Design driven practices for sharing the future: a focus on design fiction

Author(s):  
Manuela Celi
Keyword(s):  
Author(s):  
Paul Graham Raven ◽  
Johannes Stripple

For many years, questions about the future have been marginalised within the social sciences: asking how we might live in a post-fossil society, or what are the key decisions and events that could take us there, has been seen as outside of the disciplinary scope. In this paper – which takes as its point of departure the ‘speculative turn’ that is increasingly inspiring a range of works, from foresight scenarios to design fiction – we insist on the need to invent methods and practices which provide speculative spaces that allow such questions to be articulated. We use our own speculative initiative, ‘The Museum of Carbon Ruins’, to foreground a series of ethical questions that accompany such speculative endeavours, but which have so far been neglected in contemporary discussions. Working within a critical utopian modality, Carbon Ruins does not foreclose ethical possibilities, but allows citizens to grapple with, evaluate, amend and critique the post-fossil futures that official policy is striving towards.<br /><br />Key messages<br /><ul><li>A pioneering and reflective examination of the ethics of speculative methods in climate policy.</li><br /><li>Presents utopian modes as an analytical lens to turn on sociotechnical and/or climate imaginaries.</li><br /><li>Explores the Museum of Carbon Ruins, a unique co-productive climate communications initiative.</li><br /><li>Openly fictional futures strike a fairer discursive bargain than the masked utopias of ecomodernism.</li></ul>


2020 ◽  
pp. 150-177
Author(s):  
Lenneke Kuijer

This article explores design’s relation with the future by analysing a collection of exemplars from design fiction and speculative design for their potential to democratise and anticipate visions of future everyday life in design. Future visions – both implicit and explicit ones – have a realising power of their own. This is especially true for design, the products of which co-shape the lives of millions of users. Rather than calling for a “better” future vision however, this paper draws on research from the social sciences and futures studies to argue for the importance of diversifying and enriching visions of future everyday life within design. Critical design is well equipped to contribute to this objective because it questions the status quo and is relatable and actionable for designers. The paper reviews exemplars from critical design for their potential to democratise and anticipate future everyday life. To analyse their ways of engaging with future everyday life, the exemplars are positioned in the future cone model of probable, possible and preferred futures. Through this positioning, a distinction emerged between two forms of critical future engagement: alternative fictions and extrapolative fictions. Alternative fictions are explicitly positioned outside of generally expected futures, while extrapolative fictions are explicitly positioned within them. Both have their own strengths and limitations for democratising and anticipating future everyday life. Alternative fictions enrol actors as “future people” and create scenes to depict future contexts, but can also include deployments in present day contexts to explore alternative human-artefact relations. Alternative fictions tend to be accompanied by alternative design practices. Extrapolative fictions do not include deployments and rarely propose alternative design practices, but they can play an important role in highlighting the underexposed risks of mainstream design pursuits. Critical design can and should play a role in democratising and anticipating future everyday life. Alternative and extrapolative fictions can complement each other in this pursuit. Extrapolative fictions question the status quo from within and use the power of design to highlight underexposed aspects of expected futures. Alternative fictions question the status quo from without and use the power of design to creatively generate different objects that can be used to flesh out alternative ways of living and their related context. Further research is needed into how critical fictions are best integrated into mainstream design practices.


1961 ◽  
Vol 13 ◽  
pp. 29-41
Author(s):  
Wm. Markowitz
Keyword(s):  

A symposium on the future of the International Latitude Service (I. L. S.) is to be held in Helsinki in July 1960. My report for the symposium consists of two parts. Part I, denoded (Mk I) was published [1] earlier in 1960 under the title “Latitude and Longitude, and the Secular Motion of the Pole”. Part II is the present paper, denoded (Mk II).


1978 ◽  
Vol 48 ◽  
pp. 387-388
Author(s):  
A. R. Klemola
Keyword(s):  

Second-epoch photographs have now been obtained for nearly 850 of the 1246 fields of the proper motion program with centers at declination -20° and northwards. For the sky at 0° and northward only 130 fields remain to be taken in the next year or two. The 270 southern fields with centers at -5° to -20° remain for the future.


Author(s):  
Godfrey C. Hoskins ◽  
Betty B. Hoskins

Metaphase chromosomes from human and mouse cells in vitro are isolated by micrurgy, fixed, and placed on grids for electron microscopy. Interpretations of electron micrographs by current methods indicate the following structural features.Chromosomal spindle fibrils about 200Å thick form fascicles about 600Å thick, wrapped by dense spiraling fibrils (DSF) less than 100Å thick as they near the kinomere. Such a fascicle joins the future daughter kinomere of each metaphase chromatid with those of adjacent non-homologous chromatids to either side. Thus, four fascicles (SF, 1-4) attach to each metaphase kinomere (K). It is thought that fascicles extend from the kinomere poleward, fray out to let chromosomal fibrils act as traction fibrils against polar fibrils, then regroup to join the adjacent kinomere.


Author(s):  
Nicholas J Severs

In his pioneering demonstration of the potential of freeze-etching in biological systems, Russell Steere assessed the future promise and limitations of the technique with remarkable foresight. Item 2 in his list of inherent difficulties as they then stood stated “The chemical nature of the objects seen in the replica cannot be determined”. This defined a major goal for practitioners of freeze-fracture which, for more than a decade, seemed unattainable. It was not until the introduction of the label-fracture-etch technique in the early 1970s that the mould was broken, and not until the following decade that the full scope of modern freeze-fracture cytochemistry took shape. The culmination of these developments in the 1990s now equips the researcher with a set of effective techniques for routine application in cell and membrane biology.Freeze-fracture cytochemical techniques are all designed to provide information on the chemical nature of structural components revealed by freeze-fracture, but differ in how this is achieved, in precisely what type of information is obtained, and in which types of specimen can be studied.


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