Subjects of Interest: Biography, Politics and Gender History

2011 ◽  
Vol 21 (2) ◽  
pp. 21-28
Author(s):  
Stephen Brooke
Keyword(s):  
Cultural History ◽  
Collective Identities ◽  
Gender History ◽  
Recent Trends ◽  
Politics And Gender ◽  
And Gender ◽  
Carolyn Steedman

This article discusses the biographical genre in history in the light of recent trends in gender and cultural history. It suggests that biography has the possibility of building on the strengths of these developments, but only through a resistance to the temptations of authoritative meta-narrative. Instead, it points to the creative unevenness of lives and the potential of using that ambiguity to describe in more interesting and creative ways both the lives of individual subjects and the connections between those individuals and larger collective identities. The argument reviews the work of authors such as Becky Conekin, Sheila Rowbotham and Carolyn Steedman.

scholarly journals The Cultural History of the Corset and Gendered Body in Social and Literary Landscapes

2017 ◽  
Vol 9 (1) ◽  
pp. 109 ◽  
Author(s):  
Melis Mulazimoglu Erkal
Keyword(s):  
Cultural History ◽  
Middle Ages ◽  
Western Culture ◽  
Body Politics ◽  
Fashion Industry ◽  
Sexual Empowerment ◽  
Art Object ◽  
Literary Landscapes ◽  
Politics And Gender ◽  
And Gender

This study centers on the significance, uses and changes of the corset in the Western culture and literature through a study of body politics, culture and fashion. The emplacement of corsetry in the West as an undergarment goes back to 1600s. Research shows that the study of corsetry is important as the corset has been a permanent, pervasive, popular object preferred mostly by women from different classes, sometimes by men and even children since the Middle Ages. Moreover, it is important to notice how the corset has gone beyond its use value and has become first a symbol of rank and elegance, then of female oppression and victimization and finally a symbol of sexual empowerment and feminine rebellion in contemporary time. Popular critics of the field state that the corset today is far beyond its earlier restrictive usages and negative meanings as the garment today has become a favored item in fashion industry and preferred by celebrity icons all around the world. The corset at present is an outerwear, art object and ideological construct. So, what makes the corset so popular and everlasting? The study on corsetry yields to a critique of Western culture from socio-political perspective as well as through body politics and gender studies. In that respect, this work aims to explore how corsetry in past and contemporary time exists as an essential part of patriarchal ideology, influencing social and literary landscapes and borrowing from the beauty aesthetics, thus creating the idealized feminine of each century.

scholarly journals The Cultural History of the Corset and Gendered Body in Social and Literary Landscapes

2017 ◽  
Vol 9 (1) ◽  
pp. 153
Author(s):  
Melis Mulazimoglu Erkal
Keyword(s):  
Cultural History ◽  
Middle Ages ◽  
Western Culture ◽  
Body Politics ◽  
Fashion Industry ◽  
Sexual Empowerment ◽  
Art Object ◽  
Literary Landscapes ◽  
Politics And Gender ◽  
And Gender

This study centers on the significance, uses and changes of the corset in the Western culture and literature through a study of body politics, culture and fashion. The emplacement of corsetry in the West as an undergarment goes back to 1600s. Research shows that the study of corsetry is important as the corset has been a permanent, pervasive, popular object preferred mostly by women from different classes, sometimes by men and even children since the Middle Ages. Moreover, it is important to notice how the corset has gone beyond its use value and has become first a symbol of rank and elegance, then of female oppression and victimization and finally a symbol of sexual empowerment and feminine rebellion in contemporary time. Popular critics of the field state that the corset today is far beyond its earlier restrictive usages and negative meanings as the garment today has become a favored item in fashion industry and preferred by celebrity icons all around the world. The corset at present is an outerwear, art object and ideological construct. So, what makes the corset so popular and everlasting? The study on corsetry yields to a critique of Western culture from socio-political perspective as well as through body politics and gender studies. In that respect, this work aims to explore how corsetry in past and contemporary time exists as an essential part of patriarchal ideology, influencing social and literary landscapes and borrowing from the beauty aesthetics, thus creating the idealized feminine of each century.

From Margin to Centre: Recent Trends in Modern Italian Women's and Gender History

Modern Italy ◽  
2006 ◽  
Vol 11 (3) ◽  
pp. 327-337 ◽  
Author(s):  
Perry Willson
Keyword(s):  
Considerable Progress ◽  
Feminist Movement ◽  
Gender History ◽  
Current Wave ◽  
Wide Range ◽  
Recent Trends ◽  
And Gender ◽  
Made In

This article reviews the considerable progress that has been made in modern Italian women's and gender history over the last decade. It puts forward the argument that such history, whose roots lie primarily in the feminist movement of the 1970s, was until recently consigned to the margins of the historical establishment but is now beginning to make a much greater impact. The article looks at the richness of the current wave of new publications and the wide range of topics they cover but argues that in a number of areas the historiography is still somewhat uneven. It also suggests that there is a pressing need for works of synthesis to draw together the research that has been done to date.

Touchy-Feely History: The ‘Stuff’ of American Culture

2015 ◽  
Vol 4 (1) ◽  
pp. 4-18
Author(s):  
Lauren Rebecca Sklaroff
Keyword(s):  
Material Culture ◽  
Cultural History ◽  
Race And Ethnicity ◽  
The Body ◽  
Special Issue ◽  
Historical Significance ◽  
Research Perspectives ◽  
Economic Trends ◽  
Recent Trends ◽  
New Research

This state of the field essay examines recent trends in American Cultural History, focusing on music, race and ethnicity, material culture, and the body. Expanding on key themes in articles featured in the special issue of Cultural History, the essay draws linkages to other important literatures. The essay argues for more a more serious consideration of the products within popular culture, less as a reflection of social or economic trends, rather for their own historical significance. While the essay examines some classic texts, more emphasis is on work published within the last decade. Here, interdisciplinary methods are stressed, as are new research perspectives developing by non-western historians.

British Women Amateur Filmmakers

2018 ◽  
Author(s):  
Annamaria Motrescu-Mayes ◽  
Heather Norris Nicholson
Keyword(s):  
Postcolonial Studies ◽  
Extensive Study ◽  
Aesthetic Judgment ◽  
Visual Anthropology ◽  
Gender History ◽  
Remote Communities ◽  
Visual Narratives ◽  
And Gender ◽  
British Commonwealth ◽  
Film Making

In the rapidly growing study of amateur film, this groundbreaking book addresses the development of British women's amateur visual practice. Drawing upon social and visual anthropology, imperial and postcolonial studies and British, Commonwealth and gender history, the authors explore how women in Britain and overseas, used the evolving technologies of moving imagery to create visual stories about their lives and times. Locating the making, watching and sharing of women's recreational film-making against wider societal, technological and ideological changes, British Women Amateur Filmmakers discloses how women from varied backgrounds negotiated changing lifestyles, attitudes and opportunities as they created first personal visual narratives about themselves and the world around them. Using non-fictional films and animations, the authors invite readers to view films through different interpretative lens and provide detailed contexts for their case-studies and survey of over forty women amateur filmmakers. Whether in remote communities, suburban homes, castles, missionary or diplomatic enclaves, or simply travelling as intrepid sightseers, women filmed their companions, other people and their surroundings, not only as observers but often displaying agency, autonomy and aesthetic judgment during decades when careers, particularly after marriage, were often denied in film and other professions. Research across Britain on films in private hands and specialist archives, interviews and extensive study of the Institute of Amateur Cinematographers (IAC's) collections enable the authors to reposition an activity once thought of as overwhelmingly male and middle class.

The Oxford Handbook of American Women's and Gender History

2018 ◽  
Keyword(s):  
Women Of Color ◽  
Historical Record ◽  
Historical Evidence ◽  
Gender History ◽  
Artistic Production ◽  
The Past ◽  
History Of ◽  
Cultural Power ◽  
And Gender ◽  
Free Women

The Oxford Handbook of American Women’s and Gender History boldly interprets the history of diverse women and how ideas about gender shaped their access to political and cultural power in North America over six centuries. In twenty-nine chapters, the Handbook showcases women’s and gender history as an integrated field with its own interpretation of the past, focused on how gender influenced people’s lives as they participated in migration, colonialism, trade, warfare, artistic production, and community building. Organized chronologically and thematically, the Handbook’s six sections allow readers to consider historical continuities of gendered power as well as individual innovations and ruptures in gender systems. Theoretically cutting edge, each chapter bursts with fascinating historical characters, from young Chicanas transforming urban culture, to free women of color forging abolitionist doctrines, to Asian migrant women defending the legitimacy of their marriages, to working-class activists mobilizing international movements, to transwomen fleeing incarceration. Together, their lives constitute the history of a continent. Leading scholars from multiple generations demonstrate the power of innovative research to excavate a history hidden in plain sight. Scrutinizing silences in the historical record, from the inattention to enslaved women’s opinions to the suppression of Indian women’s involvement in border diplomacy, the authors challenge the nature of historical evidence and remap what counts in our interpretation of the past. They demonstrate a way to extend this more capacious vision of history forward, setting an intellectual agenda informed by intersectionality and transnationalism, and new understandings of sexuality.

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