historical contexts for the analyses of popular film texts which follow. The chapter concludes with a sample case study analysis of Mizoguchi Kenji’s Five Women Around Utamaro (1946).

Factors Affecting Internet Advertising Adoption in Ad Agencies

2017 ◽  
Vol 8 (4) ◽  
pp. 18-29
Author(s):  
Masumeh Sadat Abtahi ◽  
Leila Behboudi ◽  
Hamideh Mokhtari Hasanabad
Keyword(s):  
Critical Factor ◽  
Theoretical Framework ◽  
The Body ◽  
Internet Advertising ◽  
Technical Knowledge ◽  
Advertising Agencies ◽  
Key Factors ◽  
Internet Adoption ◽  
Factors Affecting

The purpose of this study is to identify factors affecting adoption of Internet advertising in advertising agencies. The paper provides preliminary insights into why ad agencies are reluctant to recommend Internet advertising to their clients. A theoretical framework was developed by scrutinizing the body of literature. The gathered date was verified by 294 academic and practical experts in the field of marketing and advertising. In pursuing this goal, a questionnaire was designed to validate factors affecting the adoption of Internet advertising. Results indicate that 18 variables in the form of three key factors, namely “technical knowledge of account manager,” “e-commerce readiness of country” and “agencies' ability of Internet adoption” affect adoption of Internet advertising in ad agencies. It was found that e-commerce readiness of a country is the critical factor in adopting internet advertising in ad agencies. This is the first study which addresses the adoption of Internet advertising in ad agencies. This study reports that while government does not provide infrastructure required for the advancement of e-commerce (readiness), the ad agencies still will recommend previous ad channels to their clients.

Developing a theoretical framework for intelligent contract acceptance

2020 ◽  
Vol 20 (3) ◽  
pp. 421-445 ◽  
Author(s):  
Alan J. McNamara ◽  
Samad M.E. Sepasgozar
Keyword(s):  
Technology Acceptance ◽  
Technology Acceptance Model ◽  
Industry 4.0 ◽  
Theoretical Framework ◽  
The Body ◽  
Extensive Literature ◽  
Contributing Factors ◽  
Model Framework ◽  
Content Type ◽  
Acceptance Model

Purpose This paper aims to develop a novel theoretical technology acceptance model, namely, for predicting acceptance of the trending technology of intelligent contracts (iContracts) in construction, which aims to integrate the data from emerging cyber-physical systems being introduced to the sector through the industry 4.0 revolution. This model includes main dimensions and critical contributing factors to assess the readiness for the iContract concept within the construction contract environment. Design/methodology/approach Through an extensive literature review, the structure of a unique theoretical technology acceptance model for iContract implementation, within construction, was developed iContract acceptance model (iCAM). Relevant themes were assessed through the lens of the technology acceptance model framework and the four accepted dimensions of the technology readiness index (TRI) concept. The main components of the model were examined with selected practitioners, with relevant experience and understanding of the iContract concept, with thematic mapping of the discussions correlated back to 12 specific iContract contributing constructs of the four adapted TRI dimensions. Findings The paper contributes to the body of knowledge by proposing a novel iCAM for a trending technology based on the specific requirements of iContract adoption. The interviews show that while the desire to digitalise the contractual environment exists, the readiness of the sector for such a disruptive change is unknown. Practical implications The findings and proposed conceptual iCAM offers a lens for the further development of the iContract concept by assisting practitioners to forecast digital readiness of the contract process in construction. Originality/value This study offers a unique and theoretical framework, in an embryonic field, for predicting the success of iContract implementation within construction organisations through the digital, industry 4.0 and revolution.

scholarly journals Biophysics and systems biology

2010 ◽  
Vol 368 (1914) ◽  
pp. 1125-1139 ◽  
Author(s):  
Denis Noble
Keyword(s):  
Systems Biology ◽  
Computational Biology ◽  
Evolutionary Theory ◽  
Nerve Impulse ◽  
Theoretical Framework ◽  
The Body ◽  
Molecular Biophysics ◽  
First Century ◽  
Computational Power ◽  
Twenty First Century

Biophysics at the systems level, as distinct from molecular biophysics, acquired its most famous paradigm in the work of Hodgkin and Huxley, who integrated their equations for the nerve impulse in 1952. Their approach has since been extended to other organs of the body, notably including the heart. The modern field of computational biology has expanded rapidly during the first decade of the twenty-first century and, through its contribution to what is now called systems biology, it is set to revise many of the fundamental principles of biology, including the relations between genotypes and phenotypes. Evolutionary theory, in particular, will require re-assessment. To succeed in this, computational and systems biology will need to develop the theoretical framework required to deal with multilevel interactions. While computational power is necessary, and is forthcoming, it is not sufficient. We will also require mathematical insight, perhaps of a nature we have not yet identified. This article is therefore also a challenge to mathematicians to develop such insights.

scholarly journals A Theoretical Framework for the Critical Posthumanities

2018 ◽  
Vol 36 (6) ◽  
pp. 31-61 ◽  
Author(s):  
Rosi Braidotti
Keyword(s):  
Research University ◽  
Theoretical Framework ◽  
The Body ◽  
Conceptual Foundation ◽  
Contemporary Research ◽  
Human Exceptionalism ◽  
The Mind ◽  
Knowledge Claims ◽  
Self Organizing

What are the parameters that define a posthuman knowing subject, her scientific credibility and ethical accountability? Taking the posthumanities as an emergent field of enquiry based on the convergence of posthumanism and post-anthropocentrism, I argue that posthuman knowledge claims go beyond the critiques of the universalist image of ‘Man’ and of human exceptionalism. The conceptual foundation I envisage for the critical posthumanities is a neo-Spinozist monistic ontology that assumes radical immanence, i.e. the primacy of intelligent and self-organizing matter. This implies that the posthuman knowing subject has to be understood as a relational embodied and embedded, affective and accountable entity and not only as a transcendental consciousness. Two related notions emerge from this claim: firstly, the mind-body continuum – i.e. the embrainment of the body and embodiment of the mind – and secondly, the nature-culture continuum – i.e. ‘naturecultural’ and ‘humanimal’ transversal bonding. The article explores these key conceptual and methodological perspectives and discusses the implications of the critical posthumanities for practices in the contemporary ‘research’ university.

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