scholarly journals High-Level Musical Content-Based Music Information Retrieval: A State-of-the-Art Review

2020 ◽  
Author(s):  
Clement H.C. Leung ◽  
Jiming Liu ◽  
Alfredo Milani ◽  
Alice W.S. Chan

With the rapid advancement of music compression and storage technologies, digital music can be easily created, shared and distributed, not only in computers, but also in numerous portable digital devices. Music often constitutes a key component in many multimedia databases, and as they grow in size and complexity, their meaningful search and retrieval become important and necessary. Music Information Retrieval (MIR) is a relatively young and challenging research area started since the late 1990s. Although some form of music retrieval is available on the Internet, these tend to be inflexible and have significant limitations. Currently, most of these music retrieval systems only rely on low-level music information contents (e.g., metadata, album title, lyrics, etc.), and in this chapter, the authors present an adaptive indexing approach to search and discover music information. Experimental results show that through such an indexing architecture, high-level music semantics may be incorporated into search strategies.


2016 ◽  
Vol 40 (2) ◽  
pp. 70-83 ◽  
Author(s):  
Valerio Velardo ◽  
Mauro Vallati ◽  
Steven Jan

Fostered by the introduction of the Music Information Retrieval Evaluation Exchange (MIREX) competition, the number of systems that calculate symbolic melodic similarity has recently increased considerably. To understand the state of the art, we provide a comparative analysis of existing algorithms. The analysis is based on eight criteria that help to characterize the systems, highlighting strengths and weaknesses. We also propose a taxonomy that classifies algorithms based on their approach. Both taxonomy and criteria are fruitfully exploited to provide input for new, forthcoming research in the area.


2019 ◽  
Vol 42 (4) ◽  
pp. 9-25
Author(s):  
Anna Xambó ◽  
Alexander Lerch ◽  
Jason Freeman

Music information retrieval (MIR) has a great potential in musical live coding because it can help the musician–programmer to make musical decisions based on audio content analysis and explore new sonorities by means of MIR techniques. The use of real-time MIR techniques can be computationally demanding and thus they have been rarely used in live coding; when they have been used, it has been with a focus on low-level feature extraction. This article surveys and discusses the potential of MIR applied to live coding at a higher musical level. We propose a conceptual framework of three categories: (1) audio repurposing, (2) audio rewiring, and (3) audio remixing. We explored the three categories in live performance through an application programming interface library written in SuperCollider, MIRLC. We found that it is still a technical challenge to use high-level features in real time, yet using rhythmic and tonal properties (midlevel features) in combination with text-based information (e.g., tags) helps to achieve a closer perceptual level centered on pitch and rhythm when using MIR in live coding. We discuss challenges and future directions of utilizing MIR approaches in the computer music field.


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