Research on Automatic Classification Method of Ethnic Music Emotion Based on Machine Learning

With the development of the country’s economy, there is a flourishing situation in the field of culture and art. However, the diversification of artistic expressions has not brought development to folk music. On the contrary, it brought a huge impact, and some national music even fell into the dilemma of being lost. This article is mainly aimed at the recognition and classification of folk music emotions and finds the model that can make the classification accuracy rate as high as possible. The classification model used in this article is mainly after determining the use of Support Vector Machine (SVM) classification method, a variety of attempts have been made to feature extraction, and good results have been achieved. Explore the Deep Belief Network (DBN) pretraining and reverse fine-tuning process, using DBN to learn the fusion characteristics of music. According to the abstract characteristics learned by them, the recognition and classification of folk music emotions are carried out. The DBN is improved by adding “Dropout” to each Restricted Boltzmann Machine (RBM) and adjusting the increase standard of weight and bias. The improved network can avoid the overfitting problem and speed up the training of the network. Through experiments, it is found that using the fusion features proposed in this paper, through classification, the classification accuracy has been improved.

National Music Promotion and Inheritance Strategies Based on the Perspective of Intangible Cultural Heritage

Folk music is a heavy cultural carrier. Today, when culture is flourishing, it still has a unique charm and appeal. The intangible heritage of national music requires modern Chinese to continue to carry forward and inherit it, so that the spirit and characteristic culture contained in it can be smoothly transformed into the fruits of education. For this reason, it will be a feasible idea to promote and inherit national music from the perspective of intangible cultural heritage with academies education as the central medium. The article combines the understanding of intangible cultural heritage and the thinking on the promotion and inheritance of ethnic music from the perspective of intangible heritage, and further explores the significance and strategy of the promotion and inheritance of ethnic music centered on vocal music teaching in colleges and universities, hoping to provide valuable reference for relevant research.

Documentary testimonies about the national music in European culture Historiographical journey (XVI—XVII centuries

The study brings to the forefront some reference information on the connections of national oral music with the European space. The sources of documentation, to which we turn, allow a first finding, according to which our music enters the attention of the West in the XVI century. Firstly, we refer to the first records of folklore, which appeared in publications in Poland, Germany and France, and which are found in tabulations, anthologies and (or) collections of music. Once they have come out of print and have been put into circulation, they reach the creative laboratory of European artistic personalities, who have gone on to capitalize on our ethnic music in various forms and genres. We catalog some creations through concrete examples, having as a source of suggestion the local melody. Along the way, the actual musical documents from the period under investigation are supplemented with data and information from adjacent fields. The paper takes into account the contribution of foreign authors in a limited period of time (XVI–XVII centuries), who through their contribution have facilitated the promotion of the originality of our musical culture, increasing its visibility and value on the European continent.

Kajian Antropolinguistik Bentuk Lingual Umbu dalam Nyanyian Tidur “Ille Le” pada Masyarakat Melolo, Kabupaten Sumba Timur, Nusa Tenggara Timur (Antropholinguistic Study Word "Umbu‟ in Sleeping Song “Ille Le” at the Melolo Community, East Sumba, East Nusa Tenggara)

Antropolinguistik menempatkan bahasa sebagai kajian utama dan keberadaannya dalam berbagai aspek kebahasaan. Jika dalil tersebut digunakan, lirik sebagai aspek kebahasaan bergayut dengan musikalitas nyanyian “Ille Le” ‗nyanyian tidur‘ masyarakat Melolo. Secara lebih spesifik ditetapkan masalah dalam penelitian ini yaitu bagaimana kajian antropolinguistik bentuk lingual umbu nyanyian tidur “Ille Le” pada masyarakat Melolo, Nusa Tenggara Timur. Berdasarkan kajian pustaka diperoleh research gap yaitu penelitian spesifik antropolinguitik kajian nyanyian budaya. Teori yang digunakan dalam penelitian ini ialah semiotik kognitif berdasarkan prinsip semiotik de Saussure. Metode penelitian menggunakan ancangan kualitatif dengan pendekatan fenomenologi.. Hasil penelitian 1) lirik patriarkat terlihat dalam struktur syair “Ille Le” pada kata umbu ‗anak laki-laki‘; 2) lirik ini dinyanyikan berulang dalam ambitus nada pentatonik. Nyanyian “Ille Le” menceritakan kehidupan masyarakat Melolo pada seorang bayi laki-laki „umbu‟.. Kebaruan dalam penelitian ini yaitu kajian antropolinguistik yang berkaitan dengan lirik nyanyian budaya. Bentuk lingual yang khas tidak dapat dipisahkan dari bentuk musikalnya. Anthropolinguistics places language as the main study and its existence in various aspects of language. Anthropolinguistics in this study relates to the lyrics and musicality of the song “Ille Le” „sleep song‟ of the people of Melolo, East Nusa Tenggara. The problem in this research is how the anthropolinguistic study of patriarchal lyrics in „“Ille Le”‟ sleep songs in the Melolo community, East Sumba Regency, East Nusa Tenggara. Based on the literature review, it was obtained research gap are specific anthropolinguistic research on cultural singing studies. The song „“Ille Le”‟ can be grouped into oral literature, the linguistic aspect is influenced by a unique ethnic music style. The theory used in this research is cognitive semiotics based on de Saussure semiotics. The research method used a qualitative design with a fenomenology approach. The results of the study 1) patriarchal lyrics can be seen in the poetry structure “Ille Le” in the word umbu 'boys'; 2) these lyrics are sung over and over in ambitus pentatonic tones. The song “Ille Le” seeks the life of the Melolo community in a baby boy 'umbu'. The distinctive lingual form cannot be separated from the musical form.

Application of Collaborative Filtering and Data Mining Technology in Personalized National Music Recommendation and Teaching

Personalized music recommendations can accurately push the music of interest from a massive song library based on user information when the user’s listening needs are blurred. To this end, this paper proposes a method of national music recommendation based on ontology modeling and context awareness to explore the use of music resources to portray user preferences better. First, the expectation-maximization algorithm is used to cluster users and ethnic music scores, and similar users and music are divided into clusters. The similarity of objects in the same cluster is higher, and the similarity of objects in different clusters is lower. Second, we designed a multilayer collaborative filtering ethnic music recommendation model based on ontology modeling and tensor decomposition. This model uses ontology to construct a user knowledge model and integrates similarity measures in multiple situations. The actual case test and user feedback analysis show that the designed personalized national music model has good application and promotion effects.

CREATIVE ETHNICITY: MUSIC AS AN ELEMENT OF ETHNICITY AMONG POLISH TATARS

The aim of this article is to analyse the role of ethnic music in the life of the Tatar minority in Poland as an example of creative ethnicity. On the one hand, modern Tatar musical practices construct an interesting example of “invented tradition” because the studied group does not have “musical memory”, while on the other hand, these activities are aimed at the group’s future. Music can fulfill different social functions. In the case of ethnic groups, three of these functions seem to be particularly relevant: integrational, political (ideological) and identity. Desk research reveals the formal and informal musical practices undertaken by Polish Tatars. The values and musical assets associated with Tatar culture reflect the minority’s identity. The main statement of the article is that music is an important element that contributes to constructing the contemporary group’s identity. Tatar music is becoming an essential element of Tatar culture, enhancing a sense of the group’s distinctiveness. The contemporary Tatar music groups construct a significant Tatar showcase to the audience outside of the Tatar ethnic group, as well as form an important identity element of the Tatar community and a manifestation of creative ethnicity. It is also possible to find correlations between their repertoire and contemporary group transformations, including those related to its identity.

“PAMETHUK PARI” EKSPRESI MUSIKAL RITUAL PETHIK PARI DI DESA SUMBER ASRI KECAMATAN PURWOHARJO KABUPATEN BANYUWANGI JAWA TIMUR

Pamethuk Pari, a Musical Expression of the Pethik Pari Ritual, is a form of music based on the ethnic Banyuwangi music using Angklung Paglak as a performance art. Interest in the existence of this ritual is becoming unknown in society. The phenomenon that occurs in the Pethik Pari ritual is rarely done in Banyuwangi Regency. The concept of art used is a symbolic concept with an arrangement concept that emphasizes new music with Banyuwangi ethnic music media. The initial steps in the process of creating a musical work Pamethuk Pari include 1) observation to determine the possible limitations to be packaged in a musical piece. Observations were made by looking for information that reviewed the Pethik Pari ritual, 2) Search for materials looking for instruments whose sound characters could represent rural nuances, 3) Collection of Materials, 4) Methods and Stages of Material Processing so that the links between the musical instruments could complement one another 5) Technical arrangement of materials by means of instrument exploration. The philosophy of the musical Pamethuk Pari contains guidelines for community life that teach mutual respect, togetherness, and gratitude to God Almighty.

A Case Study on Soundscape Analysis for the Historical and Ethnic Village of Dong Nationality in Zhaoxing County

A soundscape is a sound environment of the awareness of auditory perception and social or cultural understandings. Based on a soundscape investigation in 2019 in the historical and ethnic village of Dong Nationality in Zhaoxing County, Guizhou Province of China, a case study on the soundscape analysis with the acoustical sound pressure level and an impressive sound event or soundmark is introduced in this paper. Furthermore, in order to determine the subjective soundscape experience and its influence by the length of background music listening, the independent variable “Length of Listening” and six adjective pairs, such as “Monotonous” to “Rich”, “Clamorous” to “Quiet”, “Stressing” to “Relaxing”, “Boring” to “Vivid”, “Noisy” to “Musical” and “Disliked” to “Preferable” are chosen to obtain a curve-fit, which shows that the length of the music listening background has a higher correlation to the subjective experience, and no sufficient attention has been paid to the context of the traditional soundscape preservation, ethnic music and quiet and soft ambient sounds.