scholarly journals Beyond Understanding

2019 ◽  
Vol 5 (1) ◽  
pp. 73-95
Author(s):  
Rohan Ghatage

This essay establishes a philosophical connection between James Baldwin and the philosopher William James by investigating how the pragmatist protocol against “vicious intellectualism” offers Baldwin a key resource for thinking through how anti-black racism might be dismantled. While Richard Wright had earlier denounced pragmatism for privileging experience over knowledge, and thereby offering the black subject no means for redressing America’s constitutive hierarchies, uncovering the current of Jamesian thought that runs through Baldwin’s essays brings into view his attempt to move beyond epistemology as the primary framework for inaugurating a future unburdened by the problem of the color line. Although Baldwin indicts contemporaneous arrangements of knowledge for producing the most dehumanizing forms of racism, he does not simply attempt to rewrite the enervating meanings to which black subjects are given. Articulating a pragmatist sensibility at various stages of his career, Baldwin repeatedly suggests that the imagining and creation of a better world is predicated upon rethinking the normative value accorded to knowledge in the practice of politics. The provocative challenge that Baldwin issues for his reader is to cease the well-established privileging of knowledge, and to instead stage the struggle for freedom within an aesthetic, rather than epistemological, paradigm.

2017 ◽  
Vol 14 (2) ◽  
pp. 212-220 ◽  
Author(s):  
Alexander Livingston

Colin Koopman’s Pragmatism as Transition offers an argumentative retelling of the history of American pragmatism in terms of the tradition’s preoccupation with time. Taking time seriously offers a venue for reorienting pragmatism today as a practice of cultural critique. This article examines the political implications third wave pragmatism’s conceptualization of time, practice, and critique. I argue that Koopman’s book opens up possible lines of inquiry into historical practices of critique from William James to James Baldwin that, when followed through to their conclusion, trouble some of the book’s political conclusions. Taking time and practice seriously, as transitionalism invites pragmatists to do, demands pluralizing critique in a way that puts pressure on familiar pragmatist convictions concerning liberalism, progress, and American exceptionalism.


Prospects ◽  
1987 ◽  
Vol 12 ◽  
pp. 201-222
Author(s):  
William E. Cain

Booker T. Washington's Up from Slavery (1901) is one of the most famous American autobiographies, yet it is unfortunately also one of the least analyzed. Compared with the American autobiographies that we frequently study and teach, it seems meager and unchallenging. Unlike Whitman and Thoreau, Washington does not propose experiments in form, and he does not undertake a profound inner exploration as his text unfolds. He is not keenly conscious of his competitive relation to the autobiographical writings that have preceded his own and unlike Henry Adams and Henry James, he does not manifest a high degree of selfreflective awareness about the act of telling the story of his life. Nor does Washington's book display the sophisticated rendering of personal and public life that W. E. B. DuBois manages in Dusk of Dawn (1940), the subtle and disturbing account of black adolescence and early maturity that Richard Wright crafts in Black Boy (1945), the stylistic vigor and intelligence that James Baldwin demonstrates in Notes of a Native Son (1955), or the explosive energy that Malcolm X unleashes in his autobiography (1965).


2015 ◽  
Vol 1 (1) ◽  
pp. 112-129
Author(s):  
Rich Blint ◽  
Nazar Büyüm

This is the first English language publication of an interview with James Baldwin (1924–87) conducted by Nazar Büyüm in 1969, Istanbul, Turkey. Deemed too long for conventional publication at the time, the interview re-emerged last year and reveals Baldwin’s attitudes about his literary antecedents and influences such as Richard Wright, Langston Hughes, and Countee Cullen; his views concerning the “roles” and “duties” of a writer; his assessment of his critics; his analysis of the power and message of the Nation of Islam; his lament about the corpses that are much of the history and fact of American life; an honest examination of the relationship of poor whites to American blacks; an interrogation of the “sickness” that characterizes Americans’ commitment to the fiction and mythology of “race,” as well as the perils and seductive nature of American power.


2016 ◽  
Vol 3 (1) ◽  
pp. 62-78
Author(s):  
Mariam Youssef

 This article examines the theme of black male incarceration in the African American novel. Black male incarcerated characters are frequently presented as the most socially aware characters in the novel, in spite of their isolation. In different African American novels, black male incarcerated characters experience a transformation as a result of their incarceration that leads to a heightened awareness of their marginalisation as black men. Because of their compromised agency in incarceration, these characters are not able to express black masculinity in traditional ways. Using novels by Richard Wright, James Baldwin, John A. Williams and Ernest Gaines, I argue that black male incarcerated characters use their heightened awareness as an alternative method of expressing black masculinity.


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