Visibility

Stage rights! ◽  
2018 ◽  
pp. 82-106
Author(s):  
Naomi Paxton
Keyword(s):  
Collective Action ◽  
Public Space ◽  
Public And Private ◽  
The Public ◽  
Suffrage Movement ◽  
New Perspective ◽  
The Way

This chapter explores how members of the Actresses' Franchise League displayed their support for the suffrage movement in public space, and how such displays were an important and highly visible public and private strategy that encouraged collective action and activism and saw League members campaign directly on the streets, particularly through processions and the selling of suffrage newspapers. The plays and articles that emerged as part of this visibility give a new perspective on how actresses interacted with the public and how they reflected upon it themselves, and this chapter looks in detail at how interactions between the public and suffragists were absorbed into the performative strategies of the campaign, both on stage and in print. This chapter also details the way the theatrical newspaper the Era represented the campaign and the League to its readership.

scholarly journals THE FALL OF THE 'PURIFIED' COMMUNITY: CRISIS, TRANSFORMATION & COLLECTIVE ACTION IN GREECE

2012 ◽  
Vol 2 (2) ◽  
Author(s):  
Yannis Kallianos
Keyword(s):  
Collective Action ◽  
Public Sphere ◽  
Public Space ◽  
Social Imaginary ◽  
Public And Private ◽  
The Public ◽  
Political Transformations ◽  
The Social ◽  
Before And After ◽  
Economic Collapse

The article explores the recent social and political transformations in Greece through events of collective action in the public space of Athens. Drawing on Richard Sennet’s notion of the ‘myth of the purified community’ it is argued that these events demonstrate a gradual disintegration of the social imaginary of the idea of community in various scales (national, local, etc). This argument builds on the indistinction between public and private as reflected in these events in Athens. By providing ethnographic examples from both before and after the economic collapse, the article explains crisis as a long process of contesting the sovereignty of the state and institutions in Greece and how these previously downplayed contestations were rendered visible in the Greek public sphere. This visibility shakes the foundations of the notion of a homogeneous community as it is established by the ‘social contract’.

scholarly journals Negotiating Spaces and the Public–Private Boundary: Language Policies Versus Language Use Practices in Odessa

2018 ◽  
Vol 22 (3) ◽  
pp. 263-279 ◽  
Author(s):  
Abel Polese ◽  
Rustamjon Urinboyev ◽  
Tanel Kerikmae ◽  
Sarah Murru
Keyword(s):  
Public Space ◽  
Language Use ◽  
Official Language ◽  
Public And Private ◽  
The Public ◽  
Private Interests ◽  
Everyday Practices ◽  
Considerable Portion ◽  
State Surveillance ◽  
The Way

While the so-called “end of public space” literature, focusing on encroachment of private interests and state surveillance, has contributed to critical thinking of access (or the lack thereof) to public space, and the loss of publicity of public space, the conceptual tools such literature offers to understand contestations in and over public space have remained underdeveloped or, at best, underexplored. This article builds on the above debates to provides further empirical evidence on the way actors of a country compete over, and negotiate, the use of public space and the way it should be regulated. Empirically, it illustrates competition and negotiation of the use of language in Odessa, the third largest city of Ukraine, where Ukrainian should be the official language but Russian is widely used. Theoretically, starting from the way public and private are negotiated, and the extent to which this happens, we will suggest that resistance to state measures, and policies, that do not suit a considerable portion of a population may happen not only formally but also informally. The practices, tactics, and mechanisms used may, however, remain “invisible” for some time and then surprise everyone by emerging, all of a sudden, one day. A possible way to notice these dynamics is to engage with an “everyday” approach, thus acknowledging that everyday practices are a meaningful, and useful, site for understanding sociopolitical developments in the process of the construction of “the political.”

The public and the private: reconfiguring the interrelationship during a civil act

2019 ◽  
pp. 53-69
Author(s):  
Natalia Kostenko
Keyword(s):  
Public Sphere ◽  
Public Space ◽  
Rapid Development ◽  
Online Communication ◽  
Decisive Role ◽  
Physical Interaction ◽  
Bare Life ◽  
Public And Private ◽  
The Public ◽  
The Public Sphere

The subject matter of research interest here is the movement of sociological reflection concerning the interplay of public and private realms in social, political and individual life. The focus is on the boundary constructs embodying publicity, which are, first of all, classical models of the space of appearance for free citizens of the polis (H. Arendt) and the public sphere organised by communicative rationality (Ju. Habermas). Alternative patterns are present in modern ideas pertaining to the significance of biological component in public space in the context of biopolitics (M. Foucault), “inclusive exclusion of bare life” (G. Agamben), as well as performativity of corporeal and linguistic experience related to the right to participate in civil acts such as popular assembly (J. Butler), where the established distinctions between the public and the private are levelled, and the interrelationship of these two realms becomes reconfigured. Once the new media have come into play, both the structure and nature of the public sphere becomes modified. What assumes a decisive role is people’s physical interaction with online communication gadgets, which instantly connect information networks along various trajectories. However, the rapid development of information technology produces particular risks related to the control of communications industry, leaving both public and private realms unprotected and deforming them. This also urges us to rethink the issue of congruence of the two ideas such as transparency of societies and security.

Early Debates

2018 ◽  
Author(s):  
Samuel Llano
Keyword(s):  
Eighteenth Century ◽  
Public Space ◽  
Domestic Space ◽  
Limited Resources ◽  
Public And Private ◽  
Conduct Manuals ◽  
The Public ◽  
Clear Cut ◽  
The Social ◽  
Undeserving Poor

This chapter provides an account of how organilleros elicited public anger because their activity did not fit into any of the social aid categories that had been in place since the late eighteenth century. Social aid in Spain relied on a clear-cut distinction between deserving and undeserving poor in order to rationalize the distribution of limited resources and reduce mendicancy on the streets. Organilleros could not, strictly speaking, be considered idle, since they played music, but their activity required no specific skills and was regarded with suspicion as a surrogate form of begging. The in-betweenness of the organillero caused further anger as it challenged attempts to establish a neat distinction between public and private spaces. On one hand, organillo music penetrated the domestic space, which conduct manuals of the nineteenth century configured as female; on the other, it brought women into the public space, which those manuals configured as male.

scholarly journals Restorative Design for Heritage Requalification: Selected Roman Works

2021 ◽  
pp. 227-244
Author(s):  
Luciano Cupelloni
Keyword(s):  
Human Resources ◽  
Public Space ◽  
Experimental Research ◽  
Common Good ◽  
Urban Systems ◽  
Technological Design ◽  
Transformative Power ◽  
The Public ◽  
New Perspective

AbstractThe theme is the urban re-qualification, applied in particular to the architectural heritage and the public space. The goal is the ongoing challenge of outlining a new perspective aimed at “common good” and sustainability. The instrument chosen is the “environmental technological design,” understood as a cultural, scientific, and social position, that is, as a position on the role of architecture. The contribution reiterates the urgency of restoring the transformative power of the design mission to the project, too often reduced to a set of technical compilation procedures. In the best cases, a position that is lost in the complication of procedures, in the extension of time, in the waste of economic and human resources. A crisis of the project as “anticipation” of progressive scenarios, precisely in the most acute, ever more serious phase, of the urgency of the reorganization of urban systems, with a view to environmental, social and economic sustainability. Not a recent urgency, today only brought to light, dramatically, by the reality of the SARS-CoV-2 pandemic. Among the solutions, the design experimental research, well beyond the objective of flexibility, up to the notion of “functional indifference,” understood not as shapeless neutrality, but as the maximum functionality of spatial, architectural and urban quality.

scholarly journals Shocking Intimacy: Techniques, Technologies, and Aesthetics of Amplification in Clara Iannotta’s “Intent on Resurrection”

2021 ◽  
Vol 1 (2) ◽  
Author(s):  
Giulia Accornero
Keyword(s):  
Public Sphere ◽  
Public Space ◽  
Roland Barthes ◽  
Concert Hall ◽  
The Public ◽  
Low Strength ◽  
Technological Means ◽  
The Way

“Certain sounds, even when they are loud or heard from close by, conjure small sources.” Small sounds, as Chion (2016) describes them in this quote, usually appear in intimate or contained settings, where their relatively low strength will not be spoiled by the masking effects of a noisy public sphere. What happens, however, when they are shared with an audience in a concert venue? Privileging a distributive understanding of agency, I explore the interactions of instruments, techniques, and processes through which the composer Clara Iannotta (b. 1983) brings small sounds to the public space of the concert hall in the first minute of her composition Intent on Resurrection – Spring or Some Such Thing (2014). By articulating the technological means harnessed to allow for the qualities of small sounds to emerge, I reveal the conditions that are required for sound to be recognized and experienced as intimate. Along the way, I draw connections between the amplification aesthetics of Iannotta’s work and Hyperrealist art, and theorize the concept of the “grain of the instrument” drawing on ideas from Roland Barthes, Pierre Schaeffer, and Brian Kane.

The Society of the Digital Swarm

2019 ◽  
pp. 95-110
Author(s):  
Daniel Toscano López
Keyword(s):  
Public Space ◽  
Arab Spring ◽  
Digital Communication ◽  
The Political ◽  
Political Regimes ◽  
The Public ◽  
Political Economic ◽  
The Arab Spring ◽  
Reality Principle ◽  
The Way

This chapter seeks to show how the society of the digital swarm we live in has changed the way individuals behave to the point that we have become Homo digitalis. These changes occur with information privatization, meaning that not only are we passive consumers, but we are also producers and issuers of digital communication. The overarching argument of this reflection is the disappearance of the “reality principle” in the political, economic, and social spheres. This text highlights that the loss of the reality principle is the effect of microblogging as a digital practice, the uses of which can either impoverish the space of people's experience to undermine the public space or achieve the mobilization of citizens against of the censorship of the traditional means of communication by authoritarian political regimes, such as the case of the Arab Spring in 2011.

Yelling ‘Fire’ in a Crowded Occupation: Cynical Fire Hazard Claims and the Technocratic Containment of Dissent

2019 ◽  
Vol 29 (4) ◽  
pp. 549-573
Author(s):  
Honor Brabazon
Keyword(s):  
Public Space ◽  
Social Relations ◽  
Public Interest ◽  
Fire Hazard ◽  
Research Literature ◽  
Private Law ◽  
Public And Private ◽  
The Public ◽  
Private And Public ◽  
The Uk

While the privatisation of public space has been the subject of considerable research, literature exploring the shifting boundaries between public and private law, and the role of those shifts in the expansion of neo-liberal social relations, has been slower to develop. This article explores the use of fire safety regulations to evict political occupations in the context of these shifts. Two examples from the UK student occupation movement and two from the US Occupy movement demonstrate how discourses and logics of both private and public law are mobilised through fire hazard claims to create the potent image of a neutral containment of dissent on technical grounds in the public interest – an image that proves difficult to contest. However, the recourse to the public interest and to expert opinion that underpins fire hazard claims is inconsistent with principles governing the limited neo-liberal political sphere, which underscores the pragmatic and continually negotiated implementation of neo-liberal ideas. The article sheds light on the complexity of the extending reach of private law, on the resilience of the public sphere and on the significance of occupations as a battleground on which struggles over neo-liberal social relations and subjectivities play out.

Aristophanes' Adôôniazousai

2008 ◽  
Vol 27 (2) ◽  
pp. 282-333 ◽  
Author(s):  
L. Reitzammer
Keyword(s):  
Public Space ◽  
Close Reading ◽  
Peloponnesian War ◽  
Public And Private ◽  
The Public

A scholiast's note on Lysistrata mentions that there was an alternative title to the play: Adôôniazousai. A close reading of the play with this title in mind reveals that Lysistrata and her allies metaphorically hold an Adonis festival atop the Acropolis. The Adonia, a festival that is typically regarded as ““marginal”” and ““private”” by modern scholars, thus becomes symbolically central and public as the sex-strike held by the women halts the Peloponnesian war. The public space of the Acropolis becomes, notionally, a private rooftop, and Adonia-like activity proliferates; boars, myrrh, Aphrodite, ““gardens of Adonis,”” and lamentation all play important roles. The notion that the women of Lysistrata hold an unexpected Adonis festival on the Acropolis, at the very heart of the Athenian polis, provides a more nuanced reading of the play and forces us to rethink the place of the Adonia at Athens as well as, more generally, the distinction between public and private festivals.

The Portable Home: The Domestication of Public Space

2008 ◽  
Vol 26 (4) ◽  
pp. 324-343 ◽  
Author(s):  
Krishan Kumar ◽  
Ekaterina Makarova
Keyword(s):  
Public Space ◽  
Private Life ◽  
Public And Private ◽  
Public Spheres ◽  
The Public ◽  
Private And Public ◽  
The Public Sphere ◽  
The 19Th Century ◽  
Further Development ◽  
Privileged Site

Much commentary indicates that, starting from the 19th century, the home has become the privileged site of private life. In doing so it has established an increasingly rigid separation between the private and public spheres. This article does not disagree with this basic conviction. But we argue that, in more recent times, there has been a further development, in that the private life of the home has been carried into the public sphere—what we call “the domestication of public space.” This has led to a further attenuation of public life, especially as regards sociability. It has also increased the perception that what is required is a better “balance” between public and private. We argue that this misconstrues the nature of the relation of public to private in those periods that attained the greatest degree of sociability, and that not “balance” but “reciprocity” is the desired condition.

Sign in / Sign up

Export Citation Format

Share Document