Vegan Diet and Mutliple Health Outcomes: A Review and Meta-analysis

A recent development in social protest literature involves cultural activism centered largely on the subject of veganism; its health benefits and responses to diseases that already exist among us. This article brings you the data relating health benefits with the entire plant-based diet, based on numerous studies done around and about this subject, taking into account the health-related, social, and ethical aspects. Aim: Vegan Diet and Multiple Health Outcomes: A Review and Meta-Analysis Conclusion: Plant-based nutrition is something so simple, yet so profound and so inexpensive that one can ‘make health a habit’ and thus, can absolutely reverse most of our modern day killers.

Mobilization, Mass Perceptions, and (Dis)information: “New” and “Old” Media Consumption Patterns and Protest

When people join in moments of mass protest, what role do different media sources play in their mobilization? Do the same media sources align with positive views of mass mobilizations among the public in their aftermath? And, what is the relationship between media consumption patterns and believing disinformation about protest events? Addressing these questions helps us to better understand not only what brings crowds onto the streets, but also what shapes perceptions of, and disinformation about mass mobilization among the wider population. Employing original data from a nationally representative panel survey in Ukraine ( Hale, Colton, Onuch, & Kravets, 2014 ) conducted shortly after the 2013–2014 EuroMaidan mobilization, we examine patterns of media consumption among both participants and non-participants, as well as protest supporters and non-supporters. We also explore variation in media consumption among those who believe and reject disinformation about the EuroMaidan. We test hypotheses, prominent in current protest literature, related to the influence of “new” (social media and online news) and “old” media (television) on protest behavior and attitudes. Making use of the significance of 2014 Ukraine as a testing ground for Russian disinformation tactics, we also specifically test for consumption of Russian-owned television. Our findings indicate that frequent consumption of “old” media, specifically Russian-owned television, is significantly associated with both mobilization in and positive perceptions of protest and is a better predictor of believing “fake news” than consuming “new” media sources.

Genesis, Historicity and Persistence of Dalit Protest Literature and Movements in Odisha

Even after seven decades of India’s independence, the status of the Dalits remain unchanged where caste system, along with the practice of untouchability, remains a universal phenomenon of rural India, and the state of Odisha is not an exception. Among various issues that the Dalits in the state are facing, the greatest problem is that they are not allowed to worship inside some of the temples even today, by the upper caste Hindus. Against this flagitious practice, voices from the marginalized concerned have been raised time and again. However, like other states, the state of Odisha has not witnessed a strong all-Odisha Dalit movement either in colonial or in postcolonial period. But this does not mean that Dalits in the state are silently tolerating all caste oppressions and are not conscious; rather, they have protested against the dominant castes from time to time. There are different phases of Dalit protest literature and movements in the state from precolonial period to the present day. The state has witnessed some small, sporadic and scattered Dalit movements, and protest literature against the caste system and untouchability in the past, but these remained limited within the form of literature and religion due to various reasons. In this juncture, an endeavour has been made in this article to articulate and unify these small sporadic Dalit movements and protest literatures into a theoretical account by building coherency and continuity in its nature and spirit.

The 1940s as the Decade of the Anti-Antisemitism Novel

ABSTRACTThis article examines the anti-antisemitism novels of the 1940s as an indication of the decade's changing attitudes toward Jews, antisemitism, and religious pluralism, and so contributes to scholarly research on both social protest literature and mid-twentieth-century American religious culture. Recent scholarship has shown that American Jews responded to the Holocaust earlier than had previously been assumed. The anti-antisemitism novels of the 1940s were one of the popular culture arenas in which this response to the horrors of Nazi Germany occurred, as fiction proved an ideal genre for imagining and presenting possible solutions to the problem of antisemitism. These solutions often involved a change from a racial to a religious conception of Jews. Laura Z. Hobson's Gentleman's Agreement (1947) was the most culturally significant of this 1940s genre of anti-antisemitism novels (a subgenre of social protest literature), in part because of its foregrounding of non-Jewish responses to antisemitism. Archival research into the roots of Hobson's novel reveals that news of other female authors writing popular anti-antisemitism fiction encouraged Hobson, allowing Hobson to feel part of a movement of anti-antisemitism writers that would eventually extend to her readers, as demonstrated by readers’ letters. Although Will Herberg's Protestant, Catholic, Jew (1955) is frequently cited as the midcentury book that heralded a postwar shift toward religious pluralism, the anti-antisemitism novels of the 1940s reveal signs of this shift a decade earlier.

The Hybridity of South African Working-Class Literature

In this chapter I present an overview of the most prominent trends in South African working-class literature from the beginning of the 20th century until 1994. Since its emergence, South African working class was a heterogeneous formation which encompassed diverse ethnicities, both of European and non-European origin. Each of them created its own literature and culture, using various languages, incorporating traditional elements and means of expression, and merging them with borrowed foreign discourses and literary devices belonging to the repertoire of socialist literature that had been created mostly in the Soviet Union, the USA and other European countries. Consequently, South African working-class literature can be conceived of as conglomerate of heteroglot hybrid forms and manifestations of a subversive counter-discourse of protest literature. The forms presented here include writings of European socialists commenting on South African situation, novels utilizing the Jim goes to Joburg plot pattern, drama incorporating the Soviet socialist realism and references to the Afrikaans farm novel, Afrikaans folk tunes functioning as protest songs, and black workers praise poetry based on tribal oral conventions. As a carrier of a new working-class identity, this literature promoted a modern urban model which, nevertheless, relied on the continuity with local rural traditions.

History of Protest Literature in India: Trails from the Bhakti Literature

“Better is to live one day virtuous and meditative than to live a hundred years immoral and uncontrolled” (The Buddha) Bhakti movement in India has been a path-breaking phenomenon that provided a solid shape and an identifiable face to the abstractions with the help of vernacular language. As a religious movement, it emphasized a strong personal and emotional bond between devotees and a personal God. It has come from the Sanskrit word Bhaj- ‘to share’. It began as a tradition of devotional songs, hagiographical or philosophical – religious texts which have generated a common ground for people of all the sects in the society to come together. As counterculture, it embraced into its fold all sections of people breaking the barriers of caste, class, community, and gender. It added an inclusive dimension to the hitherto privileged, exclusivist, Upanishadic tradition. It has provided a very critical outlook on contemporary Brahminical orthodoxy and played a crucial role in the emergence of modern poetry in India. This paper elaborates on the positioning of the Bhakti Movement in the context of Protest narratives in India.

Science Fiction’s Imagined Futures and Powerful Protests: The Ethics of “Curing” Deafness in Ted Evans’s The End and Donna Williams’s “When the Dead Are Cured”

Contemporary Deaf literature and film of the science fiction (SF) genre such as Ted Evans’s The End and Donna Williams’s “When the Dead are Cured” imagine worlds where Sign Language Peoples (SLPs) are threatened with eradication. Employing schema criticism, the article shows how these social SF stories have the potential to transform harmful cognitive schemas that perpetuate eugenic drives, explaining how certain cognitive schemas uphold beliefs inherent to the ideology of ability (Bracher 2013; Siebers 2008). These SF texts question the ethics of genetic engineering and the desire to “cure” deafness; the intersection of disability and SF results in a subgenre of protest literature. Each protest story depicts eugenic ideologies that instantiate real-world SLPs’ activist claims to human and group rights. Further, these depictions of eugenic drives enable the activation of cognitive schemas that work against social injustices. SF as a mode of thought thus supports real-life protest against the state.

Fallen Among Reformers

‘Fallen Among Reformers’ focuses on Stella Miles Franklin’s New Woman protest literature written during her time in Chicago with the National Women’s Trade Union League (1906-1915). This time away from literary pursuits enriched Franklin’s literary productivity and provided a feminist social justice ethics, which shaped her writing. Close readings of Franklin’s (mostly unpublished) short stories, plays, and novels contextualises them in the personal politics of her everyday life and historicises them in the socio-economic and literary realities of early twentieth-century Australia and United States: themes embedded in broader cultural patterns of socialism, pacifism, and feminism.

Contested Identities in Costa Rica

Costa Rica is a country known internationally for its eco-credentials, dazzling coastlines, and reputation as one of the happiest and most peaceful nations on earth. Beneath this façade, however, lies an exclusionary rhetoric of nationalism bound up in the concept of the tico, as many Costa Ricans refer to themselves. Beginning by considering the very idea of national identity and what this constitutes, this book explores the nature of the idealised tico identity, demonstrating the ways in which it has assumed a white supremacist, Central Valley-centric, patriarchal, heteronormative stance based on colonial ideals. Chapters two and three then go on to consider the literature and films produced that stand in opposition to this normative image of who or what is tico and their creation as vehicles of soft power which aim to question social norms. This book explores protest literature from the 1970s by Quince Duncan, Carmen Naranjo, and Alfonso Chase who narrate their experiences from the margins of society by virtue of their identity as Afro-Costa Rican, feminist, and homosexual authors. Cinema from the twenty-first century is then analysed to demonstrate the nuanced and intersectional position chosen by national directors Esteban Ramírez, Paz Fábrega, Jurgen Ureña, and Patricia Velásquez to challenge the dominant nation-image as they reinscribe youth culture, Afro-Costa Rica, a female consciousness, and trans identity into the fabric of the nation.